ALBUM REVIEW: Foretoken – Triumphs


 

In late 2020, Foretoken warned the entire world of one thing: the Virginia Beach-based duo is on a mission to completely shake up the status quo. Three years later, Triumphs (Prosthetic Records) is proof positive the mission is so far a smashing success.

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EP REVIEW: Dirge – Dirge


 

When an EP is presented, it’s easy to cast it off as a minor installment added to a band’s overall body of work. But Dirge composed four independent, uniquely structured tracks that makes their self-released, self-titled opus bigger and more complex than what the runtime would suggest.

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ALBUM REVIEW: Zulu – A New Tomorrow


 

Fifteen unfinished chapters don’t combine to make a novel. 

A New Tomorrow, the debut long-player from eclectic power-violence outfit Zulu (released via Flatspot Records), feels too much like a compendium of skeletal songs that largely fail to take off to truly work. Three of the first four tracks – the exception being the introductory ‘Africa,’ a piano and strings-infused number – start off heavy and emphatic, but they all conclude with a divergence. ‘For Sista Humphrey’ turns gospel; ‘Our Day Is Now’ descends into sound clips; and ‘Music To Driveby’ is marred by soft singing. 

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ALBUM REVIEW: To The Grave – Director’s Cuts


 

Following 2019’s Global Warning debut, Deathcore visionaries To The Grave continue their activist-minded foray with Director’s Cuts (Unique Leader Records), a forty-four-minute escapade that builds on the band’s mission to “expose a societal and environmental hell on earth,” per the press release.

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ALBUM REVIEW: Ulthar – Helionomicon – Anthronomicon


 

If you’ve ever been in a position of power that requires you to sift through a dictionary-thick pile of resumes, Ulthar would be the candidate that instead offers a cover letter, three recommendations, and a pristinely polished curriculum vitae.

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ALBUM REVIEW: Distant – Heritage


 

As I was sampling the new barn-burner from Distant, the lethal vocals featured on ‘Plaguebreeder’ actually scared off my fiance (as in she left the room, not that she gave back the ring!). 

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PODCAST: Episode 227 – The Steve and Keefy Power Hour – February 2023 Edition 


 

Two bald white guys give their options on music: a Brit and a Yank(ee)! Senior Editor Steve Tovey joins Chief Editor Keefy to discuss a recap of January 2023 Rock and Metal album releases, a forecast of the new music this month, predictions for metal music in 2023, and more!  UK vs US in a mental steel cage match of music nerdom!  Shoutout to our amazing team of reviewers worldwide, and you for listening!

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ALBUM REVIEW: Ashen Horde – Antimony


 

Chipping away at the putrid exterior, Antimony (Transcending Obscurity) is Ashen Horde tackling a litany of musical techniques, touching upon elements of technical black and death metal. In doing so, guitar solos feel completely organic; the drums drive the rhythms throughout; and the sheer blasphemy housed within the guitars is palpable.Continue reading


ALBUM REVIEW: Dryad – The Abyssal Plain


 

The vaunted Mariana Trench is nearly seven miles deep underneath the ocean surface. Or in other words, it plummets down into the Earth more than Mt. Everest stands tall. The creatures that occupy that type of ecosystem need to withstand unimaginable pressure, cold temperatures and a complete lack of light.

 

And if that’s not terrifying enough, Dryad took this notion to the next level and crafted a thirty-five-minute opus that does as good a job as anything else in positing what the environs found down there might actually sound like via the medium of biting blackened metal: The Abyssal Plain (Prosthetic Records) captures and exploits the paralyzing nightmare of finding oneself in such an alien, unknown world. Foggy, muffled production represents the complete disorientation that would be felt so far below. 

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ALBUM REVIEW: Obvurt – Triumph Beyond Adversity


 

The nut to crack that is Obvurt is a tough one.

On the one hand, the Quebec-based tech-death trio hold their own with bombastic, forceful drumming; chaotic, thrashy elements; and call-off-the-dogs brutal vocals. On the other hand, the majority of Triumph Beyond Adversity (Unique Leader Records) is mired in mediocrity, relying too much on formulaic tropes while falling prey to a surplus of empty space. A portion of the songs inexplicably feel out of place, though not due to the band’s inability. Instead, the record plays as the personification of a college student who boasts a 3.0 GPA while coasting through the four years without engaging in much of any extracurricular activity, content with being uncompromisingly normal.

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