GUEST POST: Adrienne Davies of Earth – Favorite Albums of 2019


 

Here is yet another Ghost Cult “End Of Year” Guest post! We’ll be sharing lists, memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the globe. Adrienne Davies, drummer and artist non-parallel of Earth has shared her shortlist of faves from 2019 with us. Earth released their immense new classic Full Upon Her Burning Lips in May via Sargent House and we chatted with her and Dylan Carlson in New York to discuss the album and their career. Check out her picks! Continue reading


Ulver – Sic Transit Gloria Mundi


Ulver’s Sic Transit Gloria Mundi (House of Mythology) stands as a kind of unofficial conclusion to the vision set out in 2017’s The Assassination of Julius Caesar, comprising a selection of cuts from the final draft, and select live recordings.Continue reading


REVIEWS ROUND UP: Black Mirrors, Lowlives, Wildways, Bruise, Arabrot, Lord


Nearly twenty years into this twenty first century of ours, and retro is once again the chicest tone in town. Fuzzed, bluesy guitars, seventies licks and threads, and an aching earnestness for a sound of yesteryear is where the coolest of cats are chilling. And down such alleyways we find Belgian quartet Black Mirrors and their impressive full length debut Look Into The Black Mirror (Napalm).Continue reading


Sam Jarvis of Talons Talks New Album – “We All Know”


2018 has, so far, been the year of the Holy Roar, and their collective of alternative takes on challenging and artistic music has seen the label rack up a string of successes with a variety of bands with some very different sounds, all united by a desire to create evocative and provocative music. Sam Jarvis, guitarist of UK post-rock innovators Talons spoke to Ghost Cult to cover all things ‘We All Know’, the band’s third album overall, and first for Holy Roar…Continue reading


Black Salvation – Uncertainty Is Bliss


Black Salvation bequeaths to the world their newest opus Uncertainty Is Bliss (Relapse) and black light owners, black eyeliner wearers, and foppish goths rejoice. It’s a heady mixture of Siouxsie and the Banshees, X, and Echo and the Bunnymen. Uncertainty is Bliss is loud and bombastic and is meant to be played on 11. Continue reading


Legend Of The Seagullmen – Legend Of The Seagullmen


The world is awash with Heavy Metal supergroups. But the pool of mega-star filled bands that actually delivered anything of real quality, however, is shallow indeed. Luckily, Legend of the Seagullmen might just be one of the weirdest super groups to deliver an album drowning in quality.Continue reading


Nick Cave Raises Awareness For Suicide Prevention In Australian Aboriginal Community


Nick Cave, by Alwin Kuchler

Australian music legend Nick Cave has thrown his support behind the campaign to raise Suicide Awareness for the Warlpiri community of Lajamanu in the Australian Tanami Desert, who are crowdfunding an indigenous suicide prevention app. Continue reading


King 810 – La Petite Mort Or A Conversation With God


 

king-810-la-petite-mort-or-a-conversation-with-god-ghostcultmag

Like many bands who enjoy a sudden rise to prominence, King 810 have attracted more than their fair share of detractors on their way into the public eye. From accusations of glamorizing gun violence to being just another bunch of wannabees lifting their Neo Nu-Metal sound from acts like Slipknot and Korn, the band now have the opportunity to silence many of their critics with their second full length release, La Petite Mort or A Conversation With God (Roadrunner).

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Editorial: Skeleton Tree By Nick Cave and the Bad Seeds Is The Heaviest Record Of 2016


Nick Cave, by Alwin Kuchler

Nick Cave, by Alwin Kuchler

Heavy metal is my world, and has been for decades, but the word “heavy” itself can be used to describe other types of music as well. Sure, hearing Pantera play ‘Suicide Note Pt. II’ live was the heaviest thing my ears have ever heard, but I’m talking about the heavy music that hits your heart as well. For example, when you hear ‘Redemption Song’ by Bob Marley, or Johnny Cash‘s cover of ‘Hurt,’ your whole soul feels like it has been taken over by the artist until the song ends. That’s the heavy I’m talking about, and last Friday Nick Cave and the Bad Seeds released the heaviest record of 2016.Continue reading