ALBUM REVIEW: Neck Deep – Neck Deep


There’s no question about it; if you follow modern pop punk, you know what a massive influence Neck Deep has had on the scene for the past decade. Ever since they made Life’s Not Out To Get You, one of the best pop punk albums of the 2010s (dare I say, of all time?), the British rockers have been a prominent staple in pop punk history. Even with the bar set so high, they continued to stack their catalog with upbeat anthems to blast from your car speakers with the windows down.Continue reading


ALBUM REVIEW: Polar Sun – Wax –  Wane


Rising from Brighton, United Kingdom, the genre-bending quintet Polar Sun (formerly known as Porshyne) self-release their new album Wax / Wane, which presents a mix of styles from electronic and Jazz to post-Rock and Math Rock. 

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EP REVIEW: Erase Theory – The Good Kind



Hailing from Los Angeles, California,
Jeff Sahyoun (ex-guitarist of post-hardcore band letlive.) continues to prove his wide-ranged virtuosity with his new project Erase Theory. Following the self-titled debut EP released in early 2023, the band consolidates their innovative charm with their second EP The Good Kind (Icons Creating Evil Art).

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ALBUM REVIEW: Silent Planet – SUPERBLOOM


 

California quartet Silent Planet is known for their unique take on metalcore that continues to lead them to victory, earning them respect and fans from all over the metal spectrum. Their enticing, story-like method of songwriting is what sets them apart from their peers. When vocalist Garrett Russell delivers the lyrics, he does more than just perform a song – he vividly and theatrically illustrates the sinister world that embodies Silent Planet, all while the instrumentals set the stage for every scene, brewing build-up, thunderous climax, and desolate aftermath. 

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ALBUM REVIEW: Knuckle Puck – Losing What We Love


 

Hailed as one of the most consistent and influential pop-Punk bands of the last decade, Chicago quintet Knuckle Puck have upped their game with their fourth full-length record, Losing What We Love (Pure Noise Records). The album pushes the band’s envelope while simultaneously pulling from the oldest songwriting tricks they are known and loved for.

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ALBUM REVIEW: Code Orange – The Above


 

The hope for a band to “return to their roots” is a phrase that has been thrown around so much in modern music, it has begun to lose its meaning. As with the roots of a tree, a band’s roots are always there, securing the foundation of their sound, no matter how many different directions it may branch out into. 

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ALBUM REVIEW: Conquer Divide – Slow Burn


 

Hailing from the United States, United Kingdom, and Canada, Metalcore quintet Conquer Divide has come back together in Atlanta to record their long-awaited second full-length album, Slow Burn (Mascot Records). Slow Burn presents a balanced, cohesive collection of songs while also throwing the frequent curveball – ones that don’t throw the direction off track, but rather launch it forward into expanded territories. 

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ALBUM REVIEW: Polaris – Fatalism


 

One of the fastest-rising bands in modern metalcore, Australian group Polaris shows their musical ancestors how it’s done with their third album, Fatalism (SharpTone Records). As they break through the scene, the quartet continuously grows with their refinement of the genre, pulling off a sense of timelessness for a style that some of their peers have fallen under the radar trying to keep alive.

 

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ALBUM REVIEW: Holding Absence – The Noble Art Of Self-Destruction


 

If you had to book a show for an audience of half-Pop fans and half-Metalheads with the promise that no one would walk out, it would seem like an impossible task. But book Welsh band Holding Absence for a show like this, and everyone’s jaws will be on the floor before the first song finishes. 

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