Mutants (Sargent House) is album number three from Stephen Brodsky’s heavy, quirky and often colourful side-project Mutoid Man. And much like his work in Cave In, the music Brodsky creates with Mutoid Man encompasses a whole host of influences, to create a myriad of sounds.
It seems live albums are making a comeback. A slew of metal bands are releasing live albums in the coming months, perhaps in response to the ever-rising price of concerts these days. Add Uncle Acid and the Deadbeats to the list of live albums dropping this summer, though their release takes you back in time. Continue reading
Stoner rock is often thought of in the same dim light as Doom, but this Italian band has dropped an album that serves as an example of how the two genres differ. While stoner rock and doom both share DNA with Black Sabbath, these guys ride on their riffs with a boogie that share a similar cactus patch as Clutch. They do pay homage to Sabbath, mainly in the singer’s piercing declarations that sound like Ozzy by way of nineties grunge. Their fuzz-laden riffs focus on grooving, rather than carrying the stark undercurrent of aggression that powered Sabbath’s darker guitar sound.
Norwegians Saint Karloff formed in 2015 and their debut full-length All Heed the Black God followed in 2018. The latest album Paleolithic War Crimes (Majestic Mountain Records) comes as something of a bittersweet release following the sad loss of bassist and founding member Ole ‘Karloff’ Sletner in 2021 (RIP). The writing for this record had started in 2019 with Ole very much on board and to quote the band ultimately, “reflects a band in transition and exploring new paths, but at the same time it retains that proper heavy Karloff-vibe.”
Bergen, which is located in the heart of southwestern Norway, is widely known for producing an army of all-around great bands in the extreme metal scene – Borknagar, Enslaved, and Immortal, to name a few. Being the home of the renowned Norse sonic warriors Wardruna as well, there are almost always exciting things to look forward to in the Bergen scene. One of them is definitely the newest self-titled release by the up-and-coming psychonauts Søstre!
Anyone can write a call to action song, but actually meaning it, believing it —that can’t be faked. Fire From The Gods encapsulates the true power and reverberation of authenticity. Their message is real, they are real, and that has never waivered throughout their discography. While their debut album Narrative left an impactful first impression, their sophomore album American Sun lost the traction it deserved when COVID cut it’s tour cycle short; Making their new album, Soul Revolution (Better Noise) have all the more weight added onto its release.
Since forming in 2008, Thurmont, Maryland trio Faith In Jane has racked up an astounding eight releases of which Axe To Oak (Grimoire) is the latest. Quite impressive when you consider it takes a band such as Guns ‘N’ Roses decades to put out new music. The band is comprised of Dan Mize – guitar/vocals, Brendan Winston – bass, and Alex Llewellyn on drums.
Clutch, the irrepressible quartet from Maryland, America have just graced our ears with a new record Sunrise On Slaughter Beach (Weathermarker) – their thirteenth record, coming four years after Book Of Bad Decisions. It is unmistakably a Clutch album, full of hearty riffs and deft turns of phrase, but it is a shorter and more varied one than its predecessor.
The fabulously named Iowa-based duo Telekinetic Yeti release Primordial their follow up the rather excellent Abominable on Tee Pee Records, and appropriately it’s a beast.
Notably minimalist in its composition, which serves to emphasize the satisfyingly abrasive low end, title track Primordial kicks off proceedings with a very potent low and slow deep groove. This is made even more impressive by the lack of a bass player.Continue reading
After 14 years in the dirt, classic rock band The Hellacopters have returned from the dead to do exactly what Swedes do best: make damn good rock ‘n’ roll. Like many, many bands, The Hellacopters had no intention of getting back together post-breakup in 2008, but their new 2022 record, Eyes Of Oblivion (Nuclear Blast), goes to show that bands really do suck at staying broken up. We’re certainly not complaining, because this is one hell of a comeback record. Continue reading