Consisting of Jake, Dany, and Déhà, Acathexis unites members of Mare Cognitum, Los Males del Mundo, and Downfall of Nur together as an intercontinental unit based in Argentina, USA, and Belgium, In collaboration with Extraconscious Records, Amor Fati Productions proudly releases Acathexis’ second full length that is highly anticipated; entitled Immerse which is available on both CD and vinyl formats.
The one-man riff-driven Atmospheric Black Metal act Malist consists of none other than the ever-talented multi-instrumentalist Ovfrost, who “believes that evil dominates the world”. The project is notable for featuring recurring themes that circulate around tyranny, war, and reclusion. To this day, Malist has released four full-length studio albums in a relentlessly belligerent pace, with the fifth full-length, Of Scorched Earth coming via Avantgarde Music.
Of Scorched Earth also marks the start of a new journey that Malist embarks on with the label.Continue reading
I was not supposed to be at this show. I was in Germany for Wacken but the rain had other ideas. As I scrambled to figure out new plans, I searched concerts happening across Germany and came across this one, so I rented a car and hit the Autobahn for the 4.5-hour journey from Hemmingstedt to the UT Connewitz in Leipzig. The venue which felt like an underground concrete bomb shelter, was slow to fill with fans. Shortly before the opening act came on, the fog began to fill the stage, and it continued to fill the concrete bunker we were in.Continue reading
A mere two years removed from the fifty-minute colossus that is Primordial Arcana, Wolves In The Throne Room have undertaken a full 180 with Crypt Of Ancestral Knowledge (Relapse Records). The four-track extended play is spearheaded by “Beholden To Clan”, and is supplemented by three instrumental-dominant tracks.
As an atmospheric Black Metal duo with a wide range of influences ranging from Crust to post-Metal, the Sweden-based Black Birch manage to keep both the classical and contemporary nuances of their sounds intact. Being the progressive, anti-fascist black metal act that they are, human nature and humans’ place and effect on earth become some of the recurring major themes in their songwriting.
Flowing down from the Adirondack Mountains in New York, just as the rivers do, Blackbraid returns with the second chapter, Blackbraid II (self-released). Created by Sgah’gahsowáh, Blackbraid quickly took the black metal world by storm with his stunning self-titled just last year that mixed atmospheric black metal with indigenous American mythology and history.
There are certain facets of life and the world that are absolute. Until the inevitable apocalypse it is simply a given that the sun will rise and set, that the tides ebb and flow, and that, most importantly, Willowtip Records rarely miss. Continue reading
Into Sorrow Evermore (Napalm Records) marks the return of the German Black Metal two-piece Imperium Dekadenz, who wears the influence of the Norwegian second wave firmly on their sleeve, along with the inspiration of their Black Forest surroundings. The album is their seventh full-length release and dives deep into a landscape of atmospheric black metal, written as a symphony of aggressive yet uplifting music, woven around sweeping and mesmerising guitar riffs.Continue reading
Over the years I have slowly come around to liking more black metal projects, but none do more justice than those that focus on the atmosphere that brings you on a journey. British Columbia’s own Liminal Shroud does just this on their second full-length, All Virtues Ablaze (Willowtip Records). In just under forty minutes (across only four tracks), this album will be sure to be part of many conversations towards the end of the year.Continue reading
Stormkeep – Tales of Othertime
Featuring members of Wayfarer and Blood Incantation, Stormkeep plays Melodic Black Metal with a particularly epic flair. Their first full-length album, Tales of Othertime (Van Records), reflects great deal of influence from such groups as Dissection, Emperor, and Old Man’s Child. The production is claustrophobically atmospheric without getting too raw, the guitar sweeps are flamboyantly choppy, the vocals put in the expected rasps with the occasional cleans shining through, and the keyboards reinforce the theatrical aura without completely dominating the proceedings.
