ALBUM REVIEW: Emil Bulls – Love Will Fix It


For a band like Emil Bulls, who have been slavishly grinding away at their music for coming up to three decades now, it is a wonder that their latest album Love Will Fix It (Arising Empire), is the first collection of original music to come from the band in over five years. Having come through various waves of metal and hard rock, whilst bringing plenty along for the ride into their own unique sound, it’s truly curious how much they’ll have taken in their stride since the release of their previous album, Kill Your Demons. Continue reading


ALBUM REVIEW: Bad Touch – Bittersweet Satisfaction


Rock ‘n Roll quintet Bad Touch, hailing from Norfolk, England, are back with their fifth album, Bittersweet Satisfaction (Marshall Records). This time round they spent half a year making the record, tempering their balls-to-the-wall rock with polished hooks and a healthy portion of soul, the end result being a more rounded, earthy Classic Rock that still has plenty of bite. Continue reading


ALBUM REVIEW: Tijuana Bibles – Free Milk


Tijuana Bibles play an explosive style of rowdy post-punk flavored rock. The Glasgow-based band takes you back to a time when punk sprang from the seedy intersections of rock n’ roll in the early seventies. These guys are forward-thinking and time and dedication went into Free Milk (Button Up Records). It is thought out from a production and songwriting standpoint without feeling like the danger was edited out in the mix. Continue reading


ALBUM REVIEW: Michael Catton – Point Of No Return


 

Ace vocalist/songwriter Michael Catton’s first solo collection Point Of No Return (Mighty Music) sounds like a “Best of the Eighties” tribute album, while effectively showcasing the considerable talents of the man himself and all involved. 

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ALBUM REVIEW: Rival Sons – Lightbringer


 

You wait four years for a Rival Sons album and, just like buses, two come along at once. Lightbringer (Atlantic Records) is the new record from the Californian quartet, following on from companion piece Darkfighter which came out in June this year. With the everpresent Dave Cobb behind the desk, their eighth album is a compact six track offering that mixes their classic, fuzzed up Rock N Roll with atmospheric Folk and acoustic elements to great effect. 

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ALBUM REVIEW: Starbenders – Take Back The Night


 

Life is a cabaret, old chums, with the scintillating Take Back The Night (Sumerian Records). A power-packed, credulity-stretching showcase of strong, strong pop-rock songwriting and arranging courtesy of Starbenders; this album is full of punky attitude and thrusting ambition. 

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ALBUM REVIEW: Baroness – Stone


 

Since the music of Baroness has been unlike any other band to me, and more akin to a spiritual experience since I first got into them in 2007, I set the mood for myself before listening. I turned the lights down low, cracked the window open to get a nice breeze going, and heard the sound of large late summer raindrops filling my ears. The city’s heartbeat in the deep background was the only other sound besides my breathing. I just stared at the new album artwork for five straight minutes. At peace for a change, in the still and calm of myself, and by chance, present in the city of my birth for a few days, I hit play on the promo and then let the first notes hit me. 

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ALBUM REVIEW: Phil Campbell and the Bastard Sons – Kings of the Asylum


 

Two band names, three studio albums, one EP, a live album, and a change of vocalists. A lot has happened in the last few years for Phil Campbell and the Bastard Sons. From beginning life as a side project for the former Motörhead guitarist, performing covers under the somewhat less than attention-grabbing moniker of Phil Campbell’s All Starr Band, the band announced a much-needed name change the following year and the improvement was both noticeable and immediate.

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ALBUM REVIEW: Electric Boys – Grand Explosivos


 

Swedish rockers Electric Boys had a bit of success in the late eighties and early nineties when their boisterous Funk Metal track “All Hips n’ Lips” caught the eye of MTV and their first two albums, Funk O Metal Carpet Ride and Groovus Maximus, caught the eye of the public. Things fizzled out in 1994 but they reunited fifteen years later and have been steadily releasing new material since. 

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ALBUM REVIEW: She Burns Red – Out of Darkness


 

 

Punchy album opener “Touch” sets the tone for She Burns Red self-released debut Out Of Darkness (Self-Released) – emotive Hard Rock with fiery riffs, impassioned vocals, and a strong alternative influence. The Scottish rockers first record comes three years after their EP Take Back Tomorrow, and it mixes Metal-style heaviness and grunge soul-bearing, with Foo Fighters’ hooks and Wildhearts pop-punk smarts. 

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