ALBUM REVIEW: Daath – The Deceivers


After 13 years, Dååth has returned with their new album, The Deceivers (Metal Blade records).

The band, helmed by sole founding member Eyal Levi, returns to a different musical landscape. Metal has perhaps the most loyal fan base of any genre of music, yet the climate is much different than when the band released their self-titled album in 2010. Death Metal is now more regularly integrated with Black Metal and Metalcore. Record companies often market Pop acts as Metal, depending on the thought police of the internet to defend them with cries of gatekeeping, when voices rise against this.Continue reading


ALBUM REVIEW: Engulfed – Unearthly Litanies of Despair


Death metal has always been a very hit-or-miss subgenre for me but most of it I do appreciate it. In good news, I have been listening to the new Engulfed album, Unearthly Litanies of Despair (Me Saco Un Ojo/Dark Descent Records), and it is certainly a hit and not a miss. Just shy of forty minutes, the four-piece from Turkey slams and shreds their way through your cranium. Just the right mixture of grimy OSDM and technical fretwork gives this album some replayability.Continue reading


ALBUM REVIEW: Hideous Divinity – Unextinct


When it comes to Italian Brutal Technical Death Metal heavyweights Hideous Divinity, you tend to know what you’re getting yourself into prior to sitting down to give a listen or two.

And that isn’t a bad thing.Continue reading


ALBUM REVIEW: Aborted – Vault Of Horrors


For nearly thirty years, Aborted has been the backbone of the Death Metal scene. With another release in the collection, the Vault of Horrors (Nuclear Blast Records) has been opened. Continue reading


ALBUM REVIEW: Job For A Cowboy – Moon Healer


It has been many years, but finally, the return of Job For A Cowboy is upon us!

Once known for a certain EP that helped pioneer an entire genre we call deathcore, JFAC has since evolved greatly and picked up where they left off with their new release, Moon Healer (Metal Blade Records). This journey through a person seeking enlightenment through some pseudo-alchemy edibles is the level of chaos that the death metal world was yearning for.Continue reading


ALBUM REVIEW: Spiritual Deception – Semitae Mentis


Names are everything in Death Metal. So choosing one to best reflect the preferred brand of pneumatic skullfuckery can be just as important as the music itself at the beginning. Continue reading


ALBUM REVIEW: Cognizance – Phantazein


New year, new label… Following their first two releases under the Prosthetic Records banner, UK-based Death Metallers Cognizance are back with Phantazein, a concept album via Willowtip Records that focuses primarily on “art, obsession, and the profound influence of one’s environment.”

The five-piece outfit surpasses typical Death Metal and on this record introduces elements of Technical Death Metal and thrash. None of this puts a strain on the production value, which is a well-oiled machine – and certainly sounds like it – from start to finish.

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CONCERT REVIEW: Cattle Decapitation – Immolation – Sanguisugabogg – Castrator Live at The Warsaw


Brooklyn’s newly reopened Warsaw venue, and witnessed an unforgettable night of extreme metal. The line-up boasting Cattle Decapitation, Immolation, Sanguisugabogg, and Castrator delivered performances that showcased the raw energy and technical prowess of the genre. This diverse range of death metal styles made it a night to remember for fans.Continue reading


ALBUM REVIEW: Revulsed – Cerebral Contamination


Nothing keeps your cheeks rosy and your heart warm in the cold, Northern winters like some good ol’ technical brutal death metal. Just in time for Christmas, from the opposite end of the globe in Australia, Revulsed have dropped their second full-length album, Cerebral Contamination (Everlasting Spew Records) which drags you through a near thirty-six-minute cesspool of guttural vocals, some slam, and highly proficient guitar licks.Continue reading


EP ALBUM REVIEW: Act Of Entropy- Oupiroullel



Despite the world known adage that you should “never judge a book by its cover”, sometimes cover art is an excellent snapshot that gives a good indication of what is to come. The artwork in the case of Oupiroullel (Centipede Abyss) manages to both indicate what is to come with its frenzied, warped and vivid artwork, whilst somehow doing absolutely nothing to give preparation.
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