ALBUM REVIEW: Laceration – I Erode


See-sawing from old-school Death Metal to ferocious Thrash Metal, Laceration pack nine tracks into I Erode (20 Buck Spin), showcasing both proficient musicianship and in-sync performances.Continue reading


ALBUM REVIEW: Holycide – Towards Idiocracy


Having passed away during the nineties, the once thriving Thrash Metal scene didn’t stay dead for long and the early aughts saw a gradual, but noticeable shift back to life. By 2004, the genre’s overdue re-animation was in full swing and a slew of new acts crawled out of the crypt, desperate to make an impression on the next generation of thrashers.Continue reading


ALBUM REVIEW: Exhorder – Defectum Omnium


After returning from hiatus with the rather good comeback album Mourn The Southern Skies in 2019, New Orleans Thrash Metal legends Exhorder are at it again with new album Defectum Omnium (Nuclear Blast Records) – thankfully not making us wait another twenty-seven years. Continue reading


REVIEWS ROUNDUP: ft. Sadus – Cruciamentum – Cryptworm – Phobocosm – Walking Corpse


As the days grow ever shorter and the year creaks to an end, Matt Cook ventures into the subterranean in search of death (metal) and depravity to warm his decomposing cockles… 

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ALBUM REVIEW: Guilt Trip – Severance


 

There’s just something about the last handful of years and releases that are classified as either crossover Thrash or Metallic Hardcore that absolutely kills it. Moreso, when an album drops that has a mix of both of these subgenres, like the UK-based Guilt Trip, it’s just everything you want out of aggressive music on a bad day. With that, unleashed onto the world is Severance (via Malevolence’s label, MLVLTD), Guilt Trip’s sophomore full-length, an album that puts you through the grinder and spits you out for thirty-four minutes.

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EP REVIEW: Chupacabra – Fortified With Ashes


 

Chupacabra is an interesting name for a Thrash/Death Metal band. I’m honestly surprised it hasn’t been taken for a band already. Perhaps the band may tour with Thrashsqatch in the future, perhaps call it; Into the Crypt with the Cryptids. 

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ALBUM REVIEW: Evile – The Unknown


 

Perhaps the noticeable increase in crossover thrash coming out this year is intended to fill the void left by bands like  Power Trip and Slayer. Rather than jump on this bandwagon, British thrashers Evile are slowing things down on The Unknown (Napalm Records) to focus on songwriting.  

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ALBUM REVIEW: Voice Of Baceprot – Retas


 

It isn’t often that a band can make a legitimate claim at making a cultural impact on, or even before, their debut album is released, however, it is one that Voice Of Baceprot (or VOB) can certainly make. Hailing from a largely conservative Muslim province and nation in Singajaya, outside of Garut, West Java, Indonesia, the fact the band consists of three young, hijab-wearing women has generated plenty of ire. 

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EP REVIEW: Beltfed Weapon – Darkened Demise


 

Beltfed Weapon has often felt like a fun but sort of long-running vanity (but nonetheless valid) project for Seattle’s talented Frank Hetzel, many years between quite short releases featuring a who’s who of underground metal players guesting in support of a slightly odd discography. It is strange to me that there aren’t a series of full-lengths after so much time spent between releases, but every shorter thing Frank has released still has moments to enjoy for the casual thrash, death, and (at times) power metal fan. 

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ALBUM REVIEW: The Bleeding – Monokrator


Within the ferocious realm of UK underground scene, the all-around relentlessly fiery thrash/death unit The Bleeding have been hitting the ground since 2010, (technically) kickstarted by the release of first full-length entitled Rites of Absolution (2017) after several years of releasing EPs and demos, followed by second-full length Morbid Prophecy (2019). Having been noticeably compared to the likes of Exodus, Kreator, Death, and Demolition Hammer, they never cease to present the best of reaping thrash-death metal eclectic rawness.

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