On Submerus (Sentient Ruin Laboratories/Lower Your Head for digital), his fifth full-length from Hell, the sludge project leans into a nasty wall of downtuned rumbling. This wall of rumble is set behind the tortured screams of someone who’s more intent on losing their mind than adhering to the bounds of songwriting. It feels more like someone who create art from a dense heavy sound, that is impressive due to it’s sheer heaviness, but in consuming an album the goal would be for the music to hook you in rather than a test of endurance as to what you ears can stand at high volumes, though not to kink shame anyone who is into sonic masochism.Continue reading
Tag Archives: Hell
NEW MUSIC FRIDAY 7-11-25: All the New Metal and Rock You Should Hear
From underground gems to headline-worthy drops, it’s New Music Friday
7-11-25
Who has the best album cover this week?Continue reading
PREVIEW: New Music Friday 7-11-25: All the New Metal and Rock You Should Hear
From underground gems to headline-worthy drops, it’s New Music Friday
7-11-25
Who has the best album cover this week?Continue reading
BOX SET REVIEW: Sabbat – Mad Gods And Englishmen – Noise Records
Considering the roots of speed and thrash metal can be traced back to the UK with bands like Venom and Motörhead, it was the American and European acts that enjoyed the most success during the mid-late eighties. The Big Four were selling records by the bucketload, Germany had its very own “Teutonic Trio” (which would itself eventually expand to a foursome), and even Canada and South America were producing top-quality acts.
FESTIVAL REVIEW: Oblivion Access – Various Venues – Austin, Texas
After a two year postponement, Oblivion Access Festival finally happened! Although I couldn’t attend all four days of festivities, I drove up to Austin, TX on Saturday to catch the legendary hardcore Youth of Today! It only took over three decades to finally see them lol. The festival was quite an undertaking, involving a lot of local Austin venues on 5th, 6th, and 7th Street. After 3 /12 hours of driving I was ready to stretch my legs, get some blood moving and stay cool in the humid Texas heat. Picking up my passes was a breeze as there were signs posted at Native Hostel directing you to the kind staff who greeted people with friendly smiles and words of encouragement to enjoy themselves.
FESTIVAL PREVIEW: Oblivion Access Brings a Unique Experience to Music Festivals in Texas This Weekend
Oblivion Access, the eclectic music festival metal, hardcore, hip-hop, electronic, avant-garde, and punk music takes palce this weekend around Austin, Texas. The multi-venue music festival returns to downtown Austin on May 12-15. Tickets are on sale now! Over 100+ artists are now set to perform including Blonde Redhead, Carcass, The Body, Windhand, Deaf Club, Xiu Xiu, Autopsy, Converge, Full of Hell, Zola Jesus, Youth of Today, Danny, Coven, Grouper, Andy Morin (of Death Grips), The Microphones, HO99O9, Massacre, Cities Aviv, King Woman, Billy Woods, and KTRK, and many others. There is also a plethora of other experiences, vendors villages, merch, food, and other experiences on tap. Check out our day by day guide of the can’t miss artists, set times, and other happenings at Oblivion Access.
Danny Brown, Grouper, Andy Morin (Death Grips), The Microphones, HO99O9, Massacre, Cities Aviv, King Woman, and More Booked for Oblivion Access
Oblivion Access, the eclectic music festival highlighting hip-hop, electronic, avant-garde, and punk has added tremendous new names to the ever expanding bill. The multi-venue music festival returns to downtown Austin on May 12-15. Tickets to each of the newly announced festival concerts will go on sale tomorrow, Friday, February 11th, 2022 at 10 a.m. CT via the link below, in addition to a limited amount of full festival badges at the link below. Joining the lineup are Danny Brown to help headline the expanded four-day fest in addition to other new performers like Grouper, Andy Morin (of Death Grips), The Microphones, HO99O9, Massacre, Cities Aviv, King Woman, Billy Woods, and KTRK, among others. Over 100+ artists are now set to perform including previously announced acts Blonde Redhead, Carcass, The Body, Windhand, Deaf Club, The Locust, Xiu Xiu, Autopsy, Converge, Full of Hell, Zola Jesus, and Youth of Today.
Primitive Man / Hell – Split
Nothing beats a good split between two solid artists putting together a song or two each since we all know as music lovers, we all want new tunes! Primitive Man and Hell have joined forces on Split (Relapse) where Primitive Man brings forward two tracks of about six minutes each while Hell brings a single near-ten minute track to the table. This particular split is a great pick me up for after a long day at the office and is long enough to help soothe your head and be over before your commute home is complete.Continue reading
Primitive Man Stream New Song – “Oily Tears”
Denver-based sludge/doom band Primitive Man has shared a new song, ‘Oily Tears’. The track is from the blistering new split lp featuring brand new music with and Hell. Due to the overwhelmingly positive response to the release (both original vinyl variants sold out in under 5 hours), Translation Loss Records have unveiled a third limited edition variant. The new variant is limited to 300 copies and is available for pre-order now at the link below. The EP releases on February 22nd, 2019. Album artwork by Primitive Man’s Ethan McCarthy.Continue reading
Bloodstock Open Air 2017 – Part 2
Day 3.
SATURDAY
If you were one of the first hundred people to enter the New Blood tent on Saturday morning, then first band of the day Ward XVI (8/10) would reward you with a goodie bag full of stuff like CDs, stickers and t-shirts etc. I strolled over to the tent a good half an hour before they were due on, only to find that half the festival was already in there. It’s amazing how people, no matter how tired or hungover, will always drag themselves out of bed on the promise of free stuff. Goodie bags aside, Ward XVI were a great way to start the Saturday fun. Eclectic and fun, they combined chuggy metal riffs with bouncy Psychobilly, creepy gothic melodies, and at one point, what appeared to be Russian folk. The band’s costumes and make-up were interesting, but like vocalist Psychoberrie‘s strait-jacketed ballad (Alice Cooper and ‘The Ballad of Dwight Frye’ anyone?) they all felt a little too familiar.Continue reading