Fleshgod Apocalypse – King


Fleshgod Apocalypse - King - Album cover

Over the years, I have heard people mention that the earliest forms of heavy metal came from what is now known as classical music. With that in mind, Fleshgod Apocalypse have once again put together an album with equal elements of death metal and symphonic elements. King (Nuclear Blast) builds off of previous releases from the Italian metal outfit and certainly went for it all on this album. From the instrumental ‘March Royale’ to the closing piano outro of the title track, Fleshgod Apocalypse will have you head banging and then picking your jaw up off the ground.

King was a hard album to try and narrow down on favorites. I liked the tracks that were overly death metal, but also loved the overly symphonic songs with epic choruses. ‘Healing Through War’ is a great mix of both. The syncopation of all of the elements throughout the song give you that death metal feel but keep you grounded with the piano and over the top symphony orchestration. For the fans who love the slow, heavy tracks, ‘Cold As Perfection’ absolutely slays. The chugging guitars (and accompanying orchestration) over the consistent double bass attack will certainly get your neck cranking. ‘And The Vulture Beholds’ may be the best track on the whole album as it blends in more death metal elements with over the top orchestration which culminates to some of the most epic passages I have heard in quite awhile. Around the three minute mark is where most fans will collectively shit themselves if this song makes the cut for a live set.

All in all, King is a solid album that could see its way onto my Top 20 come year end depending on how the rest of this year pans out (yes it is still early, but believe the hype!) The downside of the album was the track ‘Paramour (Die Leidenshaft Bringt Leiden)’ based on its placement in the middle of the album. Perhaps it would have been suited at the tail end of the album in place of ‘King’. The song itself is actually quite enjoyable, but it just brings the flow of the album to a screeching halt for almost four minutes and then picks back up. Regardless, Fleshgod fans will certainly enjoy this record even if only for the improvement of the mix/production from the last album.

7.5/10

TIM LEDIN

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Audio: Fleshgod Apocalypse – The Fool


Fleshgod Apocalypse the fool single

Symphonic technical death metal leaders Fleshgod Apocalypse are releasing their new album, King, (Nuclear Blast) this winter. The band is streaming their new single, the first from King entitled ‘The Fool’. You can stream ‘The Fool’ at this link or below:

‘The Fool’ will be available for purchase on January 1st, along with pre-orders of King as well. The band has commented on the single:

“‘The Fool’ is one of the craziest songs of the album and we felt like it was a perfect way to let people approach our new work. It’s a song without compromises and because of the character it is about, we had the chance to get into a profound matter that concerns us all.”

 

Recorded at Kick Recording and 16th Cellar studios in Rome, King was mixed and mastered Jens Bogren (Amon Amarth, At The Gates, Arch Enemy) at Fascination Street studio in Sweden. Artwork was created by acclaimed album artist Eliran Kantor (Testament, Iced Earth, Kataklysm, Hatebreed). The band has also booked a tour of North America for this winter.

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King tracklisting:
01. Marche Royale
02. In Aeternum
03. Healing Through War
04. The Fool
05. Cold As Perfection
06. Mitra
07. Paramour (Die Leidenschaft bringt Leiden)
08. And The Vulture Beholds
09. Gravity
10. A Million Deaths
11. Syphilis
12. King

Bonus Orchestral CD (digipak only):
01. Marche Royale
02. In Aeternum
03. Healing Through War
04. The Fool
05. Cold As Perfection
06. Mitra
07. And The Vulture Beholds
08. Gravity
09. A Million Deaths
10. Syphilis

Formats for King:
Digipak (incl. bonus orchestral CD)
CD

Digipak + TS bundle (various sizes)

Pre-order King now here:

 

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Humangled – Prodromes of a Flatline


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While Italian death metal has never been able to get a word in edgeways when competing with its rivals from Sweden or the USA, the genre is in ruder health these days due to the international success of acts such as Fleshgod Apocalypse and Hour of Penance. This resurgence in fortunes has led to a few old hands reforming for another crack of the whip and Tuscan stalwarts Humangled are one of them. Prodromes of a Flatline (Bakerteam) is the group’s second effort since 2010’s Fractal (Abyss) turned a few heads. So is it enough to gain them a seat at the big boys table?

Unfortunately the answer is a definite no. While their strand of death metal certainly packs a punch, most noticeably on opening track ‘Liberté, Égalité, Brutalité’, there is not only too little going on throughout Prodromes of a Flatline to merit repeated spins, but crucially nothing to make the band stand out from the crowd. There’s not enough of the technicality of Nile, the brutality of Cryptopsy or the catchiness of Deicide, so we are left with a rather unappetising lumpen stew of the most bog standard elements of death metal, bereft of flavour and passion.

