World Domination is a big old task. Both in terms of, um, well, actually taking over the world, but also in terms of taking everything about the fifth full-length from Norwegian collective Blood Command in. Twenty tracks, and everything from Black Metal to slick pop, via snarling punk, metallic stomping Hardcore, and even the odd pause for breath (though only a sharp intake before heading off somewhere else, into urban beats, or shimmery synths, or kicking someone’s head in).
There’s just something about the last handful of years and releases that are classified as either crossover Thrash or Metallic Hardcore that absolutely kills it. Moreso, when an album drops that has a mix of both of these subgenres, like the UK-based Guilt Trip, it’s just everything you want out of aggressive music on a bad day. With that, unleashed onto the world is Severance (via Malevolence’s label, MLVLTD), Guilt Trip’s sophomore full-length, an album that puts you through the grinder and spits you out for thirty-four minutes.
Alongside Integrity, Ringworm are one of Cleveland, Ohio’s premiere Hardcore outfits. Formed in 1989 the band’s original run lasted until 1994 and yielded the classic The Promise debut album. Since their 1999 reunion, the band have been prolific with Seeing Through Fire being their ninth release and first since 2019’s Death Becomes My Voice.
Depth Perception is the debut full-length album from recent Prosthetic Records signees Creak, a heavy new metallic Hardcore band hailing from Newcastle UK.
It would be redundant to label End Reign an angry band. Metal tends to breed a dime a dozen of those. And metallic hardcore isn’t a previously untapped subgenre. Besides, the two have probably worked in tandem long before we subdivided every possible combination for the sake of clarity.
In recent months, there have been quite a few “sophomore” releases that have been exciting to look forward to. However, none have been as highly anticipated as Jesus Piece return in …So Unknown (Century Media) after their debut took the metallic hardcore world by storm five years ago. While the lyrical emotions of just being pissed off about past trauma is left on the previous album, Aaron Heard still brings a level of aggression and chaos, yet a level of positivity. Either way you slice it, this record really hits the marks for a sophomore effort which will excite fans.
It never ceases to amaze me how far and wide heavy music can be found, and good music at that. Japan’s own Kruelty is a good example of this as they drop their second full-length album, Untopia (Profound Lore).
When we last heard of our New York heroes in All Out War they were still practicing a charged-up, violent brand of Metallic Hardcore on 2019’s Crawl Among the Filth. Yet it’s now 2023 and a global pandemic later and those gentlemen are again picking up that metallic mantle like it never went out of fashion on Celestial Rot (Translation Loss Records).
In yet another striking example of music being used as an outlet for some of life’s most traumatic misgivings, Fit For A King have returned with their seventh – and quite possibly most impactful – full-length record. The Hell We Create (Solid State) is eons more than a collection of compelling, thought-provoking metalcore.
Well, God’s Hate has gone out of their way to make sure you don’t confuse their sophomore LP with anything else on the rack. You know the one, God’s Hate (Closed Casket Activities) featuring the track ‘God’s Hate.’ And yes, that was a record store joke. If you don’t know what that means, ask your parents. It’s fitting too considering that the stuff on God’s Hate recalls an era before streaming or even iPods and Zunes (okay, really ask your parents).