Pontiac is a northern suburb of Detroit known for having colorful nightlife and last Tuesday evening proved why. Their downtown was a buzz with streets closed and stages set up. The Crofoot, an acclaimed entertainment complex, was hosting a community concert series with hundreds of locals gathered. The venue was also hosting Norway’s own Leprous who is on a headlining tour promoting their new album, Melodies of Atonement (InsideOut Music). Having provincial rap acts perform outside and having a hot, progressive band play inside showed off the versatility and innovation of the beloved music venue. Continue reading
Tag Archives: Lo-fi
ALBUM REVIEW: Leprous – Melodies of Atonement
Leprous is a band that stands apart from other progressive acts. Their ability to effortlessly experiment while remaining exceptionally grounded in their superior signature and skillful sound is uncommon. This Norwegian five-piece has been labeled as unique and is known to be creatively inventive within the heavy music sphere. Each record they make manages to explore new ground and deliver world-class wonders. They are about to release their eighth full-length record, Melodies of Atonement (InsideOut Music) and its distinctively different approach compared to their previous works proves once again how aptly ingenuous the band is. Continue reading
ALBUM REVIEW: Jaye Jayle – Don’t Let Your Love Life Get You Down
Jaye Jayle is effectively the solo project of Evan Patterson, and Don’t Let Your Love Life Get You Down (Pelagic Records) is his first offering since his divorce from Emma Ruth Rundle — a topic which seems to have informed both the title and the content of this new record.
ALBUM REVIEW: PJ Harvey – I Inside The Old Year Dying
Venerated singer-songwriter PJ Harvey has returned with her tenth album, the first since her 2016 release The Hope Six Demolition Project. This new record is entitled I Inside the Old Year Dying (Partisan Records) and Harvey has once again collaborated with producers Flood and John Parish.
ALBUM REVIEW: Holy Popes – Holy Popes
Formed right before the great lockdown of 2020, Bristol-based trio Holy Popes eagerly put out their debut self-titled album via Man Demolish Records. Having played their first show the week the pandemic hit, one can imagine how much songwriting inspiration has piled up for them since. Each song turns a simple guitar riff into an earworm groove, then sprinkles some noisy chaos onto it for a raucous result you’ll quickly find yourself involuntarily moving to. Couple that with their indignant resistance to capitalism and patriarchy, and you have the very epitome of post-garage punk.
ALBUM REVIEW: Mortem – Slow Death
Oh, what a surprise it was to get to do a piece on the re-release of Norwegian black metal legends Mortem’s Slow Death! A huge thank you to Peaceville for deciding to throw this one back out there in a two-disc set containing the original recordings along with some of the demos. Included in the release is the original 1989 booklet with an extended band history and some awesome rare images. I am actually finding it kind of hard to pick a place to begin!
ALBUM REVIEW: Monster Magnet – A Better Dystopia
Monster Magnet probably needs no introduction to anyone who has paid any degree of attention to the alternative rock scene over the last 25 years or more. The band has always been unashamedly and unapologetically rockist in their approach. Largely ignoring scenes such as grunge as they have come and gone, Monster Magnet have managed to pump out album after album of classic heavy rock, and they continue to play to huge audiences. Somehow they have always stood out from the crowd of rock revivalists and “stoner” bands. Whilst the music of many of these retro bands so often feels tired and trite when compared to the 60s or 70s bands they try to copy, they always exuded a special kind of conviction, authenticity and raw power that sets them apart. Maybe this has something to do with (singer, guitar player and only original member) Dave Wyndorf having been born in 1956 and so having actually lived through the 60s and 70s. Either way, the music has always felt just as legitimate and classy as records by Motörhead or Deep Purple.
Deathkings – Ex Nihilo
I guess Deathkings really missed us since the release of 2016’s All That is Beautiful and decided to do something really nice about it. Being the sweethearts that they are this Los Angeles collective have gifted us a little something in the form a new EP, Ex Nihilo (self-released). And while it’s only two tracks on the shorter end of the spectrum (compared to the usual Sludge/Doom fare) it’s a potent and deadly reminder of what Deathkings is capable of.Continue reading
EXCLUSIVE ALBUM STREAM – Wald Krypta – Nature Enigma
Throwback North American Black Metal act Wald Krypta will release their new full-length album, Nature Enigma, tomorrow via the Eternal Death label. The band plays uncompromising raw kvlt music that hearkens to the early lo-fi days of real true black metal, as opposed to its lesser modern-sounding, too pretty offshoots. Ghost Cult is proud to share the full album stream to you today before it drops tomorrow. Continue reading
Wolvhammer – The Monuments of Ash & Bone
Oh, Black Metal production values, why do you do this to me? I’m not sure if it started with the proto-Black Metal of Venom, or if it’s a holdover of the second wave of that overtook Norway in the early 1990s, but it’s still here with us. It’s certainly all over Wolvhammer’s latest punisher, The Monuments of Ash & Bone (Blood Music).