This week, Norway’s Inferno Metal Festival has revealed the full lineup for its 2024 edition. The Oslo event will take place from March 28-31, 2024 across several venues in the city. New additions include Taake, Orbit Culture, and more. Keep reading for the full details.
Well, look out guys, we’re in for another brutal outing. See, a band usually lets you know they mean fucking business when they have one of them thesaurus type names. Hence Arborescence of Wrath with the surprisingly tame album name Inferno (Transcending Obscurity Records).
Norway’s Inferno Metal Fest have announced another batch of artists for their March 2024 lineup. Now joining the bill – which already features At The Gates, Candlemass, and many others – are Me and That Man, Mantar, Befouled, Zustand Null, and Visegard. Find out more about these new additions in the article below.
Norwegian metal festival, Inferno, recently revealed the second raft of bands added to their 2024 lineup. Additionally, they have just announced At The Gates will be joining the fray. As in previous years, the bill, spread across several Oslo venues, comprises of classic acts and newcomers, largely from the realms of extreme metal.
Attempting to improve on 2014’s The Satanist (review here) was always going to be a near impossible task but with I Loved You At Your Darkest (review here), Polish blackened death metal act Behemoth very nearly succeeded. A robust and forward-thinking follow-up held in high regard by many, the only thing which appeared to hold it back for some was the enormous shadow cast by its predecessor.
Persefone’s metanoia (Napalm Records) opens and it feels as if I’m watching an Andrew Lloyd Weber Broadway musical. Metanoia is atmospheric and grandiose; one would expect nothing less from Persefone. ‘Katabasis’ explodes onto the listener with a bombastic array of seventies progressive rock and psychedelia feel. Marc Martins Pia has shades of Yaz and Freddy Mercury on the opening track juxtaposed with the guttural vocalizations of death metal. The guitar work of Carlos Lozano Quintanilla and Filipe Baldaia are a wild mixture of mathematical genius, LSD, and a plethora of thirty-second note runs. ‘Katabasis’ can be an intense listen.
Legendary producer Cameron Webb is the subject of a new video, chatting about his long time working with Lemmy Kilmister and Motörhead producer, as we approach the one year anniversary of the passing of Lemmy on December 28th.
Myrkur has generated lots of attention, and seemingly Amalie Bruun, primus motor, has received threats to her life for being a female musician doing the post black metal thing. It seems to be the ultimate blasphemy to certain individuals, that probably haven’t been there from the inception of the scene nor have they understood the rebellious primary foundation of the initial scene, where most of the legendary figures embrace both musical diversity and experimentation. I must admit to first seeing it as yet another cash-cow of everything that is black metal, like most things these days, it seems. However, with the release of her début album, M (Relapse), she won me over. Therefore I really wanted to catch her full set, as this would be my first exposure to her music in a live setting. Sadly, we didn’t manage to be at the festival site until Myrkur were in the middle of their set. Yet, even from afar, in between all the bustle from festival-goers elsewhere on the site, her angelic voice penetrated and created a welcoming atmosphere.
Gojira were simply incredible! It’s not the band I have played the most, although I became a fan around From Mars To Sirius (Roadrunner). But as a live band they are simply amazing! The level of musicianship, the songs’ ability to balance brutality and catchiness… It’s simply one of the best live bands in the metal genre these days, just like Behemoth. Both bands are able to create this energy that just makes the audience feed from it for the entire time the show lasts. With a set consisting of twelve songs, and with a good variation of songs from all their five albums, the show had a little for everyone of their fans. But maybe the most spectacular about the show was seeing them perform ‘Stranded’ live for the first time. That song manages to take some minor details and create an enormously catchy extreme metal song.
The mood was entirely different as we entered the tent stage again to catch Swedish gloomsters Katatonia. The band used to struggle live, but has since the mid 2000’s also become a live band worth catching. Their new album, The Fall Of Hearts (Peaceville) is really good, and it was nice to get to hear a couple of songs from it. The only negative aspect of the show was really that it didn’t last long enough, and that they neglected their back catalogue somewhat. Then again, they played ‘Nephilim’, and ‘In The White’, two personal favourites of mine, and two songs I never had expected for them to play. And of course the band played the hits, and by saying that, I am thinking of ‘My Twin’, and ‘July’.
