Home to the likes of Khemmis and the sickening might of Primitive Man, Denver Colorado has carved out a significant Metal niche in the last few years, and rag-tag trio The Munsens intend to mean more than a jagged splinter in that hole. Formed from a background of Hardcore, Punk and Black Metal, this particular identity offers an exciting amalgamation of the three disciplines with a huge dollop of gravity thrown into the mix.Continue reading
When the words ‘experimental’ and ‘French’ precede the word ‘Doom’ in a preamble, surely it’s impossible to ignore. Bordeaux trio Endless Floods, formed by members of cult outfits Monarch and Bombardement, are such a band and third album Circle The Gold (Fvtvrecordings / Bigôut Records) sees them test their expansive minds to new, sometimes more melodic limits.Continue reading
I love a good ‘first person possessive adjective’ band name. My Chemical Romance, My Vitriol, My Dying Bride…it suggests a dark drama within. My Diligence doesn’t get the juices flowing in quite the same fashion, but the rampant category-defying experience this Brussels collective provides is anything but weary drudge.Continue reading
Who would think that a thirtieth-anniversary gig would lead to a band reunion for a new generation of fans? It probably wasn’t the first thing on the minds of Belgian cult legends La Muerte, who have been revered and reviled in equal measure during their long history. The tricksy genre mash of their past continues into the present with new full-length La Muerte (Mottow Soundz), which should pique the curiosity of all manner of Metal fans.Continue reading
When frontman John Haughm left the mighty Agalloch in 2016 to follow a more blackened direction, the heartbreak was soon complete when the remaining members officially laid the idolised beast to rest. Two years later, through the detritus comes Khôrada, lending itself to the apocalyptic post-doom of the parent but with a more emotive, folksier bedrock.Continue reading
It’s been a long wait for those of us whose curiosity was piqued by the dark, emotional splendour of Irish quartet Raum Kingdom’s 2014 self-titled EP. Finally, an album, Everything & Nothing (both self-released) is here, and almost from the outset, it oozes the hostile, plaintive post-Metal beauty for which one would hope.Continue reading
To say that Brighton’s King Goat set themselves a high bar with début album Conduit (self-released) is like saying that Donald Trump is a wee bit controversial. To merely label them a Doom band is, similarly, doing the quintet a severe disservice: that début was laced with emotional vocals, choirs overlaying evocative bridges, and light, textured instrumentalism. It was a tour de force precious few expected.Continue reading
The first two albums from Church of Ra-affiliated Belgians Oathbreaker were fiery slabs of dark anger which nevertheless possessed hints of invention: gaining the band a reputation further enhanced with an incendiary set at last year’s Damnation festival. Nothing, however, pointed to the emotional might and unbridled creativity of new album Rheia (Deathwish Inc.) Continue reading