GHOST CULT MAGAZINE TOP 75 ALBUMS OF THE YEAR 2024

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Last-minute slinky Norwegian jesters aside, our dedicated and awesome team of writers, photographers, editors, contributors, alumni, designers and what have you, have come together to work through our regular collaborative and demographic confirmation of those albums that tickled our collective pickle in 2024.Continue reading


PODCAST: Glacially Musical 210 – Obituary – “Slowly We Rot” – A Death Metal Classic Reviewed


New series time! Nik and Keefy of GhostCultMag tackle the early classics of Obituary! We start with “Slowly We Rot” from 1989 (Roadrunner Records)!Continue reading


ALBUM REVIEW: Hexenbrett – Dritte Beschwörung: Dem Teufel eine Tochter


 

Today on the block we have Hexenbrett. If you are a fan of guitar-driven Black Metal, look no further than this new offering. On their sophomore effort, we are treated to some super hooky riffage, mixed with enough ambiance and atmosphere to keep everything nice and evil. Continue reading


ALBUM REVIEW: Becerus – Troglodyte


More famous for its art and architecture, the Sicilian capital of Palermo also happens to be the home of something a lot nastier and ghastly. No, not its history of organised crime and murder. Something far more brutal than that: Death metal act Becerus.

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ALBUM REVIEW: Lacolpa – In Absentia Lucis


Lacolpa’s new album, In Absentia Lucis (Brucia Records) finds the Italian band diving deeper into darkness. Their brand of darkness this time is more experimental than most heard this year. While they still self-identify as a Sludge band there is more common ground with Current 93 than with Neurosis

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EP REVIEW: Horse Butcher – Horse Butcher


In a world full of two-faced people, misleading information and strings attached to practically everything, Goregrind is the breath of fresh air society needs. Simply put: what you see is what you get.Continue reading


ALBUM REVIEW: Lord Sin – Confessions


Black metal is to thank for bringing the mystique back to music. This duo from Portugal cloaks themselves in black shrouds, we can assume they are not playing in, but instead of blast beats Lord Sin hits you with some creepy dirges on their sophomore album Confessions (Larvae Records). The graveyard stomp of the riffs allows darkness to possess their sound organically, rather than having to pull out all the Halloween decorations to convince the listener. Halfway into the first song, it’s easy to hear where they fall in the middle ground between doom and black metal. For a duo, they are cranking out a great deal of sound and care about writing songs, rather than just bashing out riffs.  Continue reading