FEATURE: Mike Scheidt of YOB – The Ghost Cult Interview


Ghost Cult caught up with Mike Scheidt of YOB recently, while the band was on their mini-headline tour. Mike talked about the return to touring, his approach to playing live, the longevity of the band, the new deluxe re-issue of their classic album Atma (Relapse Records) – what Mike is reading these days, and the progress of the next YOB album! Also, check out this EXCLUSIVE photo set from YOB live in New York by Dante Torrieri of Useless Rebel Imaging! In addition to our recent live review of the current tour from the band, Ghost Cult scribe Michael Miller shared his thoughts upon seeing the band recently sharing the common awe we all feel experiencing the band, as well, which serve as a nice warm up to our chat with Mike.

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ALBUM REVIEW: Crystal Viper – The Cult 


Although the brand of epic European power metal that Crystal Viper performs is most definitely up my street, I must preclude this review by admitting that aside from hearing the odd song here and there, I have had no real exposure to them on a studio album level. The Cult, is the Polish act’s eighth full-length release in a legacy that has thus far lasted eighteen years. At face value, a band that maintains that level of consistency would have me assume they have nailed down a singular style and were comfortable releasing records in said style without a whole lot of variation. It is therefore with a great sense of irony that my first review of their noise is of a disc which caught me completely off guard by occupying a different scene entirely. The sweetly epic elements the band is known for are certainly present in The Cult, but the power metal is largely downplayed in favour of a more classic but simultaneously epic style of heavy metal, one that calls back to the days of bands like Accept and Saxon without ever sounding derivative of either.

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CONCERT REVIEW: Municipal Waste – Toxic Holocaust – Enforcer – Skeletal Remains: Live at Club Academy


I think it’s fair to say that there is nothing unexciting about the prospect of seeing Municipal Waste and Toxic Holocaust perform under the roof of a sweaty club on a Friday night. Through their consistently solid releases and even better live reputation, these highly regarded acts in equal parts reignited interest in the possibilities of what modern thrash metal could truly offer. With Municipal Waste’s image and sound playing heavily into nostalgia for 80’s crossover acts such as D.R.I. and Suicidal Tendencies, Ryan Waste and the boys reminded us, for better or for worse, just how blistering the genre could be during an era where metalcore dominated the loud rock mainstream when they dropped The Art of Partying back in 2007. Continue reading →