Skyharbor- Sunshine Dust


As a part of the early djent movement of bedroom projects that also birthed the likes of TesseracT, the multinational Skyharbor, despite gaining a decent critical reception, almost feel like the forgotten sons in comparison to many of their peers. Two excellent albums in Blinding White Noise and Guiding Lights (both Basick) saw a particularly innovative approach within that sphere, with increasing progressive influences throughout, yet didn’t see them quite reach the heights of the likes of the aforementioned TesseracT or Monuments. Continue reading


The Pineapple Thief – Dissolution


Recent years have seen UK progressive art rockers The Pineapple Thief hit a sweet spot of a niche between explorative and catchy songwriting. With the likes of All The Wars and Magnolia leaning either side respectively, 2016’s Your Wilderness straddled both thresholds and resulted in their most successful album and, arguably at that point, their creative peak. Poised for their biggest European tour, both in terms of dates and venue capacities, their latest album, Dissolution (all Kscope), once again continues this trend.Continue reading


Abstracter – Cinereous Incarnate


Neil Gaiman once wrote in Sandman: Season of Mists that “hell is something you carry around with you, not somewhere you go” and with Cinereous Incarnate (I, Voidhanger et al), Abstracter aim to ensure that the feeling of your own personal hell is something that stays with you throughout the remainder of the year.Continue reading


Lunatic Soul – Under The Fragmented Sky


It is often found that from tremendous despair comes profound and reflective art. It is such a tragedy that seems to hang over the current works of one Mariusz Duda; that being the unexpected death of Riverside guitarist and close friend Piotr Grudziński in 2016. Outside of Riverside, Duda took his own personal grief to creating last years phenomenal Lunatic Soul release, Fractured (Kscope), a release that saw the ambient outfit to new experimental heights across an emotional spectrum from pure desolation to showing signs of hopefulness.Continue reading


Gazpacho – Soyuz


Over the course of, up until now, nine studio albums Norwegian band Gazpacho have resided in a musical plane entirely of their own, and have consistently shown to be one of most captivating and spellbinding bands of today as a result. Trying to define their sound or vision aside from describing them as an art/avant-garde rock outfit is near impossible with each passing release giving different movements and colours; what is usually a definite however is that the music will be densely packed, complex and often shows an embrace for the dark and melancholic; either vividly or perhaps beneath the surface. Continue reading


Bodies on Everest – A National Day of Mourning


In 2015, Liverpool-Manchester hybrid Bodies on Everest produced The Burning (self-release), a ferocious slab of ultra-heavy, underproduced despair which its creators christened ‘Dungeon Wave’ and which tragically glided under the radar. Three years later that Blackened Doom crash has been reinvented on follow-up A National Day of Mourning (Cruel Nature Records / Third I Rex): the minimalist production accompanied by a more pensive, Drone-led violence, offering up a suffocating dystopian nightmare.Continue reading


TesseracT- Sonder


Over the course of three full-length albums plus numerous EP releases and reworked pieces, UK progressive metallers TesseracT have shown a propensity for continued change in their music. Making a firm impact on their first full release One, spearheading the then emerging Djent scene, even then they seemed on a different plain of thinking to their brethren and quickly began to branch out. The follow-up Altered State (both Century Media) saw more expansive structures and reduced before Polaris (Kscope) brought refinement, melodic and immediate songs; all throughout retaining enough core to still be recognisable.Continue reading


Ehnahre – The Marrow


Let’s be honest – for all its talk of “extremes”, Metal is largely a pretty conservative genre. Few bands experiment beyond the controlled combination of rigorously defined subgenres, and even those who do truly push the boundaries are normally content to do so only once. Ehnahre – formed with the stated intention of creating the most horrible and perverse music imaginable – have been a dedicated exception to this rule from the beginning, to the extent that they frequently don’t sound like a Metal band at all.Continue reading