Artificial intelligence is a concept seemingly ever-present in the modern day. But nobody talks about when musical instruments become sentient and develop their own mannerisms and consciousness.
Artificial intelligence is a concept seemingly ever-present in the modern day. But nobody talks about when musical instruments become sentient and develop their own mannerisms and consciousness.
If Phobophilic was a tangible entity, it would resemble the abhorrent grime found inside of a dilapidated kitchen before Gordon Ramsay loses his shit.
It’s the age-old debate that has probably led to more physical altercations than any other: should [insert band name] continue churning out similar-sounding material, or are they better off taking risks and testing the waters? Oftentimes, at least in personal encounters, the consensus seems to be: that if a band changes anything about their sound, it’s to their detriment and immediately alienates a specific pocket of fans.Continue reading
Where some vocalists might come off as simply going through the motions when it comes to singing (or growling, grunting, etc.), Jack Murray instead regurgitates sincere, raw, and impassioned words throughout the entire forty-four minutes of 156/Silence’s Narrative (Sharptone Records).Continue reading
Founded in 2006, Finnish melodic death metal overlords Brymir didn’t break ground until their debut five years later. Therefore, it’s easy for them to be overlooked within the bloated landscape from that half-decade. Consider the releases from around that time: Kalmah’s The Black Waltz (2006), Dark Tranquillity’s Fiction (’07), Amon Amarth’s Twilight Of The Thunder God (’08), and Be’lakor’s Stone’s Reach (’09), to name but a few.
Without hampering the quality of the record, Tomb Of Finland pile layer upon layer and meticulously interspersed elements of doom, black metal and good ol’ death metal on the quartet’s third full-length, Across The Barren Fields (Uprising! Records). Continue reading
The three-headed behemoth that is Spite’s Dedication To Flesh (Rise Records) has all the makings of utterly decimating the status quo and completely redefining the burgeoning hardcore punk machine, and that should excite everyone.Continue reading
If you know your old sayings, it is considered something akin to poor taste to judge a book by its cover. Yet, if you apply twisted logic and judge the new Norma Jean album by its song titles… well, you might just be onto something and assume the Atlantan metalcore mainstays took the Timewave Zero route Blood Incantation trekked through, while remaining heavy and fierce. Continue reading
For what it’s worth, there seems to be quite the shift in a certain corner of the Melodic Death Metal camp as bands are increasingly shying away from the vintage, glossy (as glossy as death metal can get) vocals in favor of more biting, explosive intensity that prioritizes grit over rudimentary formulae.
In lieu of releasing a full-length album in one fell swoop, Oceans instead decided to divide their eight tracks into a pair of EPs – one released in early 2022 and the other six months later. That second mini-record – Hell Is Where The Heart Is: Longing (Nuclear Blast) – features four straightforward post-metal compositions, and follows the trail blazed by, Hell Is Where The Heart Is: Love. Continue reading