CMFT2 (Decibel Cooper / BMG) is the second solo album from one of the largest mouths in Metal, a musician who you might have thought had all bases covered for his creative output by virtue of being the frontman in two wildly successful bands.
CMFT2 (Decibel Cooper / BMG) is the second solo album from one of the largest mouths in Metal, a musician who you might have thought had all bases covered for his creative output by virtue of being the frontman in two wildly successful bands.
Singer-songwriter Ora Cogan, based in Vancouver Island, has been creating and releasing “cinematic compositions” since 2007. Her ninth album, Formless (Prism Tongue Records), presents a “bizarre sonic Venn diagram” of influences including gothic country, psychedelia, post-punk and more, according to the accompanying press release.
It’s only been two years since the release of the first album from Saigon Kick’s guitarist, Jason Bieler. Containing an eccentric mix of music accompanied by a star-studded cast of other musicians, Bieler created an experimental medley of rock and progressive sounds. Now Bieler is back with the rest of The Baron Von Bielski Orchestra to do it again and delve even further into the peculiar sounds previously explored. While the debut dipped its toes into the eccentricity, it seems the band are looking to fully submerge. The main question lingers, whether it is odd for art’s sake or just odd for odd’s sake.
Venerated singer-songwriter PJ Harvey has returned with her tenth album, the first since her 2016 release The Hope Six Demolition Project. This new record is entitled I Inside the Old Year Dying (Partisan Records) and Harvey has once again collaborated with producers Flood and John Parish.
Ayron Jones delivers blockbusting, heartbreaking, beautiful, and bluesy rock ‘n’ roll on Chronicles Of The Kid (Big Machine/John Varvatos Records). “I came for the title,” he sings. “I got a word to my rivals.” The verdict? If it’s a matter of survival, this kid’s still standing.
Ghost Cult’s Keefy chatted with artist Jason Singer, a.k.a. Michigander! Armed with a new EP – It Will Never Be The Same, Jason recently completed a headline tour. We discussed the origins of his music, getting gravely injured – breaking his leg in the woods filming the music video for “Superglue” – moving to Nashville from Detroit, working with Manchester Orchestra, and more! Continue reading
There’s something romantic and cinematic about adopted New Jersey (via Norway) songwriter Luke Elliot’s third album, Let ‘em All Talk (Icons Creating Evil Art) over and above the wistful storytelling. ‘I (Who Have Nothing)’, all film-noir meets spaghetti western vibes with its orchestral flecks, feels torn from an as-yet-unwritten Tarrantino follow-up to Django Unchained, or perhaps the lead single to the debuting next James Bond, while ‘William Tell’ could have been one of the musical interludes from Black Mariah’s club in Luke Cage (Netflix version).
Not even a year on from his last full-length album, The Atheist and Jamie Lenman is back with yet more music. Acting as a companion EP to the aforementioned album, IKnowYouKnowIKnow (Big Scary Monsters) features some of the tracks that didn’t fit in with the theme and sound of The Atheist, allowing Lenman to truly showcase some of the varieties of influences that went into the sound of this phase of his career. What can this additional release add to the package that was his previous album?
Ghost Cult Keefy chatted up singer-songwriter and rocker Adam Masterson, who released his new album “Time Bomb” earlier in 2023. In addition to his great songcraft, Adam had a plethora of guest artists, producers, and mix engineers on his album including, James Hallawell (The Waterboys/Graham Parker), Tchad Blake (The Black Keyes, Sheryl Crow), Sean Genocky (The Black Crowes, Richard Ashcroft), Ron Saint Germain (Soundgarden, 311), Dave O’Donnell (James Taylor, Keith Richards), Craig Dreyer (Pete Francis, Dispatch), and Paul Stacey (Oasis, The Black Crowes). Performing alongside Masterson throughout the songs is an all-star bevy of high-profile musical collaborators such as Charlie Jones (Goldfrapp, Robert Plant & Jimmy Page), Glen Matlock (Sex Pistols) and Brett Bass (Gregg Allman) on bass, Leo Abrahams (Paolo Nutini, Regina Spektor) and David Rhodes (Peter Gabriel, Scott Walker) on guitars, Charlie Drayton (The Cult, Divinyls), Jeremy Stacey (King Crimson, Ryan Adams) and Omar Hakim (David Bowie, Journey) on drums, Peter Tickell (Sting) on mandolin and violin, and Rob Clores (Jesse Malin, Charli XCX) and Ben Stivers (Lyle Lovett, Matchbox Twenty) on piano, among others. Adam discussed his entire career arc, writing for other artists, and more in this interview.
How often can it be said when speaking of supergroups that its individual members are at the peak of their powers? The only reason it perhaps cannot be said of the members of boygenius is simply that it feels like the trio is on the ascent if anything.