At no point on Pedigree Pig (Self-Released), the debut EP by Seattle Post-Punk three-piece Anthers, does it feel like this is a record recorded from down the road. Pedigree Pig, I’m quite sure, was recorded in a murky sci-fi sex dungeon on the moon — conveniently being rented out for band recordings, but smelling kind of sus. Continue reading
Tag Archives: EP reviews
EP REVIEW: GEL – Persona
As the world comes to an end, one can only hope punk and metal bands will get angry regarding our collective demise to provide a decent soundtrack. Thanks to record labels who want products that can be easily marketed a more pop element has been diluting genres that should be holding the middle finger up to the imminent mushroom clouds to come. A few brave bands are shunning this kinder and gentler direction. New Jersey’s GEL is one of them. Their new album Persona (Blue Grape Music) finds the band ready to give the middle finger, as they get right up in your face with their pumped-up take on punk. 2023’s “Only Constant” had not only momentum but did not compromise when it came to the songwriting. This time around the energy leans more into the hard-core side, throwing more weight behind its punches. Continue reading
EP REVIEW: Graywave – Dancing In The Dust
Starting out as a solo project for singer and multi-instrumentalist Jess Webberley, Graywave have released two previous EPs – Planetary Shift in 2021, followed swiftly by their first for Church Road Records, Rebirth in 2022. Continue reading
EP REVIEW: Hollow Leg – Dust
A tasty slice of rhythmic, headbanging Sludge, this groovy, nicely gnarly EP finds Hollow Leg in fine fettle, smoking hot and leaving many others in their wake – leaving them in the dust, you could say.Continue reading
EP REVIEW: Dripping Decay – Ripping Remains
I was just thinking about how my gym setlist has been lacking in death metal of late. Fortunately I think I found some good cardio workout music in the latest release from Dripping Decay and their new EP, Ripping Remains (Satanik Royalty).
Their ranks include some well known names on the death metal scene: Jackson Jordon (Conducting From The Grave) and Jason Borton (Jungle Rot), so you know you are in for a treat. At a blazing seventeen and a half minutes, that includes a Halloween cover, is a snack-sized death-grind record that any heavy music fan can find enjoyment in.Continue reading
EP REVIEW: Escuela Grind – DDEEAATTHHMMEETTAALL
Yeah, you can score one more for the good guys up here representing extreme metal in New England. Massachusetts more specifically. And that’s not against our friends in New Hampshire, Vermont, or Rhode Island as they are also vital components of the scene, but Massachusetts just hits a little differently.Continue reading
EP REVIEW: The Hope Conspiracy – Confusion – Chaos – Misery
One of the best parts of writing for Ghost Cult Magazine is getting so many new bands’ (to me) albums to review that absolutely blow me away. Continue reading
EP REVIEW: Alluvial – Death Is But A Door
Atlanta-based Alluvial hit the scene running in 2017 with their independently released full-length debut The Deep Longing For Annihilation, a wholly instrumental Death Metal record which caught the ears of the mighty Nuclear Blast Records, who subsequently snapped them up for their follow up Sarcoma in 2021. Continue reading
EP REVIEW: Panzerchrist – All Witches Shall Burn
Signed under Emanzipation Productions, the Aarhus-based Danish extreme metal warlords Panzerchrist –who have been around for about thirty years– are back on releasing a new four-track EP, All Witches Shall Burn, which was recorded in the same session of their 2023 album Last of a Kind. The recording process was done in Antfarm Studios with a production process involving Tue Madsen who has previously worked with many big names in the extreme metal scene such as Behemoth, At The Gates, and Aborted.
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EP ALBUM REVIEW: Act Of Entropy- Oupiroullel
Despite the world known adage that you should “never judge a book by its cover”, sometimes cover art is an excellent snapshot that gives a good indication of what is to come. The artwork in the case of Oupiroullel (Centipede Abyss) manages to both indicate what is to come with its frenzied, warped and vivid artwork, whilst somehow doing absolutely nothing to give preparation.
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