While many may consider Deathcore to be a stagnant movement, the bands that espouse its styles continues to evolve as more artists come together to push boundaries. Brockton, Massachusetts natives, Worm Shepherd, have dropped their first EP (following two full lengths), The Sleeping Sun (Unique Leader Records), and the mixture of deathcore, symphonic death metal, and sprinkles of black metal themes ended up growing on you.
Black metal, in and of itself, can be very polarizing due to the imagery, lyrical content, and if the band is “true” black metal or not (side note: what a stupid debate to have). One such polarizing band, UADA, has dropped their fourth full-length album, Crepuscule Natura (Eisenwald Records) and is some of their best work to date. Sticking to their signature melodic black metal sound with lyrics mostly about nature and the cosmos, the Portland, Oregon, four-piece put us on a spiritual journey for forty minutes.
Many bands over the years have incorporated H.P. Lovecraft’s work into their projects. Newcomers from Nottingham, England, Outergods, not only named themselves after the big baddies from the Cthulhu mythos, but even their overall sound instills fear and madness. A little over a half hour in length, A Kingdom Built Upon the Wreckage of Heaven (Prosthetic Records), debuts the haunting blend of black metal and grindcore this UK outfit has unleashed into the void for gods and mortals alike.
Melancholy, death, doom, gloom, sorrow, these are words that come to mind the instant I hear about a band that is categorized as death/doom metal. No mom, metal is not all about anger and expressing it in violent manners! Northern Ireland’s own, The Crawling, have released their third full-length album, All Of This For Nothing (Grindscene Records), and it is a depressing but heavy voyage. Seven tracks averaging around six minutes in length each is a surefire way to make each track just hit harder and stay with you long after the album is over.
If there was ever a time I could put the label of “abrasive” on an album, it would have to be for the debut full-length from Disimperium, Grand Insurgence Upon Despotic Altars (Sentient Ruin Laboratories). Take the mystical and obscure portions of black metal, lay them upon the bones of death metal, and crank up the intensity with grindcore and this makes up the uneasy feeling in your gut as you listen to the Oakland natives. Nine tracks at around half an hour is all you need to feel like you got hit by a truck filled with speakers turned up to eleven.
Flowing down from the Adirondack Mountains in New York, just as the rivers do, Blackbraid returns with the second chapter, Blackbraid II (self-released). Created by Sgah’gahsowáh, Blackbraid quickly took the black metal world by storm with his stunning self-titled just last year that mixed atmospheric black metal with indigenous American mythology and history.
Over the last few years, we have been lucky to see so many collaboration albums between two bands/artists that absolutely knock it out of the park. The latest mashup comes in the form of Boris and Uniform putting together what they call, Bright New Disease (Sacred Bones). Through nine tracks at just over thirty-two minutes, each track has its own footprint for the greater collection. Punk, industrial, thrash, doom, and noise pop up throughout the record but not one influence really ever takes the spotlight more than another.
Every once in a while, there is an itch in the back of my brain, and the only way to scratch it is to listen to Swedish Death Metal. With such luck, into my ears goes the full-length debut of Imperishable, appropriately named, Come, Sweet Death (Hammerheart Records). Blistering, chainsaw-like guitar riffs with epic leads, relentless drum work, and harsh raspy vocals is everything to expect from that sweet Gothenburg flavor of death metal. This scorcher of an album hardly lets up across the thirty-eight-minute blaze and will be sure to leave you either exhausted or ready to jump out of an airplane.
Grindcore is one of those subgenres in the heavy music world that is often overlooked and is also one of the most abrasive. To a point where sometimes it is difficult to differentiate bands at times as the typical criteria of what makes a grindcore band, are quite narrow. Sometimes, the borders are pushed outward, such as can be seen on the latest Suffering Quota album, Collide (Tartarus Records). Take traditional grindcore, toss in some death metal, and make the breakdowns count with powerviolence, and you are left with the audio recordings of a true beatdown.
Metalcore/deathcore legends, The Acacia Strain comes storming back to your ear holes with not just one new album, but two! The Massachusetts natives have dropped Step Into the Light and Failure Will Follow (Rise Records). The first album is a more “traditional” album, while the second is three, ten-minute, or longer doom tracks. We had seen previously TAS drop a doom track that took up an entire second disk, but this time the doom and gloom gets an album for itself.