Listening to The Mosaic Window’s Plight of Acceptance (Willowtip Records) I can’t help but think of a particular scene from The Crow. Yeah, the one film that depends on how you feel about Dark City may be Alex Proyas’ sole seminal work. Our antagonist Top Dollar laments that the thrill of Devil’s Night is gone and proclaims, “The problem is, it’s all been done before…” and why that’s the best reason to quit.
By 1992, Metal was all but on its knees. Traditional bands had become dinosaurs and previously popular scenes were burnt out. There were exceptions, of course. Slayer were playing arenas, Metallica had global domination in their sights, death metal was approaching its peak and across northern Europe, black metal was literally rising from the ashes of burned churches. But for the rest of the world, grunge and other alternative scenes were the new kings, all drawing inspiration from the bands they were replacing but without any of that old fashioned baggage. Continue reading
Formed in Linköping, Sweden twenty years ago, Witchery were born from the ashes of cult metal act Satanic Slaughter and have spent the last two decades writing joyful little (de)compositions about all things evil and dead. Or both… After a change in personnel for previous release, In His Infernal Majesty’s Service, the Blackened Thrash act are back with the same line-up to unleash their seventh full-length album, I Am Legion (both Century Media), and to absolutely no-one’s surprise, evil and death remain high on the list of subjects covered. Continue reading