Tag Archives: black metal album reviews

ALBUM REVIEW: All Hell – Sunsetter

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Released under Terminus Hate City, Asheville-based All Hell releases their fifth full length album entitled Sunsetter– fusing altogether first wave Black Metal references with many other references too such as Deathrock, Punk, and film score type of atmospheres. Best known for occult-horror storytelling and narratively transgressive sounds, this time they conceptualized an album with a vast range from ancient myth to modern day apocalyptic undertones. The core themes being explored on this album include exile, rebirth, cosmic vengeance, lineage, vices and virtues, as well as the ordeals of surviving as well as apocalyptic worlds– incorporating references like Lilith, the curse of Cain, and a bloodline that is damned.Continue reading →


ALBUM REVIEW: Sakna – De Syv Dødssynder

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I’ve always been drawn to the notion of exploring the deeper cores of works that are published posthumously– and De Syv Dødssynder by Sakna is one of them. It’s not just an ordinary Sognametal-inspired record; it’s an accumulation of remnants gathered over four years consisting of Atmospheric Black Metal/DSBM materials written by the late Solemn himself– later discovered by his brother S (of Lunedi fame) in a long-lost drive, and 15 years after his demise, is set to be released via Hypaethral Records.Continue reading →


ALBUM REVIEW: Intraether – Vestiges

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It seems with every listen, Vestiges (Fiadh Productions) has something more somber to offer.

Intraether, the Atmospheric Black Metal outfit responsible for the new album, succeeds in creating distinguishable songs that all still contain a common thread of melancholy and bombast that brings everything together.Continue reading →


ALBUM REVIEW: Fell Omen – Caelid Dog Summer

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A solo project from darkest Athens, Fell Omen is the brainchild of Greek multi-instrumentalist Spider Of Pynx (a.k.a. Dimitris Corax Augoustinos). A combination of old-school Metal, Dungeon Synth, Punk and classic Black Metal, Caelid Dog Summer (True Cult Records) is the band’s second album, their first, Invaded by a Dark Spirit, only landing in February of this year. A busy little Black Metal bee indeed.Continue reading →


ALBUM REVIEW: Blackbraid – Blackbraid III

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The third chapter of Blackbraid is upon us! Blackbraid III (Self-Released ) has been released onto the world, continuing where the previous chapter ended. This installment in the series keeps all of the elements we have all come to love from Sgah’gahsowáh’s (Editor’s note: translated from Indigenous American for “The Witch Hawk”) solo project, with even more guitar leads to melt your face. A few ticks under an hour places Blackbraid III slightly shorter than its predecessor. It’s worth every minute, so keep that finger off the skip button.Continue reading →


ALBUM REVIEW: …And Oceans – The Regeneration Itinerary

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Proving that career paths often never work out quite the way you imagine, Finnish experimentalists …And Oceans was founded by the two guitarists of Death Metallers Festerday and began life as a fairly straight-forward Black Metal act. After metamorphosing into something more akin to Black Cybermetal on their 2001 album A.M.G.O.D., in 2005, the band changed their name to Havoc Unit before reverting to Festerday a few years later. A band that continues to exist despite the reformation of …And Oceans in 2019. Continue reading →


ALBUM REVIEW: Aran Angmar – Ordo Diabolicum

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I recently re-listened to “Varyags of Miklagaard” by Amon Amarth and was wondering if there’s any close contender that could match their sonic nuances– coincidentally, the album I was assigned to review this time, Ordo Diabolicum by Aran Angmar, I think, passes as a close contender with vibes adjacent to “Varyags of Miklagaard” and all. Aran Angmar might not be a Viking Metal band just like what Amon Amarth is, as they primarily play Black Metal, but on my first listen, I got the impression that Ordo Diabolicum exudes that necromancer-like energy that is almost suitable as a D&D/MMORPG soundtrack– which is a fair point, considering that ancient lores and necromancy happen to be some of the recurring themes incorporated in their songwriting.

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ALBUM REVIEW: The Infernal Deceit – The True Harmful Black

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A duo accompanied by an unofficial yet ever present third member, German Blackened Death Metal act The Infernal Deceit are back with second full length album The True Harmful Black (Personal Records). Formed in 2018, the pair from North Rhine-Westphalia go only by enigmatic single initials – guitarist/bassist C and vocalist R – while session drummer Jörg Uken gets to use his full name while pounding the living hell out of his kit.Continue reading →


ALBUM REVIEW: Unreqvited – A Pathway to the Moon

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As a consistently profound blend of blackgaze, ambient, post-rock, and black metal, the Ottawa-bound Unreqvited led by 鬼 (Ghost) takes a groundbreaking step toward a rather structured approach in terms of their soundscapes on their new album; incorporating elements from their past releases. With the release of A Pathway to the Moon –out via Prophecy Productions–, they transition into something beyond their borders; inclined more towards intricate lyrical expressions and clean vocals rather than instrumental-heavy elements. This change of trajectory also happens because of the fact that they recently transitioned into a full touring band with heavy focus on live performances. Continue reading →


ALBUM REVIEW: Häxkapell – Om jordens blod och urgravens grepp

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I am neither the world’s biggest Black Metal fan, nor authority, and I would never pretend to be either. That said, the door to me being swept off my feet by Satan’s minstrels is always open. It happened last year with the latest Trelldom release, …By The Shadows….Continue reading →