Tag Archives: stoner doom album reviews

ALBUM REVIEW: Electric Wizard – Black Magic Rituals and Perversions, Vol. 1

Posted on by

In 2024, Electric Wizard returns with their first album in seven years, Black Magic Rituals and Perversions, Vol. 1 (Spinefarm Records), a live album. Returning with a live album is one thing but this isn’t your ordinary live album. Usually, when one thinks of live albums, you may think of hearing bombastic stage sounds and roaring crowds, but Electric Wizard chose to record to an audience of each other and to the fans with the idea that people would get to hear what a band, trapped in isolation with the thought of possibly never playing again. The result of this album is a crushing presentation of songs that are even more raw, angry, and fist-clenching than before.  Continue reading →


ALBUM REVIEW: Orange Goblin – Science, Not Fiction

Posted on by

Following the path blazed by bands like Kyuss and Monster Magnet who emerged from the Grunge scene, Orange Goblin was one of the main bands who kept the bong songs in rotation to help cement the sound we think of today as Stoner Metal.Continue reading →


ALBUM REVIEW: The Obsessed – Gilded Sorrow

Posted on by

Keyboard warriors, warmongering politicians and wicked women, Scott “Wino” Weinrich has got a bone to pick with all of you. He’s also got a truck-load of doom-soaked, monolithic, heavy-metal riffs to unleash. On Gilded Sorrow (Ripple Music), the latest album by metal road-warriors The Obsessed, Weinrich is taking names and kicking ass and he’s got the band and the studio sounds to inflict some sonic damage. Continue reading →


ALBUM REVIEW: Wizard Tattoo – Fables of the Damned

Posted on by

 

Wizard Tattoo are ostensibly a solo outfit from Indianapolis led by multi-instrumentalist Bram the Bard who released a four-track self-titled EP last year which has now been followed up with the Fables of the Damned (Self-Released) full-length debut which I currently have in my possession and am about to review. 

Continue reading →


ALBUM REVIEW: Acid King – Beyond Vision

Posted on by

 

Beyond Vision (Blues Funeral Recordings) marks Acid King‘s fifth full-length album to date and its thirtieth anniversary as a band since their formation. It’s also the follow-up to 2015’s overlooked Middle of Nowhere, Centre of Everything album which Lori referred to in a recent interview on Conan Neutron‘s Protonic Reversal show with a hope of reissuing it at some point. Fingers crossed. 

Continue reading →


ALBUM REVIEW: Witch Ripper – The Flight After the Fall

Posted on by

 

Thunderous. Anticipatory. Windswept. A Bugatti Veyron driving at top speed through the Uyuni Salt Flats. Batman. Witch Ripper’s The Flight After the Fall (Magnetic Eye Records) is all of this and more. 

Continue reading →


ALBUM REVIEW: -16- – Into Dust

Posted on by

 

Grinding away in the sludge metal fringes for over thirty years, Los Angeles, California’s -16– are one of those “how have I missed them?” bands that seem to fly below the radar for many, but once detected are unlikely to be forgotten. On Into Dust (Relapse Records) the band drop their ninth album, the follow up to 2020’s Dream Squasher, sounding as amped-up, powerful and determined as ever to charge head-first through the nearest wall. 

Continue reading →


ALBUM REVIEW: Oreyeon – Equations For The Useless

Posted on by

Italian stoner rockers Oreyeon release their third album Equations For The Useless (Heavy Psych Sounds), a potent mix of stoner, grunge, heavy rock, and lengthier progressive compositions. This album notably draws on the influences of years gone by not only in style but was also recorded live, an approach to a recording I’m very much a fan of. 

Continue reading →


ALBUM REVIEW Black Lung – Dark Waves

Posted on by

It is a time of change for the Baltimore based psych-doom three piece Black Lung, who following the release of their third album Ancients in 2019, parted ways with founding guitarist Adam Bufano, replacing him with Deaf Scene’s Dave Fullerton. Four months later and their subsequent tour of the album was cancelled as the pandemic struck, so the band decided to regroup and start working on fresh material with their new guitar player straight away. Continue reading →


REVIEWS ROUND-UP: Crystal Spiders, Duel, Doctor Smoke, and Tommy Stewart’s Dyerwulf

Posted on by

Crystal Spiders – Morieris

With the second Crystal Spiders album, Morieris (Ripple Music), coming out just a year after Molt, it’s fair to say that it picks up where its predecessor left off. The guitar has a more noticeable presence courtesy of producer Mike Dean playing a more hands on role in the proceedings, but the songs remain primarily driven by Brenna Leath’s thumping bass and attitude-filled howls along with Tradd Yancey’s muscular drumming.

Continue reading →