If you find yourself wondering exactly what Alex Shikolai is barking about on Slaughter To Prevail’s debut Misery Sermon (Sumerian), it may not be because the vocals are so violently guttural that you just can’t understand a word without following a lyric sheet. It may simply be because you don’t speak Russian.Continue reading
Tag Archives: Ingested
Behemoth, Arch Enemy, Finntroll, Blaze Bailey, Destruction Booked for Heavy Scotland
The heaviest metal festival in the history of Scotland is right around the corner as Heavy Scotland is set to kick off April 1st and 2nd at the Corn Exchange in Edinburgh. Behemoth is headlining in a UK Exclusive performance, along with Arch Enemy, Finntroll, Blaze Bailey, Destruction, Havok, Fleshgod Apocalypse, Grave, Warbringer and more! Continue reading
Damnation Festival 2016 Part II: University of Leeds, UK
Atmosphere was the key word at Damnation Festival and back over on the Eyesore Merchandise Stage as Portuguese act Sinistro unleashed a sonic tour-de-force. Though a relatively new act its members hold combined decades of performance experience, and there was something of the avant-garde about this set. Vocalist Patricia Andrade was as forceful in her dancing as she was elegant in her singing, and to top it off she was the beneficiary of carefully arranged lighting that ensured she was almost floodlit while her band mates moved behind and around her in relative shadow. Continue reading
Damnation Festival 2016 Part I: University of Leeds, UK
An army of metal heads descending upon the University of Leeds Students Union on a freezing, overcast morning can only mean that it’s time again for the annual earthquake of Damnation Festival. Now in its eighth year at the same venue, and a third year of hosting acts on a total of four stages, this cult event is growing. Unfortunately, its expansion coincides with the revamp of the building it has called home for so long, making this one of the more hectic and claustrophobic episodes in the festival’s history. Continue reading
Damnation Festival 2016 Promises Greatness With Electric Wizard, Enslaved, Abbath And More
Although all metalheads seem to love Halloween, I’m sure our friends in the UK and beyond can’t wait for next weekend to get here. That’s because Damnation Festival 2016 s is coming next Saturday November 5th to Leeds University Union, and it’s sure to be a banger. Get prepared with our preview:Continue reading
Damnation Festival Announces Final Lineup, Tickets On Sale Now
The premiere UK music festival for the underground, dark, and extreme bands, Damnation Festival has announced the final additions to their lineup, taking place Saturday, November 5th, at Leeds University Union.Continue reading
When The Circus Is In Town: Jason Keyser of Origin
Emerging from a sea of black t-shirts, Jason Keyser of Origin finds me standing mid-way through the venue’s pre open-door line.
“Oh, good it’s not a video recording,” Keyser says as we make our way around the corner to a quiet side of the street.
As we set down our gear on the sidewalk, Keyser greets wallet-chain wearing kids who recognize him.
“No, but this way, you can pose in the photos and fluff-out your hair,” I remark between his handshakes with fans.
“I’d rather you Photoshop me a lot,” he says as the crowd thins. “Give me a glow.”
Although Keyser and crew are about halfway through their co-headlining slot on the Devastation Across the Nation US tour, he looks rested and already illuminated, so I skirt the suggestion.
“Tony Lazaro said it best: ‘I feel like an old carnie in an old circus,’” Keyser quips, referring to a remark the Vital Remains guitarist made while Origin toured with the band in 2011. Lazaro parlayed the jest while standing at his band’s merch table as he watched young kids run amuck. “There’s a new generation of fans, and we’re still holding on,” Keyser says. “But [Origin guitarist and vocalist] Paul Ryan is the only original member, and he’s still just as young at heart as you can imagine; it’s adorable—he’s a lifer!”
Although there are newer generations of Metal fans taking to the scene, Origin remains one of the well-respected staples, lauded for their blast-beat blitzkriegs and searing technicality. And while Origin isn’t touring in support of anything necessarily “new,” the band’s last album, Omnipresent (Nuclear Blast), remains innovative and relevant.
