Norway’s Inferno Metal Fest have announced another batch of artists for their March 2024 lineup. Now joining the bill – which already features At The Gates, Candlemass, and many others – are Me and That Man, Mantar, Befouled, Zustand Null, and Visegard. Find out more about these new additions in the article below.
Norwegian metal festival, Inferno, recently revealed the second raft of bands added to their 2024 lineup. Additionally, they have just announced At The Gates will be joining the fray. As in previous years, the bill, spread across several Oslo venues, comprises of classic acts and newcomers, largely from the realms of extreme metal.
Inferno Metal Festival is now revealing the first wave of bands for its 2024 edition, taking place from March 28-31, 2024 across several venues in Oslo (NO). So far, the iconic festival is revealing a mixture of classic bands as well as some vital and exciting new-comers! The current lineup is as follows:Continue reading
Check out our list of New Rock and Metal albums coming out this week. What are you looking forward to spinning?Continue reading
The 2023 edition of 70000 Tons of Metal Cruise is here! Setting sail today with 61 other world-class metal bands and 3000 fans on board the Freedom of the Seas, sailing from January 30 – February 3, 2023, from Miami, Florida to Bimini, Bahamas, and back. Ghost Cult will be there! For a last-minute addition to the cruise, Hypocrisy has joined up. The cruise has announced its running order, singing schedule, and more. If you missed the boat (sorry ?) this year, stay tuned to Ghost Cult for our review of the cruise, and how you can go next year!
Keep Of Kalessin was previously announced as one of the bands on the upcoming 2023 edition of 70000 Tons of Metal Cruise. For one of its two sets on the cruise, the band will perform its entire new album Katharsis in its entirety for one of their sets. They will also perform a special 25th Anniversary Anthology show for their second. They will join 59 other world-class metal bands and 3000 fans on board the Freedom of the Seas, sailing from January 30 – February 3, 2023 from Miami, Florida to Bimini, Bahamas, and back. Have you secured your cabin yet? Only a limited amount of select cabins remain, so book your cabin now at the link below.
As we dash towards the holidays and the end of the year Ghost Cult is feeling good about this season of giving. So we are giving our fans a chance to get to know our partners, peers, and friends from bands in the world of music. They will chime in with some guest blogs, end of year lists, and whatever else is on their minds as we pull the plug on 2015. Today we have Atli Jarl Martin, promoter and digital go to guy for Eistnaflug Festival, who happily lives with his 19 computers and has a huge affection for his ThinkPads, shared his list of favorite releases of this year with us.
It’s been a strange year for me personally and a bit hard to keep up with as many releases I’ve done in recent years, Nevertheless I managed to build a list of some 70 releases which I have now filtered down to my final Top 10, whereas the top 5 releases could have all ended up in my top slot. I guess that most releases that made the cut won’t come as a surprise to anyone that knows me, but I hope that there are at least a couple that you haven’t listened to yet, and might give it a spin. 2016 is looking tremendously exciting already, first and foremost with the release of Rotting Christ’s new album Rituals early in the year. But for 2015, here goes…
1. Thy Catafalque – Sgúrr (Season Of Mist)
Definitely the most delightful surprise of 2015. Following the incredible 2011 album Rengeteg, I became a huge fan of the talent and musicianship of Tamás Kátai, as this is a one-man project, and his vast and diverse musical wizardry is way above and beyond what most other musicians present. The musical direction Tamás takes on Sgúrr is hugely different than what is presented on Rengeteg and the earlier albums, one might say colder, bleaker and harsher, where ‘f.e. Jura’, a straight forward blisteringly fast black metal track made my jaw drop, as it was wholly unexpected. I can really say the same about pretty much every track on the album, which is a phenomenal roller coaster ride through amazing variety of styles and sounds. Just listen to ‘Oldódó Formák a Halál Titokzatos Birodalmáb’, a 15:21 minute ride through a sublime variety of styles and a showcase track on just how multi-talented Tamás Kátai is. A beautiful work of art.
2. Lost Soul – Atlantis: The New Beginning (Apostasy Records)
Yes, they fucking did it again. These Polish wizards, led by mainman Jacek Grecki, pretty much blew everyone’s mind back in 2009 with their absolutely phenomenal Immerse In Infinity album, which shared the top-slot on my list back then with my favorite, and ever so lovable Finns in Amorphis (more on them later). Lost Soul are finally back after 6 long years, but the wait was so worth it. Atlantis is every bit as fast and brutal, yet Grecki and his merry men have managed to push their music further into the technical and progressive realms, bringing you one, if not THE pinnacle of technical death metal offerings of all-times. Listening to this album leaves me dumb-struck with awe, every-single-time, such is the wizardry performed here. Perfection!
