Domkraft, Heavy Temple, Somnuri, and More Booked for Magnetic Eye Records Livestream 


Magnetic Eye Records and Blues Funeral Recordings are hosting a Day of Doom Livestream on May 15th, 2021!  The event serves as a virtual sequel to Magnetic Eye’s massive Day of Doom Live label showcase at Saint Vitus Bar in 2019. Bands performing includes Domkraft, Heavy Temple, Somnuri, Howling Giant, and Caustic Casanova. It goes down on 5/5 at 5pm EDT (New York) / 23:00 CEST (Berlin, Paris) and will be streaming directly from the Magnetic Eye Facebook and at this link below, free of charge.

Continue reading


Listen to THOU Cover “Them Bones” By Alice In Chains


 

Avant-garde Sludge Metal chameleons THOU have released a cover of the classic  Alice In Chains track ‘Them Bones’, which is featured on the forthcoming Magnetic Eye Redux series installment Dirt [Redux] More information about this record can be found below. Check out the track at Revolver! 

Continue reading


REVIEW: Howling Giant and Sergeant Thunderhoof  – Turned To Stone Chapter 2: Masamune & Muramasa 


 

Splits are a pretty great tool for cross-promotion with the power to introduce different bands to each other’s audiences, but they can also foster a competitive spirit. While such intentions are normally limited to fans debating which band is better, Ripple Music intentionally fans the flames with the second chapter in their Turned To Stone series. This particular split sees two rising stars Howling Giant and Sergeant Thunderhoof putting their Stoner Prog Metal skills to the test on Turn To Stone Chapter 2, as they depict a battle of wits between two legendary Japanese swordsmen.  It’s certainly one of the more intriguing ideas for a split I’ve seen in a good while, reminding me of a similar treatment that Thorr-Axe and Archarus gave The Hobbit in 2017.

Continue reading


Listen to Khemmis Cover “Down In A Hole” By Alice In Chains for “Dirt Redux”


Magnetic Eye Records just dropped the first single from Dirt [Redux]. Colorado doom metal quartet Khemmis chose ‘Down In A Hole’, originally the fourth track on Alice In Chains’ 1992 classic, Dirt (Columbia Records). Listen to the song now!

Continue reading


ALBUM REVIEW: Black Spirit Crown – Gravity


Black Spirit Crown’s first proper album sits right on the line between Doom and Stoner Metal with hints of Prog seeping through. The fuzzy riff work is rooted in Sleep and Electric Wizard tradition, the hustling tempos remind me of Orange Goblin, and the tripped-out atmospherics and vocal filters echo Howling Giant or Mastodon. These traits were already distinct on the Red Sky EP released in 2017 and the Cleveland group takes them to even further extents with Gravity (Self-Released).

Continue reading


Various Artists – The Wall Redux


Like the noble slice of pizza, a cover song, if done well, can be amazing. And if it’s not, it’s still pretty good. It’s tough to cover well-known songs and albums by famous bands because music becomes our lexicon and fans know every little nook and cranny of a track. This is the case with Pink Floyd and their iconic double album The Wall. Luckily Magnetic Eye Records and their incredible “Redux” series is here, and they always do a bang-up job of assembling the talent. Covering the entirety of The Wall seems both ambitious and a little crazy too. While The Wall is lower on my personal list of Floyd favorites, it’s as important as it is beloved by the masses. Continue reading


Listen To ASG’s Amazing Cover Of Pink Floyd’s “Mother”


 

Southern stoner sludge metallers ASG have shared their stellar cover of Pink Floyd’s ‘Mother’ from their classic album The Wall. The track comes from the upcoming Magnetic Eye Records‘ The Wall [REDUX]. The cover-to-cover re-imagining of Pink Floyd’s ambitious concept album by up-and-coming and seminal artists from across the heavy music landscape, with single releases of songs from Pallbearer and Mark Lanegan already streaming. Check out ‘Mother’ now! Continue reading


Descendants Of Crom Festival 2018, Various Venues, Pittsburgh PA


Sojourning to the Steel City, where the steel these days is mostly from the music, Descendants of Crom Festival enjoyed a second annual event recently and Ghost Cult was there. From the pre-fest gala and parking lot party (think of a modern “Heavy Metal Parking Lot” with stoner rock and doom fans), three nights of badassery at both Howlers and the Cattivo club, it was a rager. Shout out to the sponsors Blackseed Records and Riff Relevant among others. Highlights of the weekend included sets from Heavy Temple, Howling Giant, Doomstress, Come to Grief, Thunderbird Divine, Toke, Geezer, Duel, but really you can’t really go wrong with a deep lineup like this. We can’t wait for next year and round three! In the meantime, check out these photos by Dante Torrieri of Useless Rebel Imaging for Ghost Cult. Continue reading


Mos Generator, Lo-Pan, Duel, Come To Grief, Heavy Temple Booked For Descendants Of Crom Fest


Blackseed Records Presents the Descendants of Crom Festival, a three-day underground heavy music festival is taking over Pittsburgh, PA this coming weekend for its second annual event. Billing itself as “A Gathering Of Rock, Doom, Sludge, And Metal” in the Steel City, Descendents of Crom Fest takes place September 27th to 29th at Howlers and Cattivo clubs and features Mos Generator, Lo-Pan, Duel, Come To Grief, Heavy Temple, Worshipper, Devil To Pay, Freedom Hawk, Disenchanter, Geezer and many more. There is also a Pre-fest Gala and other events all weekend long! Full set times, venue info and ticket info can be found at the links below. Continue reading


Psycho Las Vegas 2018: Live From Hard Rock Hotel And Casino


Psycho Las Vegas has grown and evolved over the years and has shaken off any comparisons to niche European fests and your traditional US fest, itself having no close comparisons, and being its own beast. Having everything under one roof including your stay can lead to late and debaucherous nights for some, packed and planned diverse schedules for the devout, a little compromise of both for others, but an all around good time for all. For a journalist working the fest, it goes by in a blur but you still experience having those stand out moments as well as highlights of your own. Continue reading