“We’re lucky we’re not big enough that we have to cater to a certain look or style,” Keyser says. “People still seem to dig it, dig what we do. It keeps it fresh. Our last album, [Omnipresent] was a little different from the last one before it, but how ever we’re feeling is how we express ourselves.”
Would you ever take fans for a loop and put out a Funeral Doom album?
“Yeah, maybe—why not? Omnipresent featured a straight-up circle-pit, Thrash-Metal song, as well as a Black Metal song, so maybe we’ll put out an Origin Sludge album—slow it all down by 100 percent.”
Do you give a shit about what your fans think?
“If we could have sold out, we would have sold out a long time ago—I guess we are one of those bands that doesn’t “care” about what fans think, because if we did we’d be “selling out.”
I don’t think about it specifically like that, but…hmm, now that you broke it down, I’m going to have to think about it. “
Do you have plans for a follow-up to Omnipresent?
“After we’re done with the tour, we’ll have a lot of time off, and we’ll start pounding out a new [album] in early spring [next year].”
Now a-days, you have to keep pumping out albums to stay relevant—
There are some bands, however, that take a long time to put out an album, like Meshuggah.
“Meshuggah makes way more money than we do—we don’t have that luxury!
It is good to stay relevant; there’s a weird time period before the next album becomes a comeback—like, you have to put out new music before two years or after six, otherwise you’re lost in the abyss.
As far as a new album, though, I’m the last person whose input gets put in that consideration—my role comes last in that.”
Other than this tour, what do you have in the hopper you’re looking forward to?
“The tour is halfway done—I’m excited about it being all the way done, actually!
Ideally, we’ll be playing South America, and we’ll be playing a festival in South Africa too—I’m basically using the band as an excuse to travel around the world—good work if you can get it!”
Keyser and I make invisible oranges, before he disappears back into the club. Doors open, and my buddy and I make our way inside. We see Keyser sitting at the Origin merch table, fashioning a quiet grin, arms folded as he observes a carnival of young fans collecting in throngs before him.
Origin continues to co-headline the Devastation Across the Nation tour with Krisiun, and with supporting acts Aeon, Alterbeast, Soreption, and Ingested. The band is planning to head to the studio next year, so be on the look out for more information on their forthcoming activities online here:
Krisiun and Origin Co-Headline North American Tour
Krisiun and Origin have announced the Devastation on the Nation tour with Aeon, Alterbeast, Soreption and Ingested as support. Krisiun had previously announced that they were working on their next record with producer Erik Rutan (Cannibal Corpse, Six Feet Under, Malevolent Creation, Madball, Agnostic Front) at Mana Studios in Tampa, FL. Origin is supporting their latest release Omnipresent, which was recorded and mixed with longtime producer/engineer Robert Rebeck at Chapman Recording in Lenexa, KS, mastered at Menegroth – The Thousand Caves with Colin Marston, and features artwork once again by Colin Marks (Nevermore, Kataklysm, Exodus). The album marks the recording debut of Jason Keyser (Skinless), who has being touring with them as their vocalist since the release of Entity.