3. Melechesh – Enki (Nuclear Blast)
5 years after the release of the fantastic The Epigenesis album, and after a plethora of lineup changes, Melechesh return with Enki, yet another masterpiece of an album. Uncompromising as always, adhering to their sublime Middle Eastern music influenced extreme metal concoction, Melechesh apparently can do no wrong. While The Epigenesis took a tad more progressive turn, with sublimely heavy and thundering songs, Enki returns back to the faster, more intense songwriting as presented on their earlier albums, such as Emissaries and Sphynx. I was fortunate enough to finally see the band on stage last May, and the experience was mind-blowing. Among the best musical entities on the planet. Period.
4. Amorphis – Under the Red Cloud (Nuclear Blast)
As a very, very long time fan of the band, their current lineup, starting with their absolute best album, Eclipse (2006), almost every album since has been a tour-de-force, showcasing the enormous capacity of the bands collective skills in songwriting and musicianship, as well as being one of the hardest working bands out there, as this is their 6th full-length album in only 9 years. Under the Red Cloud very much takes up the thread from the stellar 2013 album, Circle, but the band is in absolute top-form here, as every song on the album is outstanding. Songs like ‘The Four Wise Ones’, ‘Bad Blood’, ‘Dark Path’, and the phenomenal ‘Tree of Ages’, have made the album my most heavily rotated album from the band since 2006, and there is no letting up on how often I spin it. Masterpiece.
5. Clutch – Psychic Warfare (Weathermaker Music)
Yes indeed, here‘s another super-hard working band which has been dishing out release after release of superior quality since, well, forever. Their 2004 album Blast Tyrant is perhaps my favorite rock album of all-time, and their subsequent albums, albeit all having different qualities, none really came close to it in overall groove and fierceness, until now. Psychic Warfare absolutely hits every mark of excellence that Blast Tyrant presented. Every song is superb, the lyrics are fantastic, and the whole album pops and clicks on every beat, every groove, and infuses that good old feeling of strapping on an air-guitar and do a bit of headbanging while singing along to Neil Fallon’s often hysterically funny rants and phrases. As I write this, there are only 2 days until I see the band onstage for the first time, and the anticipation for seeing the tracks from this album presented is making me all giddy. Woohoo!
6. Keep of Kalessin – Epistemology (Indie Recordings)
This is an album I actually had high expectations for, specially after hearing the 2013 EP Introspection, which was the first release from the band following Arnt “Obsidian C.” Grønbech taking over the vocal duties after Thebon‘s departure earlier that year. Their first full-length album in 5 years, I was supremely happy to hear that Keep of Kalessin is very much up to the task as a three-piece outfit, and musically, the album is a healthy blend of the more commercial aspect of 2009‘s Reptilian and the earlier fierce and blazingly fast Armada (2006) and Kolossus (2008). Stand-out tracks and passages on the album are many, but the pinnacle is most certainly ‘The Grand Design’, a track that easily rivals the best of their earlier works, and was absolutely amazing to witness on stage. The band is in top-form at the moment and I can‘t wait for the successor, just hope that I won‘t have to wait 5 years for it.
7. George Kollias – Invictus (Season of Mist)
This master of extreme metal drumming certainly has had a busy schedule in recent years, touring and playing with Nile, as well as releasing drum lesson videos and attending drum clinics, but there were a couple of his own songs available on YouTube, rough mixed and non-vocal demos. Very cool stuff, but nothing that really prepared me for the delicious death metal assault he put together on this first solo album of his. It is a showcase of enormous death metal talent, as Kollias plays every instrument on the album, as well as performing vocals, but the album also features guest performances from many prominent musicians, such as Karl Sanders and Dallas Toler-Wade (Nile), George Emmanuel (Rotting Christ) and Efthimis Karadimas (Nightfall), to name but a few. Overall a fantastic death metal trip, modern in technicality, speed, sound and feel, blended with a healthy dose of some old school riffing, but what really amazed me the most is Kollias‘ vocal performance, which ranks among the best I‘ve heard in a long time. Highly recommended.
8. Hate – Crvsade: Zero (Napalm Records)
Being a very early release this year, as it came out in late January, this album has had way more spins than many other albums on my list, but it is definitely to its credit that it ends up on my Top 10 list, as the re-playability of the album is phenomenal. Mainman Adam “ATF Sinner” Buszko and his band mates strengthen the already very impressive legacy of the band and their highly energetic style of death metal getting stronger with each subsequent album. One of my favorite bands for sure.
9. Nile – What Should Not Be Unearthed (Nuclear Blast)
Another album I had really high expectations for in 2015, and they were not betrayed. Nile have been on a remarkably consistent roll since the release of Those Whom The Gods Detest in 2009, followed by At the Gate of Sethu (2012) which has since then bulldozed its way to being my second all-time favorite album by the band. The band pulls no left hooks here, plowing onwards and upwards with their instantly recognizable brand of death metal mastery. Super-heavy, blazing fast and tremendously well executed, track after track just thunders through and the confidence and coherence displayed by the band is absolutely why they are one of the biggest extreme metal acts in the world today.
