ALBUM REVIEW: Venamoris – To Cross Or To Burn


Suppose the spirit of Dorothy Vallens from David Lynch’s surrealist, noir classic Blue Velvet could be transported into a Trip-hop-inspired, dark, Electro-Rock album in 2025. In that case, it’s hard to think of a more fitting home than To Cross Or To Burn (Ipecac Recordings) – by Paula and Dave Lombardo under their Venamoris moniker. Continue reading


ALBUM REVIEW: Hangman’s Chair – Saddiction


This review is going to break from the normal narrative we normally use here at Ghost Cult, where we steer away from how we feel personally about an album and try to stick to objective facts since Hangman’s Chair is one of my favorite bands. If you think that this will be a gushing love letter only fueled by my fandom, let’s correct that notion. My favorite bands are held to a much higher standard. My expectations here are exalted since I am emotionally invested in them. Continue reading


ALBUM REVIEW: Ocre – So Often Lifeblood Comes From Ashes


Duo’s appear to have a winning formula, as is exemplified by Petbrick, Big Business, Organized Konfusion, and Tears For Fears which the promotional notes for this release recognizes, describing Ocre as combining power and elegance. 

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ALBUM REVIEW: Nachtblut – Todschick



Out via Napalm Records which initially specializes in releasing Folk Metal and Black Metal units (but later expands in terms of genre diversity), Germany’s very own Nachtblut drop their seventh studio album entitled Todschick after previously having achieved a milestone regarding their previous release Vanitas, which peaked at #19 on the German album charts.Continue reading


EP REVIEW: ONI – Genesis


 

Hailing from Canada, Metalcore connoisseur ONI kicks off the new year with new five-track EP, Genesis (Self-Released). Each song has a sound massive enough to blow the roof off a stadium, yet accessible to a wide enough audience that fans from Metal and Pop scenes alike could easily appreciate it.Continue reading


ALBUM REVIEW: WREN – Black Rain Falls


London’s WREN have been releasing music for over a decade and Black Rain Falls (Church Road Records) is their third full-length record. The band describe it asa crystallisation of the conceptual voice-giving to natural collapse, humanity’s decline and the shadowed spectre that has imbued WREN since the beginning.” Continue reading


ALBUM REVIEW: Killswitch Engage – This Consequence


Since originally forming decades ago, the name of Killswitch Engage has become synonymous with the metal-core genre as a whole. It is impossible to have a discussion of what makes the best albums and artists in the subgenre, without the veteran band being mentioned at least once. Throughout their careers, the band have strived on to create some of the most iconic melodies and songs that could have only come from this band, amongst the thousands that make up metalcore. Now on their ninth studio album, This Consequence (Metal Blade Records), the band are taking it again up another level, according to their frontman Jesse Leach. Can the band fulfill these lofty highs now so far into their career?

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ALBUM REVIEW: Rectal Smegma – To Serve and Protect


 

Back in 2023 this young (not so young), innocent (well, pretty corrupted actually) writer had the pleasure of attending Berlin Deathfest—two days of Death Metal, Slam and Grind. For the pummelling rhythms, churning riffs, turbo-charged energy and just gleeful silliness it’s hard to pick a bigger high point than Dutch, Goregrind four-piece Rectal SmegmaContinue reading


ALBUM REVIEW: The Night Flight Orchestra – Give Us The Moon


Retro-flavoured Swedes The Night Flight Orchestra (ft. Soilwork, Arch Enemy, Mean Streak members) are still at it with their seventh album Give Us The Moon (Napalm Records). With an insanely catchy AOR style, with an unabashedly high level of seventies and eighties-style cheese front and centre. Half the tracks here sound like they belong in some long-forgotten, coming-of-age film from 1985.  Continue reading


ALBUM REVIEW: Unreqvited – A Pathway to the Moon


As a consistently profound blend of blackgaze, ambient, post-rock, and black metal, the Ottawa-bound Unreqvited led by 鬼 (Ghost) takes a groundbreaking step toward a rather structured approach in terms of their soundscapes on their new album; incorporating elements from their past releases. With the release of A Pathway to the Moon –out via Prophecy Productions–, they transition into something beyond their borders; inclined more towards intricate lyrical expressions and clean vocals rather than instrumental-heavy elements. This change of trajectory also happens because of the fact that they recently transitioned into a full touring band with heavy focus on live performances. Continue reading