For the past seven years, Spanish Love Songs have made a reputation for themselves across their previous three albums for creating some of the most emotionally powerful music, a feat that, with the release of their fourth album No Joy (Pure Noise Records), the punk quintet achieved yet again.
Ever since their debut album, Feel Something, blew up in 2017, the massive surge of dedicated fans have held Southern California post-hardcore and emo band Movements to a high standard when it comes to follow-up material. As the group grows older, their music continues to grow with them, as made evident with their 2020 release No Good Left To Give, and now their third full-length album, RUCKUS! (Fearless Records). While the band is no longer the same sad boys they started out as, there are still pieces of their old selves mixed into their new, matured evolution, with RUCKUS! about to elicit a peculiar balance of dancing, moshing, and crying.
On July 29th, fans eagerly gathered in Phoenix, Arizona’s Financial Theater for Yellowcard’s highly-awaited comeback tour which celebrated 20 years since the release of their freshman album Ocean Avenue. Needless to say, after a long hiatus, the fans expected a night filled with nostalgia, energy, and powerful performances from all the bands that came together in support of this tour.
The Metal, and by extension Rock community has been one more open with mental health struggles over recent years. Often the roots of the music come from trauma, grief, or pain. Hail The Sun have been such a band who up to this point have gained the most of their insight into making their music from these more dark places.
Evergreen (Hopeless Records) is a very ambitious album and frankly by far the most thematically well-rounded and best effort from Pvris yet. Lyndsey Gerd Gunnulfsen has seamlessly planted a flag on the moon here, showing it was her that made this project special all along. Not only a queer champion, Gunnulfsen is a top-notch creator and performer who can back it up with grade-A material with startling philosophical depth amidst the beats and hooks.
From the album title alone, it is evident that The Used are just as sincere in their art as they’ve always been over the last two decades. Nine albums deep into their career, the emo quartet have graced us with the blunt Toxic Positivity (Hassle Records). The record calls out the detrimental mindset of suppressing negative emotions, addressing how it worsens one’s mental health over time due to ignored bottled-up feelings.
New Jersey is a rock, emo, and pop-punk music mecca, so it comes as no surprise that rock/pop-punk champs Can’t Swim would hail from the same. They’ve dabbled in a couple of genres on past albums like hardcore and indie before settling into more of the pop-punk vein which fits like a glove for the group. The quartet is gearing up for the release of their fourth album, Thanks But No Thanks (Pure Noise) as it drops the same day as their US-wide tour kick-off supporting Free Throw.
After almost six years since releasing music and an indefinite hiatus, beloved trio Paramore have returned with their sixth studio album, This Is Why (Atlantic Records). Much like their last two albums, this is another one that is best experienced with no expectations…meaning it is no Riot! Part 2 or even After Laughter – the sequel, and hoping so will set you up for disappointment.
Thanks to TikTok trends resurrecting decade-old (and older) pop-punk and emo hits and spreading them like wildfire to a new surge of listeners, there has been a nostalgic Noughties emo revival. Between the majorly sentimental lineup of the When We Were Young Fest and bands like My Chemical Romance, Paramore, Thursday, Blink-182, Sunny Day Real Estate, and others, snapping out of hiatus and flooding stages once again, it should come as no surprise that Pierce the Veil is rejoining the ranks.
The highly anticipated destination music festival aimed at Punks, elder Emos, and millennials, When We Were Young Festival featuring My Chemical Romance, Paramore, and Avril Lavigne has been forced to cancel day one of their sold out event. The cancellation was announced at 10 AM PST, just an hour before gates were to open at Las Vegas Festival Grounds. due to high winds. Winds were forecasted for up to 30-40 MPH which increases the safety hazard for an outdoor stage. The fest is still expected to take place tomorrow and again next weekend; on October 29th, 2022.