ALBUM REVIEW: Truck Violence – The Weathervane is my body


Canadian Folk-Punks Truck Violence built a great deal of buzz with their 2024 debut, and their sophomore release, The Weathervane is my body (The Flenser),  finds them scaling back some of the backwoods folk that colored their first album and digging deeper into the Noise Rock side of the equation. This brings a more angular dissonance to the songs. The vocals are a mix of moans and howls over the boozy attack of guitar with a precise ugliness to create something beautiful. Some of these moments might not be as overtly metal as a band like Chat Pile, though this album would appeal to the less metal-minded members of their fan base. It is a different shade of the dark corners of an unsettled mind through a more pastoral lens. Continue reading →


ALBUM REVIEW: The Butthole Surfers – After the Astronaut


The words of Hunter S. Thompson might best describe The Butthole Surfers as “One of God’s own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.” A band countless outsider teenagers dropped acid to in the nineties, that stumbled into the mainstream spotlight with the Electric Larryland album that was devised even before factions took up on the internet to be divided about things. The album was more of an anomaly, so when Capitol Records received the follow-up After the Astronaut, they shelved it, but thankfully, Sunset Blvd Records finally released it.  Continue reading →


ALBUM REVIEW: The Beaches – No Hard Feelings


Canadian four-piece The Beaches always know how to a) have a damn good time and b) write songs that while they may be tongue-in-cheek, are also stupidly catchy and/or memorable. And their newest work is no different. Continue reading →