Formed in 2018 under the Dead History moniker, Phoenix, Arizona’s Common Wounds’ respective members are drawn from the likes of Run With the Hunted, Landmine Marathon, Suicide Nation, Seas Will Rise, and War Tongue while All Night Blood their first full-length release follows on from last year’s S/T debut EP. Continue reading
Cool World (The Flenser) might not be the album that is going to make Chat Pile a household name, but is does exceed the expectations set by 2022’s God’s Country. This album exudes anger. It’s become a cliche for bands to say their new album is going to be their heaviest yet, Chat Pile let the music do the talking in this regard. Continue reading
Noise Rock veteran Chris Spencer is probably a great guy to hang out with, but you have to imagine he could read out the ingredients to a tin of pea soup and make it sound panic-inducing. Continue reading
If Noise-Rock, and Punk were musical movements built on no more destructive behaviour than a gigantic excess of sugar, and were intrinsically aligned with computer game soundtracks, the world might have many a Melt-Banana. Continue reading
On Labyrinthe, (Self-Released) prolific, anonymous, French genre-defying duo Non Serviam lean into their Goth-Noise tendencies with a lo-fi collection of ghostly, ghastly gloom and dread.
Originating as a solo project ten years (or more) ago, it was once they became a duo (and released debut full-length Le Cœur Bat) in 2021 that Non Serviam really got going. Continue reading
Eschewing entirely the notions of guitars and bass, two-piece Industrial / Electronica / call-it-what-you’d-like outfit Bangladeafy take a less-is-more approach for sixth full-length, Vulture (Nefarious Industries), with a (pleasingly) heavy emphasis on blending songs into the next, cementing that this record should be listened to the old-school way.Continue reading
It’s time to get messy, as Squid Pisser returns to shower listeners in a hot mess of aliens, extreme metal, and bodily fluids on latest record Dreams of Puke (SKiN GRAFT Records). Continue reading
With a previous formidable track record consisting of three full-length concept albums, four experimental EPs, and a myriad of remixes and rearrangements to note, Belgian Industrial/Post-Rock unit Thot are resurfacing into the ever-dynamic civilization with their fourth studio album, Delta (Pelagic Records), which is a powerful amalgamation of everything all at once: people, places, spaces, and times that have shaped the band’s identity and helped form the integral parts of the band’s trajectory of life throughout the years. It envisages many forms of hope and perseverance against all odds – with all its atmospheric complexities and all-around-resonant distortions. Continue reading
Maryland’s Full of Hell are not fucking about. 6 studio albums, 5 collaboration albums, 9 EPs, 8 splits, and 4 live albums in 15 years, and with their latest album Coagulated Bliss (Closed Casket Activities), the band continues to demonstrate their refusal to stand still. Continue reading
How many times have you heard a band described as genuinely “unsettling” to listen to? In all honesty, this scribe in question has probably described a few in writing as such. Well, more than likely those acts cannot come even close to the nauseating realism, punishing content and sonic barrage of New York’s Couch Slut over the last few years.