10. Malevolent Creation – Dead Man‘s Path (Century Media)
Aaaah, like a warm blanket, listening to a new Malevolent Creation, one of my all-time favorite bands, is always a very pleasant experience. I’ve been following these old masters almost since the beginning of their career, and despite the very turbulent history of band members, they always manage to land on their feet, providing me with that deliciously violent old-school death metal that I love so much. Dead Man‘s Path is pure Malevolence, and the band and the music sound better than they have done since the magnificent Envenomed came out in 2000. No-one can destroy this Malevolent Creation.
Tribulation has an extensive schedule of live dates coming up.
The Children Of The Night release shows:
Apr 17: Neurotic Deathfest – Tilburg (NL)
Apr 18: Schlachtfest XV – Aurich (DE)
Apr 23: Debaser Strand – Stockholm (SE) (w/Morbus Chron & Vampire)
Apr 24: Truckstop Alaska – Göteborg (SE) (w/ Morbus Chron & Vampire)
Tribulation live in Europe 2015:
May 01: Ritz – Örebro (SE) (w/At The Gates & Vampire)
May 02: Pipeline – Sundsvall (SE) (w/At The Gates)
May 30: Muskelrock – Alvesta (SE)
May 31: Temples Festival – Bristol (UK)
Jun 18: Tons Of Rock – Halden (NO)
Jun 20: Hellfest Open Air – Clisson (FR)
Jun 31: Voodoo Lounge / The Fires Of Samhain: Initium – Dublin (IR)
European tour with Melechesh, Keep Of Kalessin and Embryo:
May 03: NAXTstage – Almelo (NL)
May 04: Goldgrube – Kassel (DE)
May 06: Willemeen – Arnhem (NL)
May 07: Muziekodroom – Hasselt (BE)
May 08: Druckerei – Bad Oeynhausen (DE)
May 09: Incineration Fest – London (UK)
May 10: Turock – Essen (DE)
May 12: Z7 – Pratteln (SI)
May 13: Caves du Manoir – Martigny (SI)
May 15: Sonora – Bilbao (ES)
May 16: Hard Club – Porto (PO)
May 17: RCA Club – Lisbon (PO)
May 18: Caracol – Madrid (ES)
May 19: Garaje – Murcia (ES)
May 21: Razz3 – Barcelona (ES)
May 22: Secret Place – Montpellier (FR)
May 23: Work in Progress – Padova (IT)
May 24: Cerbero Club – Milan (IT)
May 26: Café Central – Weinheim (DE)
May 27: Backstage – Munich (DE)
May 28: Channel Zero – Ljubljana (SL)
May 29: Escape – Wien (AT)
With the departure of long-time vocalist and fan favourite Thebon in 2013 as well as the inevitable backlash from the trve kvlt brigade after flirtations with that most Satanic of institutions Eurovision; the future was not looking bright for Keep of Kalessin. The gap was widening since previous album Reptilian in 2010 and many thought the band had blown it, a depressing development after their successful rebirth in 2003. However, founding member Obsidian Claw refused to admit defeat and after assuming vocal duties has released sixth full-length Epistemology (both Indie Recordings) along with seasoned veterans Vyl and Wizziac along for the ride. It’s a decision that looks set to pay off for the trio, for they have recorded one absolute belter of an album.
For those who would rather cut off their own nuts then listen to another turgid Darkthrone rip-off with an artificially engineered ‘raw’ production job or who refuse to accept that only one-man losers who have never got past copy-and-paste Burzum worship have a monopoly on black metal, Keep of Kalessin are the band for you. Firmly rooted in the melodic side of the genre, although crucially leaving the dual-lead guitars to the Dissection fan boys, the band knows how to pen relatively straightforward compositions that deftly merge brutality and bombast. In short, they are the band that Dimmu Borgir should have become after Death Cult Armageddon (Nuclear Blast). Factor in a high quality, widescreen production job that makes the bass-drum sound like a jack hammer and gives the wailing leads a truly grandiose feel, and you have all the ingredients for a stone-cold classic.
With pretty much all tracks, from the soaring clean vocals and brutal guitar lines of nine-minute opener ‘The Spiritual Relief’ to the choppy melo-death workout of the closing title, following the same expertly written path of pomp and bludgeon, Epistemology may appall traditionalists but will delight those who like to look to the stars as well as into the pits of hell. Thanks for sticking around, guys.
Titled Epistemology, the eight-track offering, and first Keep Of Kalessin studio output in five years, finds the acclaimed black metal unit now conjuring their sonic wrath as a trio. Make no mistake, however. The indisputable power of these three musical craftsmen translates perfectly on the band’s most diverse recording to date.
Thematically based around the investigation of what distinguishes justified belief from opinion, Keep Of Kalessin’s Epistemology is as grandiose as a Peter Jackson battle scene bedecked with fire-breathing dragons and treacherous mountains draped in guitars and drums of doom. The record highlights the true guitar virtuosity of vocalist/guitarist Obsidian C. From bone-scraping riffs and sweeping solos, to smooth, melodic passages swathed in warm, poignant tones backed by the military precision of bassist Wizziac and drummer Vyl, Keep Of Kalessin anno 2015 is heading out for greatness!