ALBUM REVIEW: High Reeper – Renewed By Death


Hello, friends today on the block we have the new cut from High Reeper, Renewed By Death (Heavy Psych Sounds). After three years the stoner metal group is back with some new tunes. This new cut is loaded with killer riffs from top to bottom. True to form the guitars come in with an intro calling to past influences to deliver a cool icebreaker for this album. The band also does a good job of keeping the energy up throughout, as well. There is a good flow from song to song. It feels like an album, not just a playlist. I think there are still some of us out there that enjoy the experience of an album, from beginning to end, and what the group/artist is saying as a whole.Continue reading


ALBUM REVIEW: Human Impact – Gone Dark


Noise Rock veteran Chris Spencer is probably a great guy to hang out with, but you have to imagine he could read out the ingredients to a tin of pea soup and make it sound panic-inducing. Continue reading


ALBUM REVIEW: Blood Incantation – Absolute Elsewhere


Denver quartet Blood Incantation’s new album Absolute Elsewhere (Century Media Records) is a dense and unique mix of 70s Prog Rock and 90s Death Metal. As is de rigueur for the genre, and like two of their influences Pink Floyd and King Crimson, this 45-minute album is made up of just 2 tracks – “The Stargate” and “The Message” – each of which is split into three parts, or “tablets.”Continue reading


ALBUM REVIEW: Wind Rose – Trollslayer


On paper, a band from Italy dubbed as “Dwarf Metal” may have you scratching your head. Yet when you listen to Wind Rose, it just works and it just makes sense. The quintet from the Tuscany region takes the festive feel of Folk Metal and the playfulness from Power Metal to create this fantastical new genre. Their unique merry-making is greatly contagious and explains why they are rapidly growing in popularity. They are now getting ready to release their sixth full-length record, Trollslayer (Napalm Records) that advances the band’s well-known jovial sound. They have managed to take all their best features, importantly multiple songs about beer, and compiled it all into this new album.Continue reading


ALBUM  REVIEW: The Barbarians of California – And Now I’m Just Gnashing My Teeth


The sound of what was once considered West Coast Hard Core is changing.  The Barbarians of California‘s new album And Now I’m Just Gnashing My Teeth (oneRPM) carries more of a metallic stomp aligned with modern Hardcore. Right from the first song you can hear the band’s more experimental edge. Once into the meat of the album, they bridge hardcore with a Nu-Metal sound, which is not unlike what System of a Down does. They attack with a more spastic jerk. It’s hard not to appreciate the sense of adventure that runs through these songs. The new generation of nu-metal kids who attend festivals like Sick New World will dig it. Hardcore purists might have some questions. Continue reading


ALBUM REVIEW: God is War – Boogeyman Inc.


God is War, formed in 2018, is the solo project of Mack Chami. Boogeyman Inc. (Profound Lore) is his latest offering, featuring seven tracks of glitching, abrasive, instrumental industrial noise music.Continue reading


ALBUM REVIEW: Blue Heron – Everything Fades


You might not live on the desert plains, but with Everything Fades (Blues Funeral Recordings), Hard Rock three-piece Blue Heron can show you the way there. Continue reading


ALBUM REVIEW: Swamp Coffin – Drowning Glory


An entire anthropological study could be done on how the region a band comes from affects the sound of any given genre. Continue reading


ALBUM REVIEW: The Jesus Lizard – Rack


Twenty-five years since their dissolution and Noise-Rockers The Jesus Lizard are back, with the classic line-up of Mac McNeilly – Drums, David Wm Sims – Bass, Duane Denison – Guitar, and David Yow – Vocals now fully restored. A quick history lesson for the uninitiated, the band formed in Austin, Texas in 1987 from the ashes of Scratch Acid, before relocating to Chicago in 1989. From there they would go onto put out a string of groundbreaking releases including a split single with some band called Nirvana, who you may have heard of. Continue reading


ALBUM REVIEW: Anthers – Pedigree Pig EP


At no point on Pedigree Pig (Self-Released), the debut EP by Seattle Post-Punk three-piece Anthers, does it feel like this is a record recorded from down the road. Pedigree Pig, I’m quite sure, was recorded in a murky sci-fi sex dungeon on the moon — conveniently being rented out for band recordings, but smelling kind of sus. Continue reading