ALBUM REVIEW: Akhlys – House Of The Black Geminus


Over the past nine years since releasing The Dreaming, things changed for this band. Changed in the best way possible as Akhlys’ new album House Of The Black Geminus (Debemur Morti Productions) features a darker, more intricate layering of sounds, at least on the opening track of their new album. Continue reading


ALBUM REVIEW: Malconfort – Humanism


In a world where you can never keep on top of everything being released, we can be pretty confident that there isn’t anything else in 2024 quite like Malconfort and the band’s debut, Humanism (Transcending Obscurity Records).Continue reading


ALBUM REVIEW: Häxanu – Greve – Naturmystik


When I received the news that I would cover a split between the US-based Häxanu and the Sweden-based Greve for review, I was immensely enthusiastic about it as I’ve always had high expectations of the craftsmanship of both Black Metal acts– all-round mystical, atmospheric, and heavy on belligerent blast beats. Continue reading


ALBUM REVIEW: Amiensus – Reclamation


The geography of Minnesota is described as being a largely woodland abundant area and, famously, waters, often referred to as “The land of 10,000 lakes”. Such scenery has become synonymous with Black Metal; in particular some of the genre’s more melodic bands as well as acts such as Amorphis (albeit the latter has only A Thousand Lakes). It is no surprise then that visuals of Minnesota would also create such Black Metal, with Amiensus’ roots being in the state. Also, much like some of their similar sounding peers, the likes of Reclamation (M-Theory Audio) are also a somewhat immersive experience which feels ready for the outdoors.Continue reading


ALBUM REVIEW: Sühnopfer – Nous sommes d’Hierument


 

There is something about the wine in France that brings out a unique progressive slant to the Black Metal that hails from its soil. Ardraos (Florian Denis) is a part of this legacy, and he is now forging his own path with Sühnopfer. From the opening track of fourth offering Nous sommes d’Hierument (Debemur Morti), a powerful, impactful musical statement, he lashes out with a dynamic blend of melodic atmosphere, expanding the mood beyond the screams of torment hurtling at you. Choirs ring out from the background of the blackened chaos, baroque themes woven in are taken from composers Charpentier and Cherubini

Continue reading


ALBUM REVIEW: UADA – Crepuscule Natura


 

Black metal, in and of itself, can be very polarizing due to the imagery, lyrical content, and if the band is “true” black metal or not (side note: what a stupid debate to have). One such polarizing band, UADA, has dropped their fourth full-length album, Crepuscule Natura (Eisenwald Records) and is some of their best work to date. Sticking to their signature melodic black metal sound with lyrics mostly about nature and the cosmos, the Portland, Oregon, four-piece put us on a spiritual journey for forty minutes.

Continue reading


EP REVIEW: Volcandra – Border World


Coming out of Louisville, Kentucky is Volcandra with a brand new 4 song EP jam-packed and overflowing with melodic Black Metal fury. Their 2020 debut full-length debut, Into the Azure, was met with tons of fanfare thanks to their science fiction futuristic driven songwriting approach and furious live performances. Border World (Prosthetic) is just enough to satisfy their fan’s appetites until another proper full length can be produced.Continue reading


ALBUM REVIEW: Falls of Rauros – Key to a Vanishing Future


Once upon a time, I got a compliment on a hoodie I was wearing while ordering a beer at a brewery, and said bartender recommended a band called Falls of Rauros. I immediately checked them out and it was an easy win for my library of music. Now, the New England black metal group is back with another stellar release in Key to a Vanishing Future (Eisenwald Recordings/Gilead Media). Six tracks over the course of nearly forty-five minutes with each song keeping you intrigued is a true chef’s kiss.

Continue reading


ALBUM REVIEW: Darkwoods My Betrothed – Angel Of Carnage Unleashed


One of the more fascinating projects to be revived during everyone’s pandemic-induced free time, Darkwoods My Betrothed has returned with their first album since 1998’s Witch-Hunts. Angel of Carnage Unleashed (Napalm Records) sustains their old style for the most part, showing off a variant of Viking Black Metal with hearty Symphonic flourishes. Of course, it’s always interesting to see how time will toy with a preexisting formula, especially one that has gone undisturbed for twenty-three years.

Continue reading


EP REVIEW – Astaroth Incarnate – Ascendance


It used to be easy, doing the devil’s good work. A pentagram here or there, maybe an inverted cross on the forehead, and audiences would cower at your brimstone-summoning bravura. But the competition for our evil-seeking dollar and download has grown to unspeakable proportions. Just ask Sam Astaroth, vocalist for Toronto-based death metal gurus Astaroth Incarnate about the demands of wickedness in 2019. A Mephisto-summoning moniker doesn’t go far enough, even housed in a thorny, nigh-unreadable font. Add a few bullet-belted warlocks crawling from the backwoods with pointy guitars, not to mention Sam’s own demon warpaint. Yet, these hellacious Canadians are still restless and wild.Continue reading