Breaking through the UK with their enchanting blend of alternative rock and metal, British quintet As Everything Unfolds continue developing their recipe for success with their sophomore album, Ultraviolet (Long Branch Records). The record’s name is inspired by a metaphor for gaining new perspectives on life and is an astoundingly fitting descriptor for the aural experience achieved by each track’s dynamic arrangements.
Having approached their twentieth year of being a staple in the metalcore scene, the prodigies of Atreyu still haven’t lost their spark (no pun intended) with the new EP The Hope Of A Spark (Spinefarm Records). Drawing from the commonalities of the quintet’s personal lives, each song is truly a shared effort among the five of them – not only musically, but conceptually.
Hailing from Newport, Wales, noir pop and alternative rock quartet The Nightmares reveal their bleak yet breezy souls with their debut album, Séance, via Venn and Equal Vision Records. The record’s themes of death were inspired by the COVID pandemic putting a hold on the band’s touring plans, leading to experiments with seances during the writing process. As one could imagine, the mental and spiritual outcomes of this paid a great contribution to the music’s morbid concepts and haunting execution.
For a band that hasn’t changed their sound much over the course of almost twenty years, Pennsylvania quintet August Burns Red miraculously continues to stay not only relevant but one of the most widely respected acts in modern metal.
A great deal of today’s biggest metalcore fans consider the 2000s to the 2010s the golden years of the genre. Bands such as Michigan-based For The Fallen Dreams who have continued on since the MySpace era help to maintain the style’s raw spirit with their ever-evolving nu-metal twists – and their new self-titled album (Arising Empire) is no exception.
England-based post-hardcore quartet Acres have always flown under the scene’s radar since their first EP back in 2014, but that doesn’t stop their dedicated fanbase from eagerly awaiting each new release over the years. With almost four years since their debut album Lonely World, the band has returned with their sophomore LP Burning Throne (A Wolf At Your Door Records) to show what they’re still capable of.
Starting in the nineties and still continuing to this day in 2023, it’s safe to say the Riot Grrrl movement isn’t dying out any time soon. New bands such as all-female hardcore punk trio Death Pill continue to emerge from the shadows, and this one has a debut album that’s tough to forget once crawled through unsuspecting ears.
After almost six years since releasing music and an indefinite hiatus, beloved trio Paramore have returned with their sixth studio album, This Is Why (Atlantic Records). Much like their last two albums, this is another one that is best experienced with no expectations…meaning it is no Riot! Part 2 or even After Laughter – the sequel, and hoping so will set you up for disappointment.
Formed right before the great lockdown of 2020, Bristol-based trio Holy Popes eagerly put out their debut self-titled album via Man Demolish Records. Having played their first show the week the pandemic hit, one can imagine how much songwriting inspiration has piled up for them since. Each song turns a simple guitar riff into an earworm groove, then sprinkles some noisy chaos onto it for a raucous result you’ll quickly find yourself involuntarily moving to. Couple that with their indignant resistance to capitalism and patriarchy, and you have the very epitome of post-garage punk.
Arising from Cincinnati, Ohio, indie singer and zany songwriter Lincoln puts out his debut album Everything Is Wrong (I Surrender Records), the follow-up to his 2017 EP A Constant State Of Ohio. Twelve tracks dive deep into his mind and thought processes, each one finds inventive ways to stimulate the listener’s senses with their vivid ambiance.Continue reading