“Devastation on the Nation” tour dates feat. Krisiun & Origin with Aeon, Alterbeast, Soreption, Ingested
Sep 04: Mojoes – Joliet, IL
Sep 05: High Noon Saloon – Madison, WI
Sep 06: Zoo Cabaret – Winnipeg, MB
Sep 07: Dickens – Calgary, AB
Sep 08: Starlite Room – Edmonton, AB
Sep 09: Rickshaw Theater – Vancouver, BC
Sep 10: Studio Seven – Seattle, WA
Sep 11: The Pin! – Spokane, WA
Sep 12: Duffy’s Hangar – Salem, OR
Sep 13: Rockbar Theater – San Jose, CA
Sep 14: The Grizzly Den – Upland, CA
Sep 15: Brick By Brick – San Diego, CA
Sep 16: Joe’s Grotto – Phoenix, AZ
Sep 17: LVCS – Las Vegas, NV
Sep 18: Bar Deluxe – Salt Lake City, UT
Sep 19: Roxy Theater – Denver, CO
Sep 20: Blu Phoenix Venue – Albuquerque, NM
Sep 22: Gas Monkey B&G – Dallas, TX
Sep 23: Dirty Dog Bar – Austin, TX
Sep 24: Scout Bar – Houston, TX
Sep 27: Drunk Horse Pub – Fayetteville, NC
Sep 28: Diamonds Pub – Louisville, KY
Sep 29: Ottobar – Baltimore, MD
Sep 30: Reverb – Reading, PA
Oct 01: Saint Vitus Bar – Brooklyn, NY
Oct 02: Broadway Joe’s – Buffalo, NY
Oct 03: Mod Club – Toronto, ON
Oct 04: The Foundry – Lakewood, OH
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Origin, Morgoth, etc Added To Neurotic Deathfest 2015
Neurotic Deathfest 2015 has added Origin, Morgoth, Centurian and Korpse to this year’s lineup. Europe’s premier indoor extreme metal festival sets place on April 17-19 at 013 venue in Tilburg, the Netherlands.
All confirmed bands for Neurotic Deathfest 2015:
Bloodbath, Obituary, Entombed A.D., Immolation, Origin, Devourment, Nader Sadek, Broken Hope, Pyrexia, Tribulation, Internal Suffering, Benighted, Internal Bleeding, Morgoth, Dead Congregation, Sinister, Disavowed, Soulburn, Liquid Graveyard, Mass Infection, Gorod, Kronos, Centurian, Ingested, Holocausto Canibal, Jig-Ai, Nominon, Unfathomable Ruination, Acranius, Cardiac Arrest, Incinerate, Regurgitate Life, Hideous Divinity, Contrastic, Perfecitizen, The Walking Dead Orchestra, Near Death Condition, Korpse, Bleeding Utopia, Abhorrent Decimation, Neuroma and Slaughter To Prevail.
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Ingested – The Architect of Extinction
Ever since they emerged onto the UK death metal scene back in 2006 like a hungry chest-burster from the Alien films, Manchester’s Ingested have been the band to turn to for straight-up brutality. After early flirtations with deathcore on debut album Surpassing the Boundaries of Human Suffering and the slightly weak follow-up The Surreption, the band seem to have nailed a truly killer sound on third full-length The Architect of Extinction (all Siege of Amida Records).
Opening tracks ‘The Divine Right of Kings’ and ‘Narcissistic Apathy’ are both finely tuned monstrosities that are solely interested in repeatedly smashing you over the head with a selection of vicious, pacy riffs and clattering blasts of percussion. The main influence here is strictly the new school of death metal with an appreciation of Aborted and Whitechapel evident in the songwriting. This is further demonstrated by the barely restrained fury of ‘Endless Despondency’ which utilises every trick in the book to get heads banging and roundhouse kicks flying in equal measure.
While this ‘more is more’ approach is undeniably a forceful one, there is always the danger that this method can render proceedings dull as atmosphere and nuance gets sacrificed for the sake of bludgeon. Thankfully Ingested avoid falling into this trap by varying things up a bit such as on the moody ‘I, Despoiler’ and post-metal flavoured instrumental ‘Penance’ which provides an interesting sidestep into more leftfield territory. However, the searing heaviness returns with a vengeance on later tracks such as ‘Extinction Event’ which really allows powerhouse drummer Lyn Jeffs to show off his chops.
For those seeking an instant way to blow away their New Years hangovers, Ingested are the perfect tonic. They’re the equivalent of a kebab shop stabbing; horrible, shocking and over before you know it and The Architect of Extinction is as vicious as anything else out on the street right now.
7.5/10
JAMES CONWAY