ALBUM REVIEW: Kerry King – From Hell I Rise


December 1st 2019. 

The first day waking up in a post-Slayer world.

A dark day indeed. Continue reading


PODCAST: Glacially Musical #172 – Slayer “Divine intervention” Reviewed ft. Omar Cordy of Ghost Cult


Time for our final episode of our Slayer series ! Nik and Keefy are joined by Omar Cordy of #GhostCultMag to discuss the first post-Dave Lombardo era, and the merits of Paul Bostaph! We also rank every album we covered!Continue reading


ALBUM REVIEW: Spiritworld – Deathwestern


Wide-eyed confusion and general bewilderment are the most common reactions after laying eyes upon Las Vegas act Spiritworld for the first time. Slayer in Stetsons is usually the next. Yes, the unlikely looking Nevadans might look like the founder members of a Billy Ray Cyrus and Garth Brooks cosplay fan club but their music is a very different beast indeed.

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ALBUM REVIEW: Molder – Engrossed in Decay 


 

Molder ticks off a lot of my sonic checkmarks, but something isn’t quite right here. If Engrossed in Decay (Prosthetic Records) were a dish in its ingredients section you’d read that it contains Autopsy, early Death, Slayer, and a hint of vintage Carcass. Seems like a pretty appetizing meal, right? And there are several moments to sink your teeth into, but overall, I was left unsatisfied. I’ll still recommend the eatery, no doubt, but here’s to hoping that the next entre hits the spot. 

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CLASSIC ALBUMS REVISITED: Slayer – Seasons In The Abyss at 30


 

When Reign in Blood (Def Jam) catapulted Californian thrashers Slayer into the big leagues, the 1986 (or 1987 if you lived in the UK) seminal release also created a problem for the band. How exactly do you follow perfection? 

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FEATURE: Facing Life Without Slayer


Slayer, photo credit Gary Alcock

From the first day of December 2019, we enter a dark, horrifying new era. Life without Slayer.

Sorry. Life without SLAAAAAYYYERRR!!!

There, that’s better.

From the moment I discovered Slayer on a compilation album called Speed Kills back in 1985, my life was changed forever. Just the sound of their name was enough. Everything you needed to know about the band encapsulated in two perfect syllables, especially when screamed at an ear-splitting volume or when chanted with thousands of other like-minded blood-hungry psychopaths.Continue reading


Inter Arma – Sulphur English


Despite third album Paradise Gallows (Relapse Records) establishing Virginian quintet Inter Arma as one of the World’s premier exponents of Harsh Progressive Metal, it’s nevertheless arguable as to whether or not the band remains in the shadow of 2014’s staggering opus The Cavern (Relapse Records). Fourth full-length Sulphur English (also Relapse), surely their most brutal yet, will lay such doubts to rest.Continue reading


Former Slayer Drummer Dave Lombardo Pays Tribute To Jeff Hanneman


In a wide-ranging interview over at Metal Hammer, drummer Dave Lombardo (Suicidal Tendencies, Dead Cross) penned a lengthy tribute to his late Slayer bandmate Jeff Hanneman. Hanneman passed away in 2013, and Lomardo exited Slayer for the final time as well in 2013. All of metal misses Jeff’s spirit and talent. We’ve been covering the coming end to Slayer’s career for some time, so catch up on our retrospectives, live reviews and other news about the thrash legends. Continue reading


Slayer’s “South Of Heaven” Was Released Thirty Years Ago


What do you do for an encore when you have released arguably the greatest album in metal history, at the zenith point for the genre? Well if you are Slayer, you blow people’s minds and release South Of Heaven (Def Jam) as the follow-up to Reign In Blood (also Def Jam). Although some of its slower mid-tempo jams threw fans for a loop, Slayer’s fourth album is full of gritty, true to life bangers and classic tracks. Let’s revisit this masterpiece which turned thirty years old today. Continue reading


FEATURE: Slayer: Postmortem


Slayer are the only band I have ever fallen in love with without hearing a note.

It was in 1994 when I was sixteen – despite growing up in a house full of Rock music I started caring about it quite late. Until fifteen, my only interests were video games, movies and books (initially about dragons, later about eldritch tentacle horrors – I must be one of the few Metal fans who got into Lovecraft before the music), with Rock arriving very suddenly through the surprising medium of Bon Jovi’s Slippery When Wet (Mercury). From there it was a rapid journey through Guns n’ Roses, Motörhead and Black Sabbath, and then a family friend put Master Of Puppets (Elektra) on and by the time ‘Battery’ had finished I was a different person.Continue reading