From underground gems to headline-worthy drops, it’s New Music Friday for 6-20-25
What is your favorite album cover this week?
From underground gems to headline-worthy drops, it’s New Music Friday for 6-20-25
What is your favorite album cover this week?
From underground gems to headline-worthy drops, it’s New Music Friday for 6-20-25
What is your favorite album cover this week?
Hellfest, held every year just outside of Paris, in Clisson, France, continues to up the ante every year with forever growing and impressive lineups! Taking place from June 27 to June 30, 2024, Hellfest will once again be four days long and over 200 bands appearing on six stages. For 2024, the headliners for each night will be Avenged Sevenfold, Machine Head, Metallica, and Foo Fighters. The full daily lineups, including one more major band tba, and the ticket link are coming soon!
Ghost Cult begins our “2021 End of Year Guest Post Extravaganza” with a slew of posts from bands, industry, PR pros, and more! We’ll be sharing lists, memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the globe. In this edition, Christian Muenzner Eternity’s End and Obscura shares his Top Ten Albums of 2021! Purchase Eternity’s End – “Embers of War” album is out now via Prosthetic Records, and you can buy it here https://smarturl.it/Eternitysend
While Blazon Stone’s sixth full-length continues down their established path of Running Wild emulation, it’s also the first they’ve released as a full-fledged band. In contrast to past albums that had bandleader Cederick Forsberg recording most of the instruments himself with whoever was available to sing at a given time, Damnation (Stormspell Records) sees him just sticking to the guitars this time around. A completely new lineup has been assembled that includes a new singer, a new drummer, and even Crystal Viper bandmate Marta Gabriel on bass duties.
Although the brand of epic European power metal that Crystal Viper performs is most definitely up my street, I must preclude this review by admitting that aside from hearing the odd song here and there, I have had no real exposure to them on a studio album level. The Cult, is the Polish act’s eighth full-length release in a legacy that has thus far lasted eighteen years. At face value, a band that maintains that level of consistency would have me assume they have nailed down a singular style and were comfortable releasing records in said style without a whole lot of variation. It is therefore with a great sense of irony that my first review of their noise is of a disc which caught me completely off guard by occupying a different scene entirely. The sweetly epic elements the band is known for are certainly present in The Cult, but the power metal is largely downplayed in favour of a more classic but simultaneously epic style of heavy metal, one that calls back to the days of bands like Accept and Saxon without ever sounding derivative of either.
For a band whose schtick has been carrying the torch for old school Heavy Metal, it’s interesting how Crystal Viper’s eighth album feels like a trip to their own early roots. The band didn’t venture too far from that core sound over the years, but The Cult (Listenable Records) comes with the “Running Wild as fronted by Doro Pesch” spirit that defined early staples like The Curse of Crystal Viper or Metal Nation. I like to think that recruiting Ced Forsberg of Rocka Rollas/Blazon Stone fame for drum duties was the spark for this shift in style.