ALBUM REVIEW: Venamoris – To Cross Or To Burn


Suppose the spirit of Dorothy Vallens from David Lynch’s surrealist, noir classic Blue Velvet could be transported into a Trip-hop-inspired, dark, Electro-Rock album in 2025. In that case, it’s hard to think of a more fitting home than To Cross Or To Burn (Ipecac Recordings) – by Paula and Dave Lombardo under their Venamoris moniker. Continue reading


ALBUM REVIEW: God is War – Boogeyman Inc.


God is War, formed in 2018, is the solo project of Mack Chami. Boogeyman Inc. (Profound Lore) is his latest offering, featuring seven tracks of glitching, abrasive, instrumental industrial noise music.Continue reading


EP REVIEW: Non Serviam – Labyrinthe


On Labyrinthe, (Self-Released) prolific, anonymous, French genre-defying duo Non Serviam lean into their Goth-Noise tendencies with a lo-fi collection of ghostly, ghastly gloom and dread.    

Originating as a solo project ten years (or more) ago, it was once they became a duo (and released debut full-length Le Cœur Bat) in 2021 that Non Serviam really got going. Continue reading


ALBUM REVIEW: Eye – Dark Light


Eye is the new project of MWWB (formerly Mammoth Weed Wizard Bastard) frontwoman Jessica Ball and Dark Light marks its debut following MWWB’s  2022 album The Harvest. Joining Ball in her latest venture are keyboardist Jonny and Drummer Gid Goundrey (Gulp/Ghostlawns/Martin Carr). Continue reading


ALBUM REVIEW: Arms And Sleepers – What Tomorrow Brings


 

Mirza Ramic doesn’t do anything halfway. 

The musical artist and producer helped to found Arms And Sleepers, an electronic trip hop outfit that was formed back in 2006 and has since released 13 full-lengths and 20 EPs in that time. His latest effort is no less impactful.Continue reading


ALBUM REVIEW: PJ Harvey – I Inside The Old Year Dying


 

Venerated singer-songwriter PJ Harvey has returned with her tenth album, the first since her 2016 release The Hope Six Demolition Project. This new record is entitled I Inside the Old Year Dying (Partisan Records) and Harvey has once again collaborated with producers Flood and John Parish.

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ALBUM REVIEW: Spotlights – Alchemy for the Dead


 

Brooklyn, New York trio Spotlights (Sarah Quintero – bass/vocals, Mario Quintero – guitar/vocals/keyboards and programming, and Chris Enriquez on drums/percussion/vocals) have been releasing music since 2016 when they debuted with the Tidals album. Since then they have garnered fans such as Chino Moreno and have toured with the aforementioned’s band Deftones as well as Refused, Quicksand, and Mr. Bungle


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ALBUM REVIEW: Liv Kristine – River Of Diamonds


 

Gothic rock Norwegian heroine Liv Kristine is integrity personified when it comes to representing her chosen genres, the ideal ambassador of grace, fun, shimmery, and shadowy melodic reflection. River Of Diamonds (Metalville Records ) is one of her most digestible yet nonetheless compelling efforts yet, the closest comparison is a merging of a lighter variant of the love rock of H.I.M. with the captivating gothic roots she is known for. 

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ALBUM REVIEW: GGGOLDDD – This Shame Should Not Be Mine


GGGOLDDD, based in the Netherlands, have for the past decade been releasing material that defies genre conventions and blurs the boundaries between all manner of musical styles, from Metal, to post-Punk, to Pop, to Trip-Hop. Their fifth full-length release, This Shame Should Not Be Mine (Artoffact Records) is based around deeply personal themes to vocalist Milena Eva, who uses this record, conceived during the 2020 lockdown, to address traumatic events including sexual assault.

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