ALBUM REVIEW: Juliet’s Not Dead – This World Is Ours


Despite only releasing their first music at the turn of the decade, UK Rockers, Juliet’s Not Dead have been hard at work, grafting away, releasing numerous EPs and even their first debut album over the past 5 years. Now ready to demonstrate where the band plan to move onto, comes their sophomore release The World Is Ours (TMR Records). Just like the name implies, the band have lofty goals when it comes to their music. Hiring Grammy-nominated producer, Romesh Dodangoda, to bring that extra flair and sleek sound design to their music, the band have a lot of hopes and dreams riding on this album.Continue reading


ALBUM REVIEW: The Night Flight Orchestra – Give Us The Moon


Retro-flavoured Swedes The Night Flight Orchestra (ft. Soilwork, Arch Enemy, Mean Streak members) are still at it with their seventh album Give Us The Moon (Napalm Records). With an insanely catchy AOR style, with an unabashedly high level of seventies and eighties-style cheese front and centre. Half the tracks here sound like they belong in some long-forgotten, coming-of-age film from 1985.  Continue reading


ALBUM REVIEW: Jethro Tull – The Jethro Tull Christmas Album: Fresh Snow At Christmas


This week on the block, we have a Christmas album—and not just any Christmas album, but one from the legendary band Jethro Tull. At first, one might think, “What the hell?” But those who are die-hard Tull fans or just super fans of Christmas albums will remember this is not the band’s first venture into the realm of holiday music. The Jethro Tull Christmas Album—Fresh Snow At Christmas showcases the band’s love for the holiday season. Continue reading


ALBUM REVIEW: Massive Wagons – Earth To Grace


Earth To Grace (Earache Records) is the Lancastrian quintet Massive Wagons seventh album, following on from 2022s rather good, UK top ten hit Triggered. They have teamed up with new record producer Matt O’Grady (You Me At Six, Architects) this time round, their signature brand of humorous and catchy Classic Rock is very much intact but with tauter songwriting and slightly bigger, shinier choruses. Continue reading


PODCAST: Glacially Musical 205 – Foreigner’s “Double Vision” Reviewed with Don De Leaumont


In this episode #205, Nik, Keefy, and guest host Don De Leuamont of Southeast of Heaven and Talking the Talk with Don review Foreigner’s second album, Double Vision!Continue reading


CONCERT REVIEW: Rob Zombie – Alice Cooper – Ministry – Filter Live at PNC Bank Arts Center


How many bands must play together before it is considered a music festival? If the answer is four or more, a festival has been touring the USA and recently landed in Holmdel, NJ at the PNC Bank Arts Center. The Freaks On Parade tour is one of the strongest bills around with Filter, Ministry, Alice Cooper, and Rob Zombie providing an evening of unparalleled energy. Continue reading


ALBUM REVIEW: Mr. Big – Ten


When bands make the grand announcement that their next album is to be their last this usually means one of two things. It won’t actually be their final record at all, or the end product will probably ending up being some lacklustre, contractual obligation full of second-hand riffs that never made it onto previous records. Continue reading


ALBUM REVIEW: Gatecreeper – Dark Superstition


After a five-year gap between albums, Arizonan quintet Gatecreeper are back with Dark Superstition (Nuclear Blast). Their third album sees their heavy, Death Metal roar wed to more melodic and concise metal. A heavy band embracing melody like this might raise some metalheads’ hackles, afraid their band going soft, but fear not. Their heft and aggression is still alive and kicking, but just married to more accessible metal.   Continue reading


ALBUM REVIEW: Marcus King – Mood Swings


Having teamed up with Black Keys frontman Dan Auberbach for the last two albums, on his new one Mood Swings (American Recordings/Republic Records/Snakefarm Records) Marcus King is helped out by producer extraordinaire Rick Rubin. Gone is the seventies, bluesy Rock N’ Roll of the previous record Young Blood, in its place is R&B, Soul, Jazz, Pop and Classic Rock influences with King’s smokey, bluesman vocals taking centre stage. Continue reading


ALBUM REVIEW: The Black Crowes – Happiness Bastards


Rock ‘N’ Roll might be a young man’s game, but it is not stopping the Robinson Brothers from again coming together on Happiness Bastards (Silver Arrow Records) to prove they still have it. If Amorica was the last album you picked up by these guys, then things have changed dramatically. If you are one of their more avid followers then you have heard their transition away from merely being a Led Zeppelin/Rolling Stones hybrid, so this album makes perfect sense. 

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