The latest act to trot off the impressive Svart Records conveyor belt, Danish quintet Demon Head like to maintain the traditions of Doom. Third full-length Hellfire Ocean Void sees their devotion to Proto and Psych Metal expanded with a little modernity but sticking true to the format, a feat undoubtedly assisted by having legendary producer Flemming Rasmussen at the knob-twiddling helm.Continue reading
The Sisters of Mercy have booked headline gigs at The Roundhouse London on Friday 20 and Saturday 21 September 2019. They did a brief tour last summer, and have already been booked to headline a stage at this summer’s Hellfest. The band has been especially active lately on social media and their last full-length original album, 1990’s Vision Thing (East West/Elektra) was just released on streaming platforms for the first time last week. Tickets for the London shows go on sale this Friday 18th January 10 am local time at the link below.
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AFI is dropping a new EP next week dubbed The Missing Man (Ex Noctem Nacimur). The band has dropped a new single today to get you amped and ready. The EP was produced by guitarist Jade Puget and is the follow up to 2017’s AFI (The Blood Album) full-length. Check it out!Continue reading
Gothic Post-Metal band Dead Register are releasing a new EP on November 2nd, 2019, Captive. It is the followup to their well the band’s critically acclaimed 2016 full-length album Fiber. Dead Register has built a career on non-conformity, filtering their intellectual lyrical missives through the lens of post-punk gaze ethos matched with bruising post-metal riffs. You can hear the new single ‘Heresy’ from Captive right here at Ghost Cult! Continue reading
In 2011 Boston quartet Morne tore up the Atmospheric Doom template with sophomore album Asylum (Profound Lore): a dark, brooding masterpiece with strong Crust influences, it garnered favourable comparisons with the likes of Neurosis and Agrimonia whilst acknowledging their own identity. Fourth studio album To the Night Unknown (Armageddon/MORNE) is the band’s first recorded output for five years, and it kicks in with fizzing tension. Continue reading
By the time 1988 rolled around, Glenn Danzig was already a music legend with over a decade-long career under his ghoulish belt. He had already left his imprint on two influential punk bands. Although much more underground at the time than today, The Misfits was one of the preeminent hardcore punk bands to ever come into being. The were innovated, copied and had a huge mythos since they were relatively short-lived. Samhain was even more underground, playing up the splatter and gore theme of the horror punk angle, and had several influential releases. Moving on to a solo project, and partnering with mega-producer Rick Rubin (Beastie Boys, Run D.M.C. LL Cool J) the Def American label honcho seemed like a calculated risk at the time. The results were explosive and arguably produced the best, most endearing music of Glenn’s career with his new band Danzig and his eponymous debut, which was released thirty years ago today. Continue reading
The early 1990s of metal were a veritable free for all. In the years preceding the Nu-Metal age, there was definitely a push back if you were trying to be unique and blending genres of metal in any way. If you were anything beyond a typical thrash or hardcore band, with a few exceptions (some death metal, Faith No More) you might have been shunned. In the case of Type O Negative, they didn’t just innovate and try new things, they kicked the goddamn door in and blew us all away. They never did this more than on 1993’s Bloody Kisses (Roadrunner) album. Mostly eschewing the straight up thrash hardcore of frontman Peter Steele’s previous band, Carnivore, Type O was a swampy, sexy mix of Black Sabbath doom riffs, Beatles melodies and The Cure meets Sisters of Mercy Goth rock. The sound would shift the landscape and make unlikely stars of arguably the greatest band to ever emerge from Brooklyn. Continue reading
When frontman John Haughm left the mighty Agalloch in 2016 to follow a more blackened direction, the heartbreak was soon complete when the remaining members officially laid the idolised beast to rest. Two years later, through the detritus comes Khôrada, lending itself to the apocalyptic post-doom of the parent but with a more emotive, folksier bedrock.Continue reading
As we do every day of the year here at Ghost Cult, we celebrate the life and work of Peter Steele from Type O Negative, who passed away on this date (4/14) in 2010. We remember him especially on the day of his passing, and his birth, January 4th, but really all the time. Carry Peter with you today, and if he affected you personally with his music in Type O or Carnivore, or just in some special way. Share it with others to keep his memory alive. You can see a bunch of retrospective content below. Continue reading
Few bands ever “make it” as successful touring and recording artists. It’s a long way to the top if you wanna rock and roll, or even the lower middle rung of sales and touring if you play rock or metal. For Kenny Hickey and Johnny Kelly, they saw the top of the mountain with their legendary 1990s band Type O Negative, with huge selling albums, world tours and mainstream success. Each has had success as session and touring musicians as well as other bands they have been in. With their new band Silvertomb, they are returning to the doom and gloom of their roots, but also goth and psychedelic influences to take this project in a new direction. Ghost Cult’s Keefy got to hang out with Kenny, bassist Hank Hell, and guitarist, keyboardist Aaron Joos before their second show ever in New Jersey. Together we talked about the new band, shopping their demo to labels, giving back to fans and their community, and of course the legacy of Type O and late frontman Peter Steele. Videography by Omar Cordy with assistance by Heather Wilkerson for Ghost Cult.