After their detour into the world of Italian Giallo on 2024’s sensational Nell’ora blu, Cambridge Psychedelic Doom rockers Uncle Acid and the Deadbeats return to more familiar territory on their seventh full-length studio release, Shapes of Midnight (Killer Candy Records).
Two band names, three studio albums, one EP, a live album, and a change of vocalists. A lot has happened in the last few years for Phil Campbell and the Bastard Sons. From beginning life as a side project for the former Motörhead guitarist, performing covers under the somewhat less than attention-grabbing moniker of Phil Campbell’s All Starr Band, the band announced a much-needed name change the following year and the improvement was both noticeable and immediate.
Massive Wagons‘ fifth album House of Noise (Earache Records) delivers unabashedly old fashioned Rock n Roll with lashings of riffs, hooks, and humour that will put a smile on anyone’s face. It builds on their fourth album, and Earache debut, Full Nelson by doing more of the same, but bigger and better. If it ain’t broke, don’t fix.