Finishing off the Tuska experience: Children Of Bodom. Actually they seem to be more about calling themselves The Children of Bodom Hate Crew these days, which makes Alexi Laiho slightly come across as an emo boy at 37 years of age with mascara and nailpolish and an attempt at the teenage rebellion thing going with his image. Musically on the other hand the band are rock solid, and if you enjoy seeing keyboards tilted forwards to show off solo skills or you enjoy endless solos more reminding of power metal than extreme metal, I’m sure this would be the show for you. I, as you might have figured out, think Children Of Bodom are a bit too cheesy to my taste. I enjoyed my sixth serving of muiku immensely more than this last Tuska headliner.
WORDS BY PÅL LYSTRUP
PHOTOS BY TJ FOWLER PHOTOGRAPHY
Saturday was hot, and very very bright, and somehow the head had felt better. With a yearning for some sunglasses, it was time to get to the main stage and catch Primordial’s set. The band where one would think it was a solo performance with some backing musicians, but it has always seemed like nobody minds Alan Nemtheanga stealing the spotlight. Seven songs with what one can only assume is filled with the struggle of Irishmen and dissatisfaction with modern times – of course without any countering solution, but at least in ‘Bloodied Yet Unbowed’ what seems to be a defense and rationalization of black-and-white thinking.. But it’s good fun! And who were we to ever expect intellectualism or deeper psychological self-awareness from extreme metal, and to most of us I expect the intellect to seek out food for thought elsewhere.
Next up was Tsjuder, the festival alibi for true Norwegian black metal, anti-life anti-human, so on and so forth. Right from the start no energy was saved as the band kicked off their set with ‘The Daemon Throne’ and ‘Slakt’. What from afar looked as a tent crammed to the brim with people actually turned out to be a half empty in the front towards the stage. Apart from the disappointment in terms of turnout, it didn’t seem to have any effect on the band, who kept the audience on their toes throughout their entire set. In terms of putting on a proper show the trio may have fallen short though, compared to other bands. Not that primitive black metal was ever about putting on a show – or so they would probably claim –, but three guys in makeup on a large stage lacks a little in terms of the visual aspects.
Back at the main stage Anthrax was about to prove that age is no limit to putting on a good show. As someone said: “I’m amazed at how they still have all that energy and jump and run around on stage as if they were still teenagers”. Indeed this was true, the band were on fire! Yet, it was somewhat special to have crossover thrash metal legends on stage for ten songs, when one fifth were actually covers. Then again, their own songs included ‘Indians’, ‘Caught In A Mosh’, ‘Madhouse’, and they did finish it all off with ‘Among The Living’. As this for some reason was my first time experiencing the band live, I can’t say anything else than that I would sure like to be able to experience it again sometime. On our way to catch Anthrax we were also able to visit the smaller Inferno stage at the other side of the festival area. On stage Jess And The Ancient ones were seemingly pulling of a great gig, but staying at the smaller club scene was not an option when Anthrax were set to perform, as much as the Finnish band recently released a great album.
Finishing off the second day of the festival were none other than Ghost, the band that have grown to mega size over the course of just three albums. The melodic rock had people come from all sorts of places to catch the band live, at least judging from the people I was able to talk to before, during, and after the show. Where the first album was a bit more on the hard rock side of things the music has also taken a turn towards the more poppy. And there’s nothing wrong with that, it’s just that love songs about the devil seems a bit far out there, and almost completely surreal. The lyrics could just as easily have been about the more worldly concepts of love, but I guess the satanic stuff makes it a little more mysterious, or something like that. I think it’s starting to become slightly cartoonish by now. That the weather turned full on Marvel with thunder and lightning as they finished off their set only seemed even more fitting.
WORDS BY PÅL LYSTRUP
PHOTOS BY TJ FOWLER PHOTOGRAPHY