Ghost Cult is stoked to bring you the new stand-alone single from Age of Woe’s, “Gospel of Lies”. This is the veteran band’s first new music since their 2016’s An Ill WInd Blowing and kicks off the next chapter in the bands’ history. The death – doom – progressive – sludge band has been gaining steam over the last few years. The band has performed at vanguard metal festivals such as Inferno Metal Festival, Incubate Festival, SWR Barroselas Metalfest, Berlin Swamp Fest, Bloodshed Fest, and Scorched Tundra. “Gospel of Lies” is also the first new song with Keijo Niinimaa (Rotten Sound / Morbid Evils / Goatburner). Jam out to the track now!
Tag Archives: Progressive
ALBUM REVIEW: BEAR – Propaganda
Propaganda (Pelagic Records) is the first full length I’ve gotten my hands on from Belgian exports, BEAR. In description to their sound I see lots of online chatter about it being labeled as Progressive Hardcore which to me sounds very appealing as it conjures up thought of Botch or early Between the Buried and Me. And while there are moments of zonked out Prog on Propaganda, I’d say it was akin to Groove Metal even though I’ve never been particularly jazzed about that as a genre moniker. Continue reading
ALBUM REVIEW: Elder – Omens
Did you daydream as a kid? Just stare off into nothing and let your imagination run wild? I did. A lot of my early childhood was spent amazed at what my mind could cook up with if I had a lack of books or toys, and before my soul was captured by music. Laying on my back in the grass, seeing shapes in the clouds or constellations at night, that was pure happiness as a kid. I never really stopped chasing that vibe as an adult, because I still drift off and let my brainwaves go crazy. Expect nowadays my field is my headphones and a turntable, and the clouds my mind is chasing down are inside of my eyelids, and not the sky. If you are looking for the ultimate “drop out, tune in, and turn on” soundtrack for 2020, it is definitely going to be Elder’s new opus, Omens (Armageddon Shop/Stickman Records).Continue reading
ALBUM REVIEW: Heaven Shall Burn – Of Truth and Sacrifice
It’s been four years since the German Extreme Metal act, Heaven Shall Burn, released their last album. After Wanderer (Century Media Records) came out, these hard-hitting fellas took a very justified break. Now with batteries recharged, they’re back with an adventurous new release. The band gifted us with the double album, Of Truth and Sacrifice (Century Media Records) earlier this month and it’s making quite the impression. Known for their aggressive sound and topical lyrics, this ninth full-length release is taking these extreme characteristics to a new level. The band has been around for nearly twenty-five years and they are still taking their massive sound to some exciting, uncharted territories. Continue reading
ALBUM REVIEW: Velnias – Scion of Aether
This is a really interesting release to say the least. Velnias have been crafting what they call, ‘Oppressive Rocky Mountain Dirge’ for well over a decade and have had a continual place on my radar. This upcoming release though, Scion Of Aether (Eisenwald) seems to be something else, something greater. The band has managed to fuse their progressive tendencies with post-black metal in order to craft something transcendent and powerful. This record leaps from peak to peak and seems to continually prove that this band is one of a kind.Continue reading
EXCLUSIVE VIDEO PREMIERE: Void of Sleep – “Unfair Judgement”
Italian Progressive Stoner Sludge band Void of Sleep will release their mammoth new album Metaphora on March 27th via Aural Music. Ghost Cult is teaming up with the band to bring you their amazing new video for “Unfair Judgement”! The clip, much like the song, is forboding, complex, and emotional. The video stars Starring Edo Tagliavini and Fausto Fori, was filmed by Gerardo Lamattina & cinematography by Gerardo Lamattina Film, with editing by Edo Talgiavini. It was written and directed by Edo Tagliavini and Gerardo Lamattina, who as you can tell, are great visual storytellers. Check out this video now and pre-order the album at the link below! Continue reading
CONCERT REVIEW: Barishi – Ether Coven – WVRM: Live at Sanctuary
The Sanctuary is a true Heavy Metal haven. Huddled next to the city of Detroit, the scaled-down town of Hamtramck accommodates this music club that caters so well to loud music. It was a freezing Wednesday night when the Moody Metal monsters, Ether Coven came to the Ham town. Along with extreme acts, Barishi, and WVRM on the touring bill, that bitterly cold night was about to sizzle with savagery.Continue reading
ALBUM REVIEW: Anacrusis Reissues – Manic Impressions and Screams and Whispers
After re-releasing their first two albums back in September, Metal Blade have now moved onto the remastered and repackaged third and fourth albums from St. Louis progressive thrash act Anacrusis. Continue reading
PODCAST: EPISODE 43: Andrew Mikhail of Serpents Talks “Temet Nosce”
One of the most underrated extreme metal albums of 2019 is Serpents’ (US) release Temet Nosce. The brainchild of Andrew Mikhail (ex-Oceano), the guitarist, vocalist and composer has taken the solo Blackened Death Metal influenced, auteur-driven work of his previous albums into a fully fleshed-out band. We caught up with Andrew to discuss the genesis of the project, his approach to composing and producing, philosophy and other influences on the band, prospects of the band touring, the Spooky Empire Horror and Tattoo convention, and much more!
Daniel Tompkins – Castles
Well-known singer, Daniel Tompkins kicked down doors as the vocalist for progressive music scene bands like TesseracT and Skyharbor. He has a legion of fans and has managed to reinvent himself on every release in his career. In the background, he has been working on solo material what would eventually become his debut solo album. Finding common ground with Russian producer Dmitry Stepanov, Tompkins is ready to shatter fans expectations for what they have come to expect from him, revealing new levels of artistry only hinted at. Freed from the genre rules or really any expectations, Castles (Kscope) arrives free of conventions or any other weird airs most signers fall prey to when they create a solo album. Continue reading