Download Festival, the greatest rock and metal festival of all time, is now only 100 days away. With the countdown now truly on, celebrate this year’s festival with our round-up of Download By Numbers. This year’s festival will occur on 13-15 June 2025 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are available now at the links below!Continue reading
Progressive metallers, Spiritbox, have just shared their latest single, “No Loss, No Love,” along with an official music video. It was produced by Dan Braunstein with the band’s own Mike Stringer, and is taken from their upcoming second album, Tsunami Sea. The full-length is due to land March 7th via Pale Chord / Rise Records. Catch the new video and more below.
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Progressive metallers, Spiritbox, have announced a North American Tour, in support of their upcoming album, Tsunami Sea, due out March 7th via Pale Chord / Rise Records. The 24-date run (produced by Live Nation) kicks off April 3rd in Dallas, TX, and heads across the U.S. and Canada, withsupport from Loathe, Dying Wish, and GEL. Find more information below.
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We are thrilled to announce the first major line-up for Download Festival 2025 (DLXXII), featuring three first-time headliners: punk-rock royalty Green Day, the enigmatic and meteoric Sleep Token, and nu-metal legends Korn. Over 90 bands have been confirmed, including Weezer, Sex Pistols featuring Frank Carter, Jimmy Eat World, Within Temptation, Eagles of Death Metal, The Darkness, Poppy, Loathe, Spiritbox, and many more. The fest takes place 13-15 June, 2025. This exciting news was revealed this evening at a special metal gala launch event in London.
Fresh off the sold-out, but challenging festival for 2024, When We Were Young 2025 has booked Panic At The Disco, Blink-182, Weezer, Avril Lavigne, The Offspring, All Time Low, The Used, Knocked Loose, Bad Religion, Yellowcard, Ice Nine Kills, Beartooth, Motionless in White, Pvris, letlive., We Came As Romans, I Prevail, Loathe, Mayday Parade, The Gaslight Anthem and More! Sign up for the presale that starts Friday 11/1 at 10am PT. All tickets start at $19.99 down.Continue reading
Korn will headline Australia’s traveling touring festival Good Things 2024. The festival is set to take place over three dates later this year in December in Melbourne, Sydney, and Brisbane. Other bands on the fest includes Sum 41, Violet Femmes, Kerry King, Mastodon, 311, Billy Corgan solo, and many more. The full line up is listed below. Tickets are set to go on sale Thursday August 29th at 10 AM AEST. Continue reading
It is an odd thing to see bands on the rise. At capacity, Showbox Sodo in Seattle holds 1,800 people. To see Knocked Loose, Show Me The Body, Loathe, and Speed there for the Weapon of Choice Tour, is something is incredible to imagine. I have been to that venue many times, and of those, few were sold out. Still, the night was thick with hardcore energy and the venue floor filled up quickly.Continue reading
Kentucky hardcore/death band, Knocked Loose, have unleashed their new single, “Don’t Reach For Me,” alongside a video directed and produced by Max Moore. It comes from their new album, You Won’t Go Before You’re Supposed To, which is due out May 10th on Pure Noise Records. Just before it arrives, Knocked Loose take on a headlining tour in North America, starting April 27th at Sick New World in Las Vegas. Keep reading below to check out the new video, live listings, and more from the band.
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When Capra burst onto the Hardcore scene back in 2021 with their debut album, In Transmission, they displayed whole-heartedly, what the best things are about the subgenre today. Riffs that make you want to start chaos wherever you go, and the emotive vocals from Crow Lotus, made Capra one of the stand-out newcomers in 2021.
ArcTanGent Festival, a yearly outdoor four-day fixture at Fernhill Farm near Bristol, attracts a devoted following to its niche yet eclectic lineups of artists who generally have an association with post-rock, progressive metal, or experimental rock. It’s “sort of” a metal festival, but the range of acts it showcases steers towards the more left-field and eccentric end of heavy music and at times stretches beyond what could reasonably even be labelled as “rock”.