The songwriting also plays a fun game of contrasts with the six tracks consisting of four lengthy runs supplemented by a couple Dungeon Synth instrumentals. ‘The Citadel’ is a particularly striking example of the latter at work, putting in the sort of medieval swells and lonely trickles that would do Summoning proud, while ‘A Journey Through Storms’ makes for the most triumphant showing of the more orthodox Black Metal excursions. The album is very of its influences but with Stormkeep executing these tropes with such sincere fervor, the enthusiasm is contagious.
8 / 10
Wraith – Undo The Chains
Indiana’s Wraith has always been an enjoyable addition to the post-Midnight/Toxic Holocaust school of Blackened Thrash bands riding a gritty formula that is often simple but hard to truly screw up. Their third album, Undo The Chains (Redefining Darkness Records), shakes up the formula with some extra dynamics. Though still featuring a familiar mix of grimy riffs and filthy vocals, the band plays around with tempos more than before.
This is most apparent with the slow grind of the midway highlight ‘Time Wins’ though other tracks like ‘Gatemaster’ and ‘Cloaked In Black’ put in more mid-tempo chugs. Of course, there’s still plenty of fast hearty Thrash to go around and they even snuck a bit of Punk into ‘Born To Die’ and ‘Disgusting.’ Wraith albums always make fun listening for fans of the genre, but Undo The Chains is easily their best rounded effort.
8 / 10
Morgul Blade – Fell Sorcery Abounds
Morgul Blade’s first full-length is driven by a sound best described as Blackened Heavy Metal. The guitar leads and riffing patterns are driven by a dark Mercyful Fate-esque overcast with some tinges of Power Metal-inspired triumph while the vocals are in a near constant tug-o-war between baritone bellows and legible screeches. The production maintains a distant yet coherently grandiose haze all the while and there’s even a couple dedicated spots for some Synth layers to shine.
With these varying elements in a state of integrating and pulling apart, this would raise concerns that Fell Sorcery Abounds (No Remorse Records) is an incohesive listen. While ‘The Morgul Blade’ and ‘A Last Waltz of Gevaudan’ open on the album’s grimmest notes, things soon settle into an ominously anthemic air that comes through the most strongly on ‘In The Grip Of The Dark Lord,’ the Grim Reaper-esque ‘Sons Of The Night,’ and ‘The Five Will Ride at Dawn.’ I must admit the album might’ve benefitted from a consistently more upbeat pace, but this is a fun listen that lays down a neat template to develop even further.
8 / 10
The Night Eternal – Moonlit Cross
Coming off their 2019 self-titled EP, The Night Eternal’s first full-length does a lot to conjure the memory of In Solitude. Their Gothic tendencies are somewhat understated in comparison, but the combination of yelping baritone vocals and dark Mercyful Fate-inspired guitar acrobatics results in a similar blend of Doomy Traditional Metal. The first half is solid enough with ‘Son Of Sin’ putting in a particularly nifty Maiden-esque series of gallops.
The second half is where Moonlit Cross (Van Records) really picks up; ‘Shadow’s Servants’ is an enjoyable mid-tempo rocker and the rhythms on ‘Prison Of Flesh’ boast some forward momentum along with some extra conviction in the vocals that carries over nicely into ‘Closeness In Suspension’ and the closing title track. A rearranged track order might’ve made for an even more cohesive listen, but this is ultimately a fun niche effort.
8 / 10
Tower – Shock To The System
It’s been five years since TOWER released their self-titled debut, but their second album picks up where its predecessor left off. Shock To The System (Cruz Del Sur Music) continues to straddle the line between Hard Rock and Classic Metal with gritty rhythms, flailing twin guitars, and unhinged vocals ala Savage Master and Solicitor.
There’s been some solid developments in the songwriting as tracks like ‘Prince of Darkness,’ ‘Lay Down The Law’ and ‘In Dreams’ benefit from more fleshed out structures while ‘On The Line’ and the closing ‘Powder Key’ make for some hard-hitting rough and tumble Speed Metal. It’s a simple but effective execution that should sit well with old school Heavy Metal fans.
8 / 10
CHRIS LATTA