Evergreen (Hopeless Records) is a very ambitious album and frankly by far the most thematically well-rounded and best effort from Pvris yet. Lyndsey Gerd Gunnulfsen has seamlessly planted a flag on the moon here, showing it was her that made this project special all along. Not only a queer champion, Gunnulfsen is a top-notch creator and performer who can back it up with grade-A material with startling philosophical depth amidst the beats and hooks.
Beltfed Weapon has often felt like a fun but sort of long-running vanity (but nonetheless valid) project for Seattle’s talented Frank Hetzel, many years between quite short releases featuring a who’s who of underground metal players guesting in support of a slightly odd discography. It is strange to me that there aren’t a series of full-lengths after so much time spent between releases, but every shorter thing Frank has released still has moments to enjoy for the casual thrash, death, and (at times) power metal fan.
Punk icons GBH entertained several generations of fans at the accomadating and fun Garden Grove, CA-based open-air Garden Amp venue on Friday night. In tow were several up-and-coming or established younger acts to keep an eye on and to help the Birmingham baddies celebrate the City Babys Revenge 40th Anniversary US Tour in style. The all-ages event was an almost pitch-perfect celebration of punk’s forever appeal and staying power.
Coming off the buzzed about ‘Nowherer’, it was interesting to speculate where Portland’s Victory Over the Sun would go next. Vivian Tylinska may have just “a girl who makes noise” on her Bandcamp bio, but that deeply undersells the scope of her enthralling work as a composer, thinker, and multi-instrumentalist.
Existential dread, class war, and alienation? Seems like a great time for some new American Nightmare. The storm clouds of tomorrow loom over this fantastic new EP from the beloved hardcore (with post-punk sprinkles) institution on their latest release Dedicated To The Next World (Heartworm Press).
River Of Diamonds, the 2023 return album from the sensational and highly regarded Liv Kristine, is one of the most meaningful and sweeping rock releases of the year. Planting her feet and owning her space in the scene with both tell-tale sincerity and a firm yet graceful demeanor, Liv deserves nothing but respect for her talent and dedication to the arts and the years of musical enchantment she has gifted fans. It was wonderful to discuss her new record and how to spot the lights in the dark. Continue reading
It really is a renaissance time for heavy, melodic experimental doom fans with The Exuviae Of Gods series from Mournful Congregation, the cathartic Katatonia-indebted Mother of Graves making significant waves and now the first album from Portland’s beloved Usnea in over half a decade. A band rooted in care-for-others and awareness of their place in the cosmos making some of the most expansive and also acerbic doom around? What’s not to love?
Gothic rock Norwegian heroine Liv Kristine is integrity personified when it comes to representing her chosen genres, the ideal ambassador of grace, fun, shimmery, and shadowy melodic reflection. River Of Diamonds (Metalville Records ) is one of her most digestible yet nonetheless compelling efforts yet, the closest comparison is a merging of a lighter variant of the love rock of H.I.M. with the captivating gothic roots she is known for.
Descending consecutive steps of the shadowy nooks and crannies of the psyche, like Werner Herzog revealing more abject layers of vampiric horror, Sweden’s Tribulation have never been a one-trick (bat) pony. They are the rare band with sophisticated songwriting smarts, an ominous and seductive allure, and the self-awareness to not tip their hand too far into unintentional macabre cheese camp while still straddling the gulf between Hammer homage, the deep subconscious mind, rock n’ roll, and death.
To be a gatekeeper in metal is generally frowned upon as elitist these days, to the point where my favorite Awenden / Feminazgul shirt has the phrase “impale the gatekeepers on spears and leave them posted alongside your path as a warning to others” on the back.