Whilst Los Angeles’ Ashen Horde may have favoured a more Northern European tint their Black Metal sound, members of that band have gone on to form Abhoria. On Depths (Prosthetic Records) they continue to uphold their legacy of legitimacy seamlessly. This means they can create an authentic mood to translate this sound tangibly, however, there still is the question… can you write a song?Continue reading
I was just thinking about how my gym setlist has been lacking in death metal of late. Fortunately I think I found some good cardio workout music in the latest release from Dripping Decay and their new EP, Ripping Remains (Satanik Royalty).
Their ranks include some well known names on the death metal scene: Jackson Jordon (Conducting From The Grave) and Jason Borton (Jungle Rot), so you know you are in for a treat. At a blazing seventeen and a half minutes, that includes a Halloween cover, is a snack-sized death-grind record that any heavy music fan can find enjoyment in.Continue reading
The one-man riff-driven Atmospheric Black Metal act Malist consists of none other than the ever-talented multi-instrumentalist Ovfrost, who “believes that evil dominates the world”. The project is notable for featuring recurring themes that circulate around tyranny, war, and reclusion. To this day, Malist has released four full-length studio albums in a relentlessly belligerent pace, with the fifth full-length, Of Scorched Earth coming via Avantgarde Music.
Of Scorched Earth also marks the start of a new journey that Malist embarks on with the label.Continue reading
Two years after Russian post-Black Metal duo Olhava released Reborn, they return with Sacrifice (Avantgarde Music), their sixth full-length record which is no mean feat considering their self-titled debut only arrived in 2019.
So the word “prolific” might be somewhat of an understatement, as would the words “Long-Player” – as Sacrifice comes in at a whopping eighty-six minutes, quite the run time considering it features just four fully fledged tracks, and four synth/drone interludes. Continue reading
Not unlike their Parliamentarian namesakes, Bradford’s New Model Army have tenaciously hung on to their libertarian left-wing hopes of a new “utopian” society, fusing Punk, Folk, and their own twisted brand of progressive Pop along the way.
The band’s latest full length, Unbroken (earMUSIC) marks their forty-fourth year, and this record brings exactly the experience fans of the band will be looking for.
In 2024, opening your album with a song about warheads falling from the sky is not only timely but casts you as the needed herald of this year’s coming apocalypse and Almost Dead proves themselves to be up for the job on the aptly titled, Destruction Is All We Know (Innerstrength Records).
While they mix thrash and hardcore influences, an important detail when you take into consideration the thrash bands whose names stood the test of time, are those that did so by writing songs that were not only memorable, but employed singers whose voices stood out and did not default to having the vocals a mere obligatory afterthought. Something that metal strayed from over the past decade, but Almost Dead don’t fall prey to.Continue reading
In the beginning … there was Lucifer! And now this fifth full-length outing for the “occult metal” outfit proves to be a thoroughly satisfying, good ol’ heavy rock ’n’ roll album which, at its very best – the outstanding “Slow Dance In A Crypt” – can be downright beautiful and utterly beguiling.
With song-writing nous, all-round playing chops and excellent production, including a superb, crunchy guitar sound, Lucifer V (Nuclear Blast Records) has at its heart the clean, clear, commanding voice of Johanna Platow Andersson.Continue reading
Mountain Caller’s latest release, Chronicle II: Hypergenesis (Church Road Records), is the much-anticipated follow-up LP to 2020’s Chronicle I: The Truthseeker. The London-based three-piece (Claire Simson on guitar, El Reeve on bass, and Max Maxwell on drums) perform mostly instrumental music that (so it is said) “[transcends] language and [communicates] through the universal language of sound”.
And, true to the words of the press hype in question, Hypergenesis does indeed cross musical boundaries in a way that, whilst not entirely new, feels burstingly fresh and urgent.Continue reading
GUHTS (presumably pronounced guts?), formed in 2019 and comprises of musicians from Witchkiss, Black Mountain Hunger, SleapingDreaming and Nefariant. And excitingly, Regeneration is being co-released by two excellent labels, Seeing Red Records (US) and New Heavy Sounds (UK).Continue reading
New year, new label… Following their first two releases under the Prosthetic Records banner, UK-based Death Metallers Cognizance are back with Phantazein, a concept album via Willowtip Records that focuses primarily on “art, obsession, and the profound influence of one’s environment.”
The five-piece outfit surpasses typical Death Metal and on this record introduces elements of Technical Death Metal and thrash. None of this puts a strain on the production value, which is a well-oiled machine – and certainly sounds like it – from start to finish.