ALBUM REVIEW: Viscera – Carcinogenesis


Only a few years ago, Viscera set the UK Deathcore scene ablaze with their debut album Obsidian, now with a few years under their belt (albeit partially being in the pandemic) and fresh straight off their big European tour with big-hitters Despised Icon and Decapitated, the deathcore group are back with their latest helping of heavy anthems with Carcinogenesis (Unique Leader). Will they be able to maintain this momentum brought on by their debut, or will they succumb to the looming threat of the sophomore slump?

 

Taking a leaf out of the Lorna Shore handbook, a harmonious orchestra floods your ears before putting the aforementioned question straight into the nearest bin as if it was ridiculous to even begin to suggest in the first place. Chugging rolling guitars and blast beats take the centre stage shortly before Jamie Graham’s beastly voice bellows out the album title and hollers out the first of many screams to come. This brutality can ultimately only be summarised in one word: heavy. 

 

 

It is evident that the deathcore band are set out from the get-go to show they’ve not softened in sound at all. It’s not all the same as before either, interjecting some less screaming vocals, Graham’s almost spoken word for the gaps in mayhem, give almost an element of Sheffield heroes, Malevolence. This doesn’t for one moment lower the tone or scale back the furiosity of the sound. On the contrary, the break in dynamics make the heavier sections seem much heavier in contrast, and these pauses help to build momentum back up, culminating in a song that will devastate the live circuit. 

 

While in Obsidian, the band put on a fine display of technical deathcore prowess, in Carcinogenesis, on the other hand, the quintet put forward a range of other influences from the death metal spectrum into the album’s mixture. ‘Layers of Skin’ demonstrates this perfectly, seamlessly flitting between the chugging core sound of the subgenre, sounding almost like it’s punching into your head, into more technical finger tapping feats, in line with more melodic death metal. These two sounds subtly merge together you’d have thought they were entwined the entire song. 

 

Once again, Viscera take it up a notch with the sixth track of the release, ‘Sungazer’. Synthy introductions greet the listener for the first time, shortly being joined by a tech metal sound straight out of the Veil of Maya catalog as the band then push the throttle on and launch into a ferocious heavy sound. Part of Graham’s highlight in his previous bands, especially in Heart of a Coward was his rich, clean vocals. ‘Sungazer’ allows Graham to display his full range in the chorus, throwing all of himself into it. 

 

Bringing back the orchestral melodies interpolated into the heavy deathcore sounds, the band don’t leave the album without another face melter in the guise of ‘On Earth As It Is In Hell’. Spoken word passages are interspersed throughout the song, bringing forward a similar mood to the likes of ‘Daylight Dies’ by metalcore stalwarts Killswitch Engage. This combined with the Hellish brutality of their previous song produces the perfect album to close on.

 

Not only have Viscera managed to maintain the quality of Obsidian, but in by bringing on the different influences of either side of their subgenre, the band have managed to create a body of music that goes beyond what their first album managed too. It definitely seems, as much of cliche as it is to say, the skies are the limit for this deathcore quintet. 

 

Viscera should definitely be at the top of your list to look out for in the UK Deathcore scene. It definitely feels like there’s still a lot more to come from this band in the future.

 

But the album here:

 

https://orcd.co/carcinogenesis

 

8 / 10

 

CHARLIE HILL


ALBUM REVIEW: Hundred Reasons – Glorious Sunset


 

Prior to last October, nobody could have foreseen a full comeback from the hit act Hundred Reasons, let alone it to be accompanied by their first album release in fifteen years. Nonetheless, the day has finally arrived, when the band responsible for some of the big rock hits of the early noughties have released some brand new music. The only big question leaving the fans wondering – has the ship sailed on the band, or are Hundred Reasons back to create more of those hits?

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ALBUM REVIEW: Graphic Nature – A Mind Waiting To Die


 

Mental health is a topic that has been covered by the alternative scene a lot, potentially even being one of the most active causes in the community. Where bands and artists feature a lot darker and edgier sounds and images, themes of depression, anger & loneliness comes alongside as part of the package deal. Metalcore newcomers, Graphic Nature are no different to that. Describing himself as an outsider, vocalist Harvey Freeman says “Not enough people talk about it in a genuine way.” With their debut album, A Mind Waiting To Die  (Rude Records) Graphic Nature are here to change things to talk about the crisis of mental health issues genuinely, in their own style.

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ALBUM REVIEW: Stormo – Endocannibalismo


 

“Understanding death as transformation could probably lead us to a better world, ecologically and socially speaking” says Stormo frontman; Luca Rocca. Over the previous year, Stormo have been causing chaos in their live shows in Europe, culminating with the band signing to Prosthetic Records at the end of 2022. With an album name like Endocannibalismo (The tribal act of eating relatives as a form of mourning), there’s only really one type of music that would be expected of the four-piece: chaotic & heavy. Stormo delivers on that in all areas. 

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ALBUM REVIEW: Circa Survive – Two Dreams


 

In the wake of the pandemic, and after nearly two decades together, Circa Survive had to take a look at themselves and reassess their existence as a band and direction musically moving forward. Two Dreams (Rise Records) is the culmination of this journey the band took. Unfortunately, it came alongside the tragic news of the group going on an indefinite hiatus as well, as the members venture into new creative avenues. 

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ALBUM REVIEW: Jamie Lenman – The Atheist


 

Jamie Lenman has been an ongoing stalwart of the alternative rock UK scene since his early days in Reuben. Now with four albums under his belt as a solo act, Lenman has completely reinvented himself and sound to become one of the more eclectic acts England has to offer. After a cover album and a song featuring MC Illaman from Pengshui, where next, could Lenman possibly go? Well, it seems the solo artist has decided to completely disembark his traditional heavier punk rock sound to embrace more indie pop rock avenues with The Atheist (Big Scary Monsters).

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ALBUM REVIEW: Press Club – Endless Motion


 

From the double hit release of Late Teens in 2018 & Wasted Energy the following year, Press Club demonstrated with ease their ability to become punk’s latest act to look out for. Unfortunately, as with so many other bands, their plans were postponed due to the global pandemic. With the return to normality, the Australian band were able to finally perform this new material across the globe. Now, three years on from the release of their sophomore release, the band sets their sights on new horizons with Endless Motion (Hassle Records) a culmination of the tormentous past few years. 

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ALBUM REVIEW: Boston Manor – Datura


 

Not even a year on from their last EP, Boston Manor is back with their fourth full-length album, Datura (Sharptone Records). Over the past five years, the band has made a name for themselves by upping the ante with each release. Anticipation is high for Datura to see what the quintet can create next, with news of the band delving deeper into concept albums for the release, this is raised even further.

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ALBUM REVIEW: The Devil Wears Prada – Color Decay


 

Over the past sixteen years since their debut, Dear Love, The Devil Wears Prada has been one of the most consistent bands in metalcore releasing seven albums over the past decade and a half. It’s not unfounded to say the band has become one of the leading stalwarts of the subgenre. Color Decay (Solid State) is the band’s eighth album, and from the opening singles released earlier in the year, it was already clear that the band is continuing on their killer album streak.

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EP REVIEW: Sobriquet – Apothesis


 

Emerging Sheffield-based band, Sobriquet have stopped destroying the local scenes in order to create their third EP Apotheosis (Self-Released). Their previous EPs have shown their sound to be full of hardcore and choral vocals, in a similar vein to the likes of big hitters Rolo Tomassi. Are the band able to keep the momentum up with ApotheosisContinue reading