CLASSIC ALBUMS REVISITED: Slipknot – “Vol. 3: (The Subliminal Verses)” Turns 20


The album that would become Slipknot’s third album, and the crucial masterpiece in their history, almost didn’t happen at all. Between the hard-fought success of Iowa (Roadrunner Records), the well-documented interpersonal relationship issues between the nine band members, rising fame and pressure, side bands like Stone Sour, To My Surprise, and Murderdolls, and “off the field issues,” you couldn’t blame this band if they imploded totally around this time. However, overcoming themselves and all of these obstacles; Slipknot’s Vol. 3 (The Subliminal Versus) (a great pun on Salman Rushdie’s controversial book, The Satanic Verses,  is one of their best albums, along with their debut might be their finest hour. It is certainly their biggest hit album on a lot of levels. It yielded six singles and as we like to say on the Glacially Musical podcast (where we reviewed this album), an album has a bunch of singles if it’s selling and the band is doing well on tour. Continue reading


CLASSIC ALBUMS REVISITED: Thirty Years of “Vulgar Display of Power” By Pantera  


By 1992, Metal was all but on its knees. Traditional bands had become dinosaurs and previously popular scenes were burnt out. There were exceptions, of course. Slayer were playing arenas, Metallica had global domination in their sights, death metal was approaching its peak and across northern Europe, black metal was literally rising from the ashes of burned churches. But for the rest of the world, grunge and other alternative scenes were the new kings, all drawing inspiration from the bands they were replacing but without any of that old fashioned baggage.Continue reading


ALBUM REVIEW: Overkill – The Atlantic Years 1986-1994


Whenever the question of “who else deserved to be included in The Big Four?” raises its ugly head, New Jersey’s Overkill never find themselves too far from the conversation. Formed before the term thrash metal was even coined and named after the seminal second album by English noisy bastards Motörhead, Overkill began life as a covers band formed from the remnants of punk act, The Lubricunts. Having quickly gained a name for themselves with their self titled 1985 EP and full length debut Feel the Fire (Megaforce Records), it didn’t take Atlantic Records long to come calling, making Overkill one of the first thrash acts to sign to a major label.

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ALBUM REVIEW: Deftones –  Ohms


“Deftones 2020” would be quite the fitting campaign slogan this year.  Faced with frightening realities, unexpected downs, and challenging changes, Deftones have swooped in to provide a sonic escape and maybe even a ray of hope in a time that has been plagued by a series of unfortunate events. Though President Chino Moreno may seem like a stretch (for now), Deftones have spun these unforeseen circumstances and unprecedented experiences into something fans can hold onto during this period of struggle: the highly-anticipated LP, Ohms, due out September 25th (Warner Records).  2020 is also a hallmark year in the Sacramento-born band’s career, as they celebrate 25 years since dropping their searing debut Adrenaline, 20 years since releasing their incomparable album White Pony, 10 years since unveiling their emotive and piercing record Diamond Eyes, and one presidential term since gracing fans with their eighth studio album Gore. Now, vocalist Chino Moreno, guitarist Stephen Carpenter, drummer Abe Cunningham, programmer Frank Delgado, and bassist Sergio Vega welcome Ohms,  10 tracks of heavy and reflective material that mirror the emotional distress of the pandemic and lockdown, the political power struggle that the world is witnessing, and the internal conflicts many are facing.Continue reading


Pantera’s 20th Anniversary Version of “Reinventing The Steel” Details Unveiled


When Pantera’s album Reinventing The Steel (Elektra Records) was released on March 21st, 2000, no one at the time thought it would be the final album from the band that dominated the metal sphere in the 1990s. But with the break up of the band and the murder of Dimebag Darrell Abbott in 2004, it proved to be their final transmission. Previously announced via Rhino Records, the album is getting a new release with two new versions, featuring an unreleased mix by producer Terry Date. The band has released three songs with the new mix, 30 and will also be available through digital and streaming services. Three of Date’s new mixes “Revolution Is My Name”, “Death Rattle”, and “We’ll Grind That Axe For A Long Time’  you can hear right now. These tracks, from the CD version will be released on October 30th.  Also coming early next year, “Reinventing The Steel: 20th Anniversary Edition” will also be released as a double-LP set on silver vinyl that features the new Terry Date mix on one album, plus eight rare bonus tracks making their vinyl debut on the other. Limited to 5,000 copies, the 180-gram audiophile vinyl collection comes in an embossed, foil jacket and will be available on January 8th 2021. 

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Deftones’ Career-Defining Album “White Pony” Turns 20


Success has a way of messing with a good band. First world problems compared to the millions of bands that never make it, sure. However, so often when an emerging band that has fast become a genre leader, big corporate record labels can foul up the flow. This was almost the case of White Pony by Deftones, and the case where the hype was lived up to by pencil pushers, bean counters, and greed almost wrecked the game. White Pony is the band’s pivotal third album, where they built off the stylistic changes that came in with Around The Fur (Maverick) and pushed their sound further than before. In the process, they severed themselves far from the Nu-Metal wave that was exploding at the time and firmly created a new camp of “Deftones Music” as a category. That is, until, the label got in their business later on.Continue reading


CLASSIC ALBUMS REVISITED: White Zombie – “Astro Creep: 2000” Turns 25


For many, the nineties would prove to be the end of heavy metal as we knew it. Bands who rose to greatness in the preceding decade suddenly found themselves either retreading old ground, out of their depth trying to explore new territories, or simply grinding to an unceremonious halt. Within just a couple of years, denim, leather and even the term “heavy metal” itself, were out.Continue reading


Prong Releases New Single – “End of Sanity”


Prong has shared a new single, ”End of Sanity”. Recordeed with producer Chris Collier (No Absolutes, Zero Days) the recording is one of two tracks for a new EP, to be released in the fall. The songs were mixed by Terry Date (Cleansing, Rude Awakening). Prrong recently wrapped the “Cleansing” 25th-anniversary tour in Europe, and a tour with Agnostic Front. Continue reading


Prong To Release New EP This Fall


Prong is hard at work this month in the studio with producer Chris Collier (No Absolutes, Zero Days) recording two tracks for a new EP, to be released in the fall. The songs will be mixed by Terry Date (Cleansing, Rude Awakening). Next month, the “Cleansing” 25th-anniversary tour hits Europe, where Prong will play festivals as well as play intimate club shows in select cities. Then the band will hit the road with Agnostic Front. Continue reading


Pantera’s “Far Beyond Driven” Turns 25 Years Old


It’s the mid-nineties and while the economy is flourishing, our president gets cool points for playing the sax on television and we have Super Metroid, we still found the need to complain. And of all the things to moan about during that decade, one of the silliest is to decry the lack of decent metal. Did we all suddenly forget that Pantera dropped possibly the heaviest release to debut atop the Billboard Top 200 in Far Beyond Driven (Eastwest)?Continue reading