Six albums into their career, SUMAC stretch the limits of what Metal can be with The Healer (Thrill Jockey Records) — a four-song, 76-minute double album of fluid, evolving, at times seemingly freeform Jazz Metal that requires some patience, but impresses with its expressiveness and creativity. Continue reading
Almost 60 years on from the kaleidoscopic cultural explosion, tied to the back of free-loving, flower-powering, mind-warping hippies and the kicked-open-door of artistically experimenting possibilities, Hard Rock-New-Wave-Jazz-Punk ensemble Rated Eye demonstrate on debut Rated Eye (Wax Donut Records) that people are definitely still strange. Continue reading
With spoken word poetry recitations comparable to Allen Ginsberg’s Howl and strong emphasis on immense existential dread, KEN Mode returns with their newest studio album VOID, released via Artoffact Records, the band’s ninth studio album.
Satellite Aphrodite (Deathwish Inc.) is the debut album from Oklahoma’s Mad Honey, a four-piece who are variously described as dream-pop, shoegaze, indie and glitter rock (whatever that is).
Back in 2015, Hey Colossus blessed their willing congregation with a double album release, In Black & Gold and Radio Static High which still remain critically acclaimed to this day with their heavy Desert Rock and bluesy influences painted throughout each composition. With Hey Colossus’ dedicated fanbase showing immense satisfaction from the aforementioned, one has to question whether or not the band can live up to the high bar they set at their previous go-round.Continue reading