Too often it feels that the band is just going through the motions, often with some rather forced and clumsy transitions between parts that really should have been ironed out in the recording studio. At worst they come across as simply derivative as on the Death-aping ‘Intimacy Curse’ and God knows what possessed them to record such a horrible cover of ‘To Mega Therion’ and tack it on the end of the record. At best they’re a support band that tries hard for twenty-five minutes with the occasional half-catchy riff. However, in this day and age, it’s certainly not worth reforming for

 

5.0/10

 

JAMES CONWAY


70000 Tons Of Metal Cruise Announce First Bands for 2016


70000 Tons of Metal Cruise 2015, by MasterPhelps Photography

70000 Tons of Metal Cruise 2015, by MasterPhelps Photography

The World’s Biggest Heavy Metal Cruise” the 70000 Tons of Metal Cruise has announced the first 10 bands for their 2016 cruise. So far the bands slated to perform are At The Gates, Delain, Dragonforce, Firewind, Fleshgod Apocalypse, Iced Earth, Lacuna Coil, Moonspell, and Turisas. The cruise takes place from February 4th to 8th 2016, and departs from Miami/Ft. Lauderdale Florida setting a course for an as yet to be named destination, before returning again. Tickets are on sale and updates are available from the cruise’s website:

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Bloodstock Festival Adds More Bands, Tickets On Sale Now


Bloodstock 2014 as of march 10

Bloodstock Festival (aka Bloodstock Open Air or BOA) has added five more bands to its already stacked line-up for 2015. New to the bill are reformed sludge metallers Raging Speedhorn, prog-metal exports Xerath, Trepalium, Villainy and Godsized. Taking place August 6th – 9th at Walton on Trent, Derbyshire UK. Tickets are on sale now by phone (24hr ticketline at 0871 230 5584 )or online and include an array of camping and VIP ticket options. Camper van pitches are now all sold out.

Already announced to the bill over four massive stages are major acts such as Friday’s headliner Trivium and special guests Sabaton, Saturday’s headliner Within Temptation and special guests Opeth, Sunday’s headliner Rob Zombie and special guests Black Label Society, also Cannibal Corpse, Ihsahn, Sepultura, Orange Goblin, Death T.A, Nuclear Assault, 1349, Napalm Death, Dark Angel, Armored Saint, Belphegor, Overkill, Ensiferum, Agalloch, Korpiklaani, Pro-Pain, Enslaved, Wolf, Delain, Fleshgod Apocalypse, Godflesh, Lawnmower Deth, Mordred, Ethereal, Onslaught, Oaf, Pritchard Vs Dainton, Conan, Planet Of Zeus, Bast, Saille, Batallion, Destrage with more bands to be announced in the coming weeks.

 


Godflesh headline SOPHIE stage, Conan, Onslaught, Planet of Zeus, Bast added to Bloodstock line up


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With a diverse line up already boasting Trivium, Opeth, Within Temptation, Napalm Death, Rob Zombie, Sabaton and Cannibal Corpse, Bloodstock 2015 has unleashed a head-smashing announcement that UK Industrial Metal legends Godflesh will headline the second stage, the Sophie Lancaster Stage on Sunday 9th AugustDelain and Fleshgod Apocalypse will headline the Friday and Saturday respectively.

Main support to Godflesh will be UK Speed Metal veterans Onslaught who are enjoying something of a revival these days, and they will be accompanied by Greek Stoner Kings Planet of Zeus.

Elsewhere Bast and Conan have also been confirmed as additions.

The festival runs from 6-9 August 2015.

 

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Carcass Headlining Big 69 Festival in India


big 69 heavy metal pilgrimage

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Big 69 Festival Heavy Metal Pilgrimage has added Carcass as their headliner for the 2015 edition. The event is a two day event, happening January 17 and 18, 2015 at Richardson and Cruddas, Mumbai in India. Watch the trailer for the festival here.

The previously announced lineup already includes:

Fleshgod Apocalypse
SikTh
Hacktivist
Underside
Plague Throat
Albatross
Providence
Demonic Resurrection
Gutslit
Devoid
Inner Sanctum
Chronic Xorn
Grammy Winning Effort
Escher’s Knot
Undying Inc
Noiseware
Zygnema

Big 69 Festival


Xerath – III


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When most metal bands attempt to introduce non-metallic elements to their sound, the results are often disastrous. It took Fleshgod Apocalypse three albums to effectively blend classical refrains with blasting death metal while the introduction of opera to black metal that Arcturus ‘perfected’ is regarded by many as unforgiveable. However, sometimes the combining of disparate styles is a joy to behold, as Basingstoke bruisers Xerath once again prove with their emphatic blending of the rough with the smooth on third album III (Candlelight).

