ALBUM REVIEW: Earthside – Let The Truth Speak


Over the past decade the genre known as “djent” strayed further from paying tribute to Meshuggah into a more slickly produced vein of pop music that just happens to have distorted guitars. Continue reading


ALBUM REVIEW: Gama Bomb – Bats


 

Gama Bomb is not just another tribute band to the glory days of Thrash Metal. Bats (Prosthetic Records) does display that while they are students of the era, they are also invested in establishing themselves as a band that walks in the present, while preferring to keep things at a more manic pace.Continue reading


ALBUM REVIEW: Green Lung – This Heathen Land


 

For lovers of classic British metal with a bewitching, devilish twist – you know who you are, walking ancient ways, creatures of habit, oceans of time – I recommend a deep, deep exploration of the nostalgic but still brand-new and thoroughly splendid This Heathen Land (Nuclear Blast Records).Continue reading


ALBUM REVIEW: Dokken – Heaven Comes Down


There aren’t many metalheads who haven’t heard of Dokken. Whether it’s due to their huge popularity during the eighties, the constant if occasionally amusing public sniping between frontman Don Dokken and former lead guitarist George Lynch or, most likely because of “Dream Warriors,” the theme song from 1987 horror sequel A Nightmare on Elm Street Part 3, Dokken’s name still stands above many.

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ALBUM REVIEW: The Struts – Pretty Vicious


 

The Struts’ new album Pretty Vicious (Big Machine Records/John Varvatos Records) starts with the strutting, tongue-in-cheek tale of hedonism “Too Good at Raising Hell” – done in their signature mix of The Darkness, Queen and the Rolling Stones

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ALBUM REVIEW: Mercyful Fate – Melissa (Remastered)


 

To celebrate the 40th anniversary of Mercyful Fate’s debut album, Metal Blade Records is re-releasing the re-mastered version of Melissa. Remastered albums often feel like a record label trying to sell you the same album twice. Continue reading


ALBUM REVIEW: Serenity – Nemesis AD


 

Drawing inspiration from the life and work of German Renaissance painter Albrecht Dürer, Austrian symphonic metal virtuosos Serenity return with eighth full-length studio release, Nemesis AD (Napalm Records). 


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ALBUM REVIEW: Suffocation – Hymns From The Apocrypha


 

Brutal Technical Death Metal begins and ends with Suffocation.

Full stop.

The titans of industry have had a stranglehold on the masses for decades now. Hymns From The Apocrypha (Nuclear Blast Records) is simply a six-years-in-the-waiting culmination of a desire to continue to reign supreme. Even with the half-decade wait between records, any amount of time between Suffocation releases feels like an eternity.

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ALBUM REVIEW: Afterbirth – In But Not Of


 

Get ready, folks: brute ‘n roll is upon us!

Progressive yet brutal Death Metal deviants Afterbirth, formed in 1993 but put on hold for two decades, are primed and ready for the world to hear their brand of bellicosity. 

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ALBUM REVIEW: Body Void – Atrocity Machine


 

If the sonic ambush and equilibrium-busting nature of Body Void’s Atrocity Machine (Prosthetic Records) didn’t make it clear enough: the world has been ass-backwards basically since humanity began to human.

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