As this year’s event gets ever nearer, Bloodstock is thrilled to announce that Sunday day tickets for 2023 are now SOLD OUT!! Standard weekend tickets remain available but are going quickly, plus a limited day allocation for Friday and Saturday. Read on for more band news, plus all the details on the RAM Gallery exhibitors, the return of the T-Shirt/CD Amnesty and Planet Rock Signing Tent, plus how to do a one-stop-shop for all your festival essentials.
Bloodstock Open Air 2023 will be here before you know it! The festival continues to inspire by dropping content. Head over to their YouTube channel to watch full video performances from bands, including a new one from Lorna Shore. The fest also dropped more merch, including Download Mascot plushies on pre-order, and a reminder that their deposit scheme for 2023 closes soon.
Turn up for what? Turn up for a Turbo Polka Party! That’s right, it’s time to get this party started with the newest dance-worthy, head-bopping, ska-laden, metal riffage of Russkaja and Turbo Polka Party (Napalm Records). Russkaja is famous for blending ska, punk, and reggae to create a unique and fun sound. This new offering is a straight-up craic!
Bloodstock Open Air 2023 (BOA) has announced a slew of new bands, filling out the Ronnie James Dio Main Stage, and Sophie Lancaster stage. Now on the bill are Candlemass (replacing Whitechapel who have dropped out), Tribulation, Royal Republic, Employed To Serve, Witchsorrow, Wytch Hazel, Skin Failure, Bloodyard, Wolfbastard, Tribe Black Coast, Russkaja, Gaerea, and Striker. Watch the new Bloodstock trailer here. Continue reading
Pantera, Disturbed, Amon Amarth, Arch Enemy, Architects, Behemoth, Kreator, Meshuggah, Gojira, Parkway Drive, Testament, Voivod are among the 103 artists who have been added to the 26th edition of the Graspop Metal Meeting, set to take place June 15-18, 2023 in Dessel, Belgium. Tickets are on sale tomorrow at the links below. Continue reading
From the opening shred and bombastic drumming, the listener knows 8 Kalacas’ Fronteras (Atomic Fire Records) is going to be epic. If you aren’t familiar with the 8 Kalacas, be prepared. It’s not straight up punk or metal. The songs veer stunningly off the tracks with the insertion of a ska sound that immediately puts one in the mind of the old Batman and Robin television series with Adam West and Burt Ward. The album is frenetic, wild, and just plain fun! Fronteras is part ska, part punk, part metal, part schlock, and all amazing. If you are a fan of Russkaja, then 8 Kalacas is your band. It’s like that, but in Spanish.
(HED) P.E. releases a solidly decent album with Class of 2020 (Suburban Noize Records). The band, hailing from Southern California, truly embodies the eclectic skater vibe of the area. The album is a mix of rock, funk, and rap. Jared Gomes, Jeremiah Stratton, Kurt Blankenship, DJ Blackard, and Chad Benekos are a tight outfit, and Class of 2020 has no wasted riffage.
As a semi-renowned gobshite par excellence, it’s genuinely not often I’m confused, but the levels of confusion upon first listening to Russkaja’s latest droppings Kosmopoliturbo (Napalm) caused existential crisis levels of befuddlement.Continue reading
Life is full of mysteries: how does the universe expand into nothing? How did The Miz ever headline Wrestlemania, why has the UK Eurovision board not called Skindred yet, and most baffling of all, how have polka metallers (?!?) Russkaja maintained a career for so long? Metal has come with a huge degree of silliness for some time, folk metal especially at times requires you to leave your mind at the door and go nuts (may also contain disco). Russkaja’s brand of Russian Turbo Folk with Ska is a step too far however, and instead proves as fun as stapling your genitals to a grizzly bear.
Given their due, Russkaja have definitely covered new ground, combining traditional Russian Polka which will be unfamiliar to many, with the bombast and sunshine of Ska upon a metal driving engine; a formula which has deviated little over the 4 album career. The problem which becomes even more apparent on Peace, Love & Russian Roll (Napalm) is how the absurdity feels forced and lacks any charm. At the songwriting’s best they are often forgettable, at its very worst, parts will burrow in to your head through sheer annoyance rather than being catchy and instant, for example ‘El Pueblo Unido’, particularly with its whistled introduction.
Fitting closely with folk metal, often this style requires a suspension of belief in return for grin inducing ecstasy; instead Peace, Love & Russian Roll leaves little more than a grimace at best. The unique idea and approach is commendable but comes off like a car crash as nuances, instruments and passages are seemingly forced in to try and grab you and make you have fun, much like the class clown who tries too many tricks to look funny and instead just becomes an irritant.