While it may be lazy to assert that all the quartet do is play groove metal with orchestral keyboards swirling away in the background, when it boils down to it, that’s not too far from the truth. What makes the band special, however, is just how good the songwriting is, as the infectiously twisty riffs of album opener ‘I Hold Dominion’ demonstrates. The keyboards that make up so much of the bands’ sound, and indeed, their identity aren’t just merely tacked on, they flow in time with the riffs and enable the arrangements to take on a more profound and grand aspect than one might expect. Catchy hooks like the soaring chorus to ‘I Hunt For The Weak’ don’t do any harm either.

New guitarist Conor McGouran has integrated seamlessly and his massive Meshuggah-esque riffs make the music seem urgent and alive, such as the stomping heaviness of ‘Autonomous’ and the staccato assault of ‘Passenger.’ Vocalist Richard Thomson may occasionally lapse into a Devin Townsend impersonation but it’s likely you’ll be enjoying proceedings too much to care. As with Xerath’s previous two albums, III feels like the soundtrack to an epic sci-fi film with stunning visuals and profound themes. While it’s just heavy metal at the end of the day, you can’t help but feel that the four members of the band are reaching for the stars, and one day they might just succeed.

 

8.0/10

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JAMES CONWAY


Septicflesh – Fleshgod Apocalypse – Black Crown Initiate – Forced Asphyxiation: Live at The Middle East Downstairs


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On the same night in Boston when nearly a hundred people were hospitalized due to intoxication and drug overdoses at a trance show, the crowd at The Middle East in Cambridge, MA could only complain of short show. After a trade in bands and another band not appearing at the Cambridge stop, The Conquerors of the World Tour came down to just 4 bands: local opening band Forced Asphyxiation, mid tour replacement, Black Crown Initiate, co-headliner Fleshgod Apocalypse, and the masters of symphonic death metal, Septicflesh. After hearing that Necronomicon would not play on this night in Cambridge, the Middle East staff had the downstairs emptied and an hour was killed off as no replacement bands could be found on short notice. As some fellow metal heads in line were a little disgruntled over this news, the bill tonight would surely make up for this slight inconvenience.

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Starting the night off first was local band, Forced Asphyxiation. A “classic” death metal band with lyrics that ranged from smoking some sweet ganja to having an epic fight back in the medieval times. Small pits opened up from time to time to show appreciation for the band’s appearance as the Cambridge crowd was getting into the band more with each song. Unfortunately, Forced Asphyxiation’s set was shorter than most were hoping given the delayed start of the show. However, I am certain that for those locals who had not heard of this band before, became fans after this set. Next up was one of my most eyebrow raising bands of the night, Black Crown Initiate.

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Having taken over for Hour of Penance on this tour, Black Crown Initiate had quite the shoes to fill, and personally, I think they overfilled them. For those who may not know of BCI, and I was one of them, let me explain what this band sounds like. A melo-death band that plays with djent beats, a death metal lead vocalist with some of the deepest growls you’ve ever heard, and then topped off with jazzy sections and clean vocals from their bassist. I spent most of BCI’s set trying to come up with that sentence as I would lose myself in each song’s complex structure. It was extremely hard figuring out when one song would end and another would begin as each song would smoothly transition to the next. When done right, in this case it was, it can make for quite an experience both in a studio and, a little more challenging, during a live show. I am making it a personal goal to see BCI the next time they come to the Northeast US area as they had certainly left their mark on this warm June night.

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Next up on this great night in the heart of Boston was the six piece from Italy, Fleshgod Apocalypse. After hearing of this band a few years ago, and the hype that followed them, I made it a goal of mine to get around to listening to them. Up until this night, I failed miserably. Having said that, I think it was a good thing as this band literally made my jaw hit my sternum on a multitude of occasions. Coming into this show, I understood they were, as some put it, “a lot like Septicflesh.” The death metal outlook, orchestration, piano, and some operatic vocals immediately came to mind, but still I underestimated Fleshgod Apocalypse. All of the members of the band were dressed in old orchestra clothing that had been ripped and tarnished. Each member came complete with a very tasteful corpse paint, and when I say corpse paint I mean they looked dead with pale faces and dark sunken eyes, not trying to impersonate Kiss. Lastly, the two guitarists and bassist each had designs on the bodies of their instruments that made them appear to look like classical instruments with the wooden color and black clef marks. Each and every song that came out of the amplifiers and entered my ears continuously made me so angry that I never got around to listening to this band prior. Songs like ‘The Hypocrisy’, ‘Elegy’, and ‘Pathfinder’ had me itching for more and more as the set moved along and the crowd grew more and more hostile. The night for Fleshgod Apocalypse ended with the amazingly epic closer, ‘The Forsaking’, which left all wide eyed and mouths wide open in amazement at what they just witnessed. At one point, I turned to a friend of mine and proclaimed that I would go home, destroy my iPod, and start over with this band being the first to be uploaded. Just when I thought this night could not get any better, it was time for the main event.

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The foursome from Greece known as Septicflesh was here and ready to destroy what was left of the Middle East. Having just released their newest album, Titan, I was hoping for a few new songs and then a few goodies off of the past two releases. When the orchestration hit marking the beginning of ‘Vampire From Nazareth’, I knew we were in for a good night and so did the rest of the crowd behind me. The symphonic death metal gods played a great selection including: classics from Communion like ‘Anubis’, ‘Lovecraft’s Death’, and ‘Persepolis’ to favorites from Great Mass like ‘Pyramid God’, ‘A Great Mass of Death’, and the closer, ‘Five-Pointed Star’. The Cambridge audience was also blessed to hear two new tracks, ‘Order of Dracul’ and one of my favorites, ‘Prototype’. I was impressed to see how far Septicflesh have come in popularity these past few years as finally at my third show, this being the second headlining spot, the fans in attendance actually knew who they were. This time around, everyone around me knew most if not all of the songs and the accompanying lyrics to said songs. These guys have worked so hard to reshape themselves into the well oiled machine they are now and I can’t wait to see what happens next.

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Overall, this tour did have its changes and last minute cancellation/delays, but I was more than pleased to have been in attendance. One of my favorite bands today, Septicflesh, has started to receive the attention they deserve, Fleshgod Apocalypse smacked me right in the face for never listened to them prior, and Black Crown Initiate made a stand with their very unique style. I also can’t forget local openers, Forced Asphyxiation, now having seen them a second time since their opening spot with Aborted a few months ago, they have gained a fan in me! If you have yet to get out to this tour and a stop near you is coming up, I highly recommend you get a ticket, bang your head until your neck hurts, buy some merch, and enjoy one of the best shows you will see all year.

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Septicflesh Set List:

The Vampire From Nazareth

Communion

A Great Mass of Death

Order of Dracul

Pyramid God

Unbeliever

Prototype

Lovecraft’s Death

Burn

Persepolis

Anubis

Five-Pointed Star

 

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WORDS BY TIM LEDIN

PHOTOS BY CWS PHOTOGRAPHY


Hour of Penance – Regicide


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Despite being somewhat outflanked in recent years by the operatic bombast of fellow countrymen Fleshgod Apocalypse, who they have previously shared members with, Italian quartet Hour of Penance obviously have no intention of being left behind in the race for the throne of Italian Death Metal as new album Regicide (Prosthetic) emphatically demonstrates, for it is one of the most brutal and vicious releases you are likely to hear all year.

 

Still mightily pissed off with the Catholic Church, which again provides most of the fuel for the hatred captured on these eleven tracks, Hour of Penance go for the throat from the off with the savage double-whammy of ‘Reforging the Crowns’ and ‘Desecrated Souls’ which fly by in a barrage of blastbeats, gargantuan Hate Eternal –influenced riffs and throaty bellows courtesy of the utterly furious sounding Paolo Pieri. There’s not much in the way of subtlety and you wonder briefly if the intensity will be sustained throughout. But these worries are soon assuaged by the quality of the songwriting that begin to shine through like light through a stain glass window as in the venomous chugging of ‘Spears of Sacred Dogma’ and the more nuanced menace of ‘Sealed Into Ecstasy.’

 

Although this is a strictly route-one death metal album, Hour of Penance are a well-oiled machine that despite having no original members remaining, have honed their craft to near perfection in recent years. Despite being unlikely to ever headline festival stages they just won’t stop delivering when it comes to gut-wrenchingly heavy and furious sounding compositions that are akin to being throttled by a possessed priest in the midst of a swarm of apocalyptic ruination. Regicide continues that trend and offers no hope of salvation.

 

7.5/10

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JAMES CONWAY