Somehow, I’ve dealt myself a significant number of not-in-English albums recently. LÜT‘s self-titled fourth album from Indie Recordings is the latest. This Norwegian Power Punk quartet displays a range of the genre’s styles, particularly in the vocals of Mads Erland Ystmark, Orjan Nyborg Myrland Stensby, and Maurius James Platt.Continue reading
After being forced to cancel the previous year, Machine Head finally makes not only a triumphant return after a ten-year absence, but to a sold-out show at Floyd Music Club hosted by Honeycomb Live and Made of Stone Productions. Opening the show and a perfect match of an opener was Fleshgod Apocalypse.Continue reading
The press kit for this record reads normal, until we look a little deeper. Martyr formed in 1982 and earned attention three years later with a major single and album. Further details about tours and acts sharing the stage – standard stuff for a forty-plus-year-old act. Then, “[U]nleash their seventh studio album Dark Believer through ROAR.” Wait, what? Seventh? When did they form? Huh. That’s like Guns ‘n’ Roses pace.
Let’s have a listen, shall we?
Photo by Luis Hernandez
West Coast crossover crew Dead Heat will release their crushing Process Of Elimination full-length October 10th on their new label home of Metal Blade Records! Pre-orders are live at the link below! Stream Dead Heat’s new single “Perpetual Punishment” below!Continue reading
There’s something about the open air at Jones Beach Theater that always make shows seem so damn huge. Pantera brought their summer tour to Long Island with support from Amon Amarth and Shock Narcotic. The night had a sense of sadness as the metal community was collectively mourning, following the death of Ozzy Osbourne, who was honored throughout the show.Continue reading
Heavily rooted in the traditional Doom Metal-centered alignment, Athens-based Tèlma has consistently presented melancholic sounds with ceremonial atmospheres. They have been around for roughly eight years and are profoundly inspired by many names across the globe when it comes to musical influences – including Russia’s Scald, Finland’s Reverend Bizarre, and Chile’s Procession – though most listeners probably also can sense some Candlemass-esque hints of references in their sounds.
Cold Slither is here — and they’ve come to conquer both the metal world and Cobra Command!
In this exclusive interview, guitarist Gus Rios (Gruesome, Left To Die) breaks down the self-titled debut from his newest band, Cold Slither, a fierce and fun tribute to the legendary G.I. Joe universe. Out soon via Reigning Phoenix Music, this album blends blistering death-thrash with a heavy dose of nostalgia, inspired by the fictional band from the classic 1980s animated series. Gus shares how the project came together, the deeper concept behind the music, and how Cold Slither pays homage to beloved Saturday morning cartoon/comic book, and classic toy line, with the help of Hasbro!Continue reading
Sometimes you just need a good thrashy, Crossover Punk band to get your blood pumping. Toxic Youth have been dishing out what you crave now for thirty-five years with no signs of slowing down. Their latest album, Still Hungry (Time To Kill Records), continues that mission statement relentlessly for over thirty minutes.Continue reading
I spent entirely too long trying to sub-genrefy Nefarious‘ Addicted to Power (Relentless Metal Records). Among the eight tracks on this non-stop aural assault, Thrash, Power, and OG NWOBHM/Warlock/Accept-era influences share a sonic landscape littered with anger, cynicism, and Lovecraft. Before we go any further, let me say I enjoyed this album thoroughly and recommend it highly. You may question that at times if you keep reading.Continue reading
Daron Malakian of System of a Down is back with his solo project, Scars on Broadway. Addicted to Violence (Scarred For Life) marks the project’s second album without the drummer who played on the project’s first album and made it feel like a more direct extension of System of a Down. Much like the band that put these guys on the map, there is, at times, a punk feel that owes a great deal to the Dead Kennedys. Where this project finds its own identity is stepping away from some of the Hip-Hop bounce that drove Nu-Metal. This does not mean it forsakes groove; it approaches it differently, which can be heard on a song like “Satan Hussein